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John W. Bosher

John W. Bosher

Writer, also producer · Born July 17, 1984 (42) · Richmond, Virginia, USA

John W. Bosher was born on 17 July 1984 in Richmond, Virginia, USA. He is a producer and writer, known for Die in a Gunfight (2021), The Cleaner (2021) and Austin Found (2017).

Biography from IMDb.

Born
July 17, 1984 (42)
From
Richmond, Virginia, USA
Works as
Writer, also producer
Titles
35 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 25% in 30 days

What are John W. Bosher's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Drama10 titlesTypical Midcredits score: 38th percentile
: browse their Drama movies
Comedy6 titlesTypical Midcredits score: 26th percentile
: browse their Comedy movies
Documentary6 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Documentary movies
Action5 titlesTypical Midcredits score: 41st percentile, at or above their average across these genres
: browse their Action movies
Crime4 titlesTypical Midcredits score: 21st percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Survival
27%
Morality
18%
Self
15%
Society
7%
Power
3%
Ideas
2%
Family bonds13 titles, browse their movies with this themeSurvival9 titles, browse their movies with this themeRomantic love8 titles, browse their movies with this themeTrauma8 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themeJustice4 titles, browse their movies with this themePurpose3 titles, browse their movies with this theme

What they feel like to watch

their average across 35 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 14 · Serious 5 · Dark 16

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 27 · Stylized 7 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 9 · Charged 12 · Intense 14

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 19 · Shifting 15 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 23 · Some laughs 8 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 20 · Even-paced 15 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 17 · Engaged 15 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 11 · Affecting 11 · Heavy 13

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 22 · Open-ended 10 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
23
Dread
13
Melancholic
18
Hopeful
10
Warm
8
Other
29

How their films linger

Unsettling15 titles, browse their movies with this aftertasteFeel-good12 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteThought-provoking9 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy11
  • Bittersweet12
  • Tragic1
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John W. Bosher's films?

As of October 24, 2026, 34 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (29).

Also on these channels

Subscription and free streaming for John W. Bosher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 35 with a MovieCove page.

  • Exes of Christmas Past(2025)

    Producer

    Midcredits score: 59th percentile of all films

  • A Heart for Christmas(2024)

    Producer

    Midcredits score: 72nd percentile of all films

  • American Warrior(2024)

    Producer

    Midcredits score: 58th percentile of all films

  • Christmas on the Ranch(2024)

    Producer

    Midcredits score: 44th percentile of all films

  • Haunt Season(2024)

    Producer

    Midcredits score: 23rd percentile of all films

  • Screams from the Tower(2024)

    Producer

    Midcredits score: 71st percentile of all films (provisional, few ratings)

  • Lonesome Soldier(2023)

    Producer

    Midcredits score: 79th percentile of all films

  • Reporting for Christmas(2023)

    Producer

    Midcredits score: 33rd percentile of all films

  • The Harbinger(2022)

    Producer

    Midcredits score: 14th percentile of all films

  • Christmas with Felicity(2021)

    Producer

    Midcredits score: 25th percentile of all films

  • Die in a Gunfight(2021)

    Producer

    Midcredits score: 29th percentile of all films

  • The Cleaner(2021)

    Producer

    Midcredits score: 30th percentile of all films

  • Before the Fire(2020)

    Producer

    Midcredits score: 12th percentile of all films

  • Hunter's Creed(2020)

    Producer

    Midcredits score: 43rd percentile of all films

  • The Voices(2020)

    Producer

    Midcredits score: 9th percentile of all films

  • 100 Days to Live(2019)

    Producer

    Midcredits score: 54th percentile of all films

  • Behind the Bullet(2019)

    Producer

    Midcredits score: 22nd percentile of all films

  • Crossbreed(2019)

    Producer

    Midcredits score: 41st percentile of all films

  • Itsy Bitsy(2019)

    Producer

    Midcredits score: 29th percentile of all films

  • The City That Sold America(2019)

    Producer

    Midcredits score: 87th percentile of all films (provisional, few ratings)

  • The Dawn(2019)

    Producer

    Midcredits score: 49th percentile of all films

  • The World Without You(2019)

    Producer

    Midcredits score: 19th percentile of all films

  • Boy Band(2018)

    Producer

    Midcredits score: 26th percentile of all films

  • Time Well Spent(2018)

    Producer

    Midcredits score: 94th percentile of all films (provisional, few ratings)

  • Up to Snuff(2018)

    Producer

    Midcredits score: 92nd percentile of all films (provisional, few ratings)

  • We Are Columbine(2018)

    Producer

    Midcredits score: 69th percentile of all films

  • Above Ground(2017)

    Producer

    Midcredits score: 5th percentile of all films

  • Aliens: Zone of Silence(2017)

    Producer

    Midcredits score: 4th percentile of all films

  • Austin Found(2017)

    Producer

    Midcredits score: 26th percentile of all films

  • Zero Weeks(2017)

    Producer

    Midcredits score: 57th percentile of all films (provisional, few ratings)

  • Dead Draw(2016)

    Producer

    Midcredits score: 12th percentile of all films

  • Terrordactyl(2016)

    Producer

    Midcredits score: 9th percentile of all films

  • #Lucky Number(2015)

    Producer

    Midcredits score: 21st percentile of all films

  • Animals(2014)

    Producer

    Midcredits score: 60th percentile of all films

  • Chicago Overcoat(2009)

    Producer · Screenplay

    Midcredits score: 42nd percentile of all films

Career shape

A full career of 1 title in 2009.

Biggest box office

The Harbinger (2022)

$523K worldwide

Highest rated

Lonesome Soldier (2023)

Midcredits 79th

Most popular right now

Itsy Bitsy (2019)

How do John W. Bosher's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 35; across their 35 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 35

Approval · how many liked their films

45thpercentile
Typical film, the median of 35

Reach · how many have seen their films

44thpercentile
Typical film, the median of 35

Midcredits score across 35 titles, by percentile

  • 75th and up4
  • 50th to 74th8
  • 25th to 49th12
  • Below 25th11

Shape of the crowd

16 of their 35 titles are Mixed.

  • Universally Loved2
  • Universally Panned1
  • Loved with Detractors3
  • Divisive4
  • Cult Classic6
  • Crowd Pleaser3
  • Mixed16

Most divisive · producer

Boy Band (2018)

98th percentile spread · 51% rated it 4 or lower

Most loved · producer

Lonesome Soldier (2023)

Midcredits 79th · 92% liked

Reviewers score the dialogue 44/100 and the plot and story 42/100 in their films, across 29 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John W. Bosher's work okay for kids?

Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles12–58 · median 27 · mildnear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John W. Bosher work with?

People who share at least 2 of John W. Bosher's MovieCove titles, grouped by what they did on them; Chris Charles shares the most, 35.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers