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Nan McNamara

Nan McNamara

Actor

Nan received the Stage Raw Award and Robby Award as well as Los Angeles Drama Critics Award Nomination, Ovation Award (Best Production) and Scenie Award for her portrayal of Katherine Brandt in Moises Kaufman's 33 Variations at Actors Co-op. Nan also received the Los Angeles Drama Critics Circle Award and L.A. Weekly Award for her portrayal of Vivian Bearing in Margaret Edson's Pulitzer Prize-winning, Wit (also at Actors Co-op). She has worked consistently on the stage in leading roles in scores of productions including Robert Harling's Steel Magnolias (Truvy), Lee Blessing's A Walk in the Woods (Joan Honeyman), Pocket Universe by Thomas Brandon (World Premiere), Brian Friel's Dancing at Lughnasa (Kate), Lee Blessing's Going to St. Ives (Cora), Spinning Into Butter (Sara Daniels), Eugene O'Neil's Long Day's Journey Into Night (Mary Tyrone), The Crucible (Elizabeth), Chekhov's Uncle Vanya (Yelena) and Shakespeare's As You Like It (Rosalind). In addition to her work in front of the camera, Nan is an accomplished voiceover artist. She has recorded hundreds of radio and TV commercials for clients such as Dirt Devil, Clorox, Walgreens, Fiber Plus, Fancy Feast, McDonalds and Nesquik to name a few. In the world of video games, Nan is the voice of Anya in the Gears of War trilogy, as well as Dr. Betty Ross in the Ultimate Avengers animated films, among many other titles. Nan has voiced promos for various networks and affiliates, and narrated a number of documentaries. Nan is also an award-winning audiobook narrator (Earphones and "Best Audiobook of 2016" for Mister Monkey by Francine Prose). Her narration has been described by AudioFile Magazine as "richly observed," "heartbreaking" and "smoothly shift[s] to whatever character, time, or emotion she is portraying." She has narrated nearly 100 fiction and non-fiction titles in many genres for Penguin/RandomHouse, Hachette, Tantor, Christian Audio, HarperCollins, Oasis Audio, Skyboat Media, Dreamscape and Audible. Nan and her writing partner, Ana Auther, formed Anagram Film Creations in 2016, a production company focusing on female-driven stories. Their current project is a television movie entitled Home Run Christmas. In addition to her work as an actor, Nan has directed numerous theatre productions including Last Train to Nibroc and See Rock City at Actors Co-op, two of the three plays which comprise The Nibroc Trilogy (Critic's Choice-Los Angeles Times, Critic's Pick-Backstage West, Recommended-LA Weekly). The Nibroc Trilogy garnered six L.A. Weekly nominations (two wins) and a Garland Award Honorable Mention for her direction. She also directed Actors Co-op's 20th Anniversary season opener, the musical The 1940s Radio Hour, which garnered four NAACP Theatre Award nominations. Additional directing credits include the critically-acclaimed production of The Boys Next Door (Critic's Choice-Los Angeles Times, Critic's Pick-Backstage West). Nan was Producing Director of Actors Co-op from 1999 to 2002 where she was responsible for overseeing all elements of theatre production. In 2020, she will direct Lee Blessing's play (world premiere new ending), A Body of Water. Nan has taught acting and voice production at Azusa Pacific University and Vanguard University. She also taught acting under Diana Castle at The Imagined Life studios in Los Angeles. Nan is originally from St. Paul, Minnesota. She graduated Cum Laude from St. Cloud State University with a Bachelor of Arts in Theatre.

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Biography from IMDb.

TMDB popularity, last 63 days to Oct 26Down 31% in 30 days

What are Nan McNamara's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 3 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
2
Dread
1
Warm
1
Hopeful
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nan McNamara's films?

As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Nan McNamara's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Good Grief(2024)

    as Claire Murphy

    Midcredits score: 67th percentile of all films (provisional, few ratings)
  • 9-1-1: Lone Star(2020)

    Show 1 episode · as Gloria

    Midcredits score: 67th percentile of all shows
  • Good Trouble(2019)

    Show 1 episode · as Joyce Mason

    Midcredits score: 74th percentile of all shows
  • Rosewood(2015)

    Show 1 episode · as Angrier Resident

    Midcredits score: 42nd percentile of all shows
  • Foreclosed(2013)

    as Trudy Sherman

    Midcredits score: 25th percentile of all films
  • Not That Funny(2012)

    as Mary

    Midcredits score: 41st percentile of all films
  • Switched at Birth(2011)

    Show 1 episode · as Brenda Powers

    Midcredits score: 81st percentile of all shows
  • Hawaii Five-0(2010)

    Show 1 episode · as Maura

    Midcredits score: 75th percentile of all shows
  • Ultimate Avengers II(2006)

    as Betty Ross (voice)

    Midcredits score: 61st percentile of all films
  • Ultimate Avengers: The Movie(2006)

    as Betty Ross (voice)

    Midcredits score: 66th percentile of all films
  • Time Changer(2002)

    as Tom's wife

    Midcredits score: 36th percentile of all films
  • Melrose Place(1992)

    Show 1 episode · as Female Executive

    Midcredits score: 14th percentile of all shows
  • ALF(1986)

    Show 1 episode · as Tartikoff's Secretary

    Midcredits score: 69th percentile of all shows
  • Knots Landing(1979)

    Show 1 episode · as Receptionist

    Midcredits score: 49th percentile of all shows

Career shape

Star power in the 71st percentile of 239,109 people with a billed film role, over a full career of 14 titles from 1979 to 2024; peak year 2005.

Film career

19792024

Peak 2005 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

By role

only this rolewith another role
Acting14 of 14: 14 only acting, 0 with another role · typical Midcredits score64th

By decade

1970s1 · acting1980s1 · acting1990s1 · acting2000s3 · acting2010s6 · acting2020s2 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nan McNamara's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 4

Approval · how many liked their films

59thpercentile
Typical film, the median of 4

Reach · how many have seen their films

74thpercentile
Typical film, the median of 4

Midcredits score across 14 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th1

Reviewers score the acting 61/100 in their films, across 4 reviewed titles; fans 68, detractors 37. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nan McNamara work with?

People who share at least 2 of Nan McNamara's MovieCove titles, grouped by what they did on them; Bob Richardson shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers