Alainée Kent
- Producer
- 12 on MovieCove
What are Alainée Kent's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 9
Light 1 · Serious 5 · Dark 5
A split, not a type: Grounded 2 · Stylized 4 · Heightened 5
Gentle 1 · Charged 4 · Intense 6
Steady 1 · Shifting 6 · Whiplash 4
Straight-faced 7 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 6 · Even-paced 4 · Relentless 1
Casual 1 · Engaged 8 · Full focus 2
A split, not a type: Easy watch 1 · Affecting 4 · Heavy 6
A split, not a type: Resolved 6 · Open-ended 2 · Ambiguous 3
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alainée Kent's films?
As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (6).
- Lionsgate+, show their 2 titles on Lionsgate+
- Magnolia Selects, show their 2 titles on Magnolia Selects
- Warriors & Gangsters, show their 2 titles on Warriors & Gangsters
- Hi-YAH!, show their title on Hi-YAH!
- Monsters and Nightmares, show their title on Monsters and Nightmares
- Sundance Now, show their title on Sundance Now
Subscription and free streaming for Alainée Kent's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 12 with a MovieCove page.

Bad Lieutenant: Tokyo(2026)
Midcredits score: 43rd percentile of all films
Grand Maison Paris(2024)
Midcredits score: 59th percentile of all films
Midcredits score: 30th percentile of all films
EO(2022)
Midcredits score: 72nd percentile of all films
Pinocchio(2019)
Midcredits score: 55th percentile of all films
Samurai Marathon(2019)
Midcredits score: 49th percentile of all films
Blade of the Immortal(2017)
Midcredits score: 75th percentile of all films
High-Rise(2015)
Midcredits score: 29th percentile of all films
Tale of Tales(2015)
Midcredits score: 60th percentile of all films
Only Lovers Left Alive(2013)
Midcredits score: 89th percentile of all films
Dom Hemingway(2013)
Midcredits score: 44th percentile of all films
Kon-Tiki(2012)
Midcredits score: 85th percentile of all films
Career shape
A full career of 11 titles from 2013 to 2026.

Biggest box office
Grand Maison Paris (2024)

Highest rated
Only Lovers Left Alive (2013)

Most popular right now
EO (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alainée Kent's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th5
Shape of the crowd
6 of their 12 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser6
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Alainée Kent's work okay for kids?
Across up to 8 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Alainée Kent work with?
People who share at least 2 of Alainée Kent's MovieCove titles, grouped by what they did on them; Jeremy Thomas shares the most, 11.
Directors
- Takashi MiikeShared titles: Bad Lieutenant: Tokyo (2026), Blade of the Immortal (2017)See all 2 shared titles with Takashi Miike

- Matteo GarroneShared titles: Pinocchio (2019), Tale of Tales (2015)See all 2 shared titles with Matteo Garrone

Actors
- Takuya KimuraShared titles: Grand Maison Paris (2024), Blade of the Immortal (2017)See all 2 shared titles with Takuya Kimura

- Stacy MartinShared titles: High-Rise (2015), Tale of Tales (2015)See all 2 shared titles with Stacy Martin

- Tom HiddlestonShared titles: High-Rise (2015), Only Lovers Left Alive (2013)See all 2 shared titles with Tom Hiddleston

Composers, cinematographers and editors
- Kôji EndôShared titles: Bad Lieutenant: Tokyo (2026), Blade of the Immortal (2017)See all 2 shared titles with Kôji Endô

- Nobuyasu KitaShared titles: Bad Lieutenant: Tokyo (2026), Blade of the Immortal (2017)See all 2 shared titles with Nobuyasu Kita

- Marco SpoletiniShared titles: Pinocchio (2019), Tale of Tales (2015)See all 2 shared titles with Marco Spoletini

Producers
- Jeremy ThomasShared titles: Bad Lieutenant: Tokyo (2026), Grand Maison Paris (2024), EO (2022), Pinocchio (2019), Samurai Marathon (2019), Blade of the Immortal (2017), High-Rise (2015), Tale of Tales (2015), Dom Hemingway (2013), Only Lovers Left Alive (2013), Kon-Tiki (2012)See all 11 shared titles with Jeremy Thomas

- Peter WatsonShared titles: Bad Lieutenant: Tokyo (2026), Pinocchio (2019), Blade of the Immortal (2017), High-Rise (2015), Tale of Tales (2015), Dom Hemingway (2013), Only Lovers Left Alive (2013), Kon-Tiki (2012)See all 8 shared titles with Peter Watson
- Jean LabadieShared titles: Pinocchio (2019), Tale of Tales (2015), Only Lovers Left Alive (2013)See all 3 shared titles with Jean Labadie

- Richard MansellShared titles: Dom Hemingway (2013), Only Lovers Left Alive (2013), Kon-Tiki (2012)See all 3 shared titles with Richard Mansell



