Astrid Casali
Actor · Born October 11, 1992 (34) · Ponte dell'Olio, Italy
Astrid Casali was born on 11 October 1992 in Ponte dell'Olio, Piacenza, Emilia-Romagna, Italy. She is an actress, known for Emergency Treatment (2007), Brigands: The Quest for Gold (2024) and Romanzo siciliano (2016).
Biography from IMDb.
- October 11, 1992 (34)
- Ponte dell'Olio, Italy
- Actor
- 6 on MovieCove · 14 credits in all
What are Astrid Casali's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
Grounded 1 · Stylized 2 · Heightened 1
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 0 · Open-ended 1 · Ambiguous 3
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Astrid Casali's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Astrid Casali's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 6 with a MovieCove page.
If things could ever talk (not in the MovieCove catalog yet)(2026)
Midcredits score: 42nd percentile of all films
Amichemai (not in the MovieCove catalog yet)(2025)
The Man on the Road(2022)
Midcredits score: 49th percentile of all films
America Latina(2021)
Midcredits score: 52nd percentile of all films
Maledetto Modigliani(2020)
Midcredits score: 80th percentile of all films (provisional, few ratings)
Doc (not in the MovieCove catalog yet)(2020)
B-52 (not in the MovieCove catalog yet)(2020)
1994(2019)
Midcredits score: 70th percentile of all shows
Romanzo Siciliano (not in the MovieCove catalog yet)(2016)
Bob Torrent (not in the MovieCove catalog yet)(2015)
Milano Underground (not in the MovieCove catalog yet)(2014)
Boris(2007)
Midcredits score: 99th percentile of all showsGiorni Innocenti (not in the MovieCove catalog yet)
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 14 titles, 13 of them dated from 2007 to 2026.
Biggest box office
America Latina (2021)
Highest rated
America Latina (2021)
Most popular right now
Antartica - Quasi una fiaba (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Astrid Casali's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 6 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.