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Jeremy Steckler

Producer · Los Angeles, California, USA

Jeremy Steckler was born in 1975 in Los Angeles, California, USA. He is a producer, known for Spiderhead (2022), Doom (2005) and Mosul (2019). He has been married to Emily Dora Rogath since 26 June 2010.

Biography from IMDb.

From
Los Angeles, California, USA
Works as
Producer
Titles
7 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Jeremy Steckler's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
30%
Survival
22%
Bonds
17%
Morality
16%
Society
12%
Power
3%
Survival3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 2 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 1

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 6 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Melancholic
3
Absurd
1
Hopeful
2
Other
3

How their films linger

Fun2 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeremy Steckler's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Jeremy Steckler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Cat Person(2023)

    Producer

    Midcredits score: 35th percentile of all films

  • Spiderhead(2022)

    Producer

    Midcredits score: 22nd percentile of all films

  • Mosul(2019)

    Producer

    Midcredits score: 86th percentile of all films

  • Army of One(2016)

    Producer

    Midcredits score: 19th percentile of all films

  • 1408(2007)

    Producer

    Midcredits score: 73rd percentile of all films

  • Derailed(2005)

    Producer

    Midcredits score: 59th percentile of all films

  • Doom(2005)

    Producer

    Midcredits score: 15th percentile of all films

Career shape

Across their 7 MovieCove titles from 2005 to 2023.

Biggest box office

1408 (2007)

$133M worldwide

Highest rated

Mosul (2019)

Midcredits 86th

Most popular right now

Derailed (2005)

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score35th

By decade

2000s3 · crew2010s2 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jeremy Steckler's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 7

Approval · how many liked their films

39thpercentile
Typical film, the median of 7

Reach · how many have seen their films

95thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th3

Shape of the crowd

None of their 7 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed2

Most loved · producer

Mosul (2019)

Midcredits 86th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jeremy Steckler's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles62–89 · median 77 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles15–52 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles58–75 · median 63 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles33–57 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles62–83 · median 71 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jeremy Steckler work with?

People who share at least 2 of Jeremy Steckler's MovieCove titles, grouped by what they did on them; Lorenzo di Bonaventura shares the most, 3.

Directors

Actors

Editors

Producers