
Jenna Rosher
Cinematographer and director, also producer
For over twenty years Jenna has produced, directed and filmed a wide variety of social, political and music documentaries for television and film. A third generation cinematographer, Jenna combines her love of filming with her passion for people and storytelling. This has given her the opportunity to not only shoot, but also direct a number of high-profile, award-winning projects. Her work has been featured on HBO, Showtime, PBS, Netflix, Amazon, New York Times.com, CNN, Nat Geo, MTV, VH1, USA Network, TLC, Discovery Channel, BBC, Sundance Channel, A&E, ESPN, ABC and CBS. In 2004, she directed the critically acclaimed documentary Dave and Trey Go to Africa, a musical portrait of Dave Matthews and Phish's Trey Anastasio during their visit to Dakar, Senegal where they collaborated with one of West Africa's foremost groups Orchestra Baobab. In 2005, Jenna worked as a co-cinematographer on Jesus Camp, the award-winning documentary about an evangelical summer camp for kids. The film earned numerous awards including a 2007 Academy Award Nomination for Best Feature Documentary. In 2009, she premiered her feature documentary Junior, a hilarious and heartfelt portrait of a mother and son growing old together. Junior won the Best Documentary prize at the 2009 Woodstock Film Festival and the 2009 Audience Award at Sheffield Docfest in the UK. As a cinematographer, Jenna has had the great fortune of collaborating with such talents as Heidi Ewing & Rachel Grady (Jesus Camp/Norman Lear: Just Another Version of You), Amy Berg (Janis Joplin: Little Girl Blue), RJ Cutler (September Issue), Marina Zenovich (Robin Williams: Come Inside My Mind), Lauren Greenfield (Generation Wealth) and Rory Kennedy (Above and Beyond: NASA's Journey Into Tomorrow). Jenna produced and directed a two-hour documentary special for History Channel entitled LA Riots: 25 Years Later, a deep look into the racial and political significance of the country's most devastating urban riot. Jenna Rosher is a member of the Academy Motion Picture Arts and Sciences.
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Biography from IMDb.
- Cinematographer and director, also producer
- 23 on MovieCove · 29 credits in all
Known for
What are Jenna Rosher's films like?
Across their 22 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 17
A split, not a type: Light 7 · Serious 4 · Dark 6
Grounded 16 · Stylized 1 · Heightened 0
Gentle 7 · Charged 8 · Intense 2
Steady 14 · Shifting 3 · Whiplash 0
Straight-faced 12 · Some laughs 4 · Funny 1
Slow burn 15 · Even-paced 2 · Relentless 0
Casual 8 · Engaged 9 · Full focus 0
Easy watch 6 · Affecting 7 · Heavy 4
Resolved 16 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet11
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jenna Rosher's films?
As of October 24, 2026, 19 of their 23 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jenna Rosher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 23 with a MovieCove page.

Couture to the Max (not in the MovieCove catalog yet)(2026)

Marc by Sofia(2025)
Midcredits score: 46th percentile of all films
Midcredits score: 91st percentile of all films
Midcredits score: 49th percentile of all films (provisional, few ratings)
Midcredits score: 97th percentile of all films
Midcredits score: 22nd percentile of all shows
Diane Warren: Relentless(2024)
Midcredits score: 48th percentile of all films
Midcredits score: 61st percentile of all films
Social Studies (not in the MovieCove catalog yet)(2024)

Martha(2024)
Midcredits score: 89th percentile of all films
Phoenix Rising(2022)
Midcredits score: 46th percentile of all shows
Keep This Between Us(2022)
Midcredits score: 22nd percentile of all shows
Midcredits score: 97th percentile of all films
Call Your Mother(2020)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Dear...(2020)
Midcredits score: 25th percentile of all shows
Midcredits score: 68th percentile of all films
Midcredits score: 55th percentile of all shows
Weed the People(2018)
Midcredits score: 87th percentile of all films
Midcredits score: 98th percentile of all films
Midcredits score: 94th percentile of all films
Midcredits score: 79th percentile of all films (provisional, few ratings)
Poisoning Paradise(2017)
Midcredits score: 83rd percentile of all films (provisional, few ratings)
Midcredits score: 85th percentile of all films
Janis: Little Girl Blue(2015)
Midcredits score: 92nd percentile of all filmsQueen Vee (not in the MovieCove catalog yet)(2015)

An Open Secret (not in the MovieCove catalog yet)(2014)

Junior (not in the MovieCove catalog yet)(2013)

Let’s Spend the Night Together: Confessions of Rock’s Greatest Groupies (not in the MovieCove catalog yet)(2010)

Jesus Camp(2006)
Midcredits score: 89th percentile of all films
Career shape
A full career of 22 titles from 2006 to 2026.

Biggest box office
It's Never Over, Jeff Buckley (2025)

Highest rated
Robin Williams: Come Inside My Mind (2018)

Most popular right now
Billie Eilish: The World's a Little Blurry (2021)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jenna Rosher's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 18; across their 17 films with reception data, the typical film sits in the 84th percentile for acclaim.
- 75th and up12
- 50th to 74th4
- 25th to 49th5
- Below 25th2
Shape of the crowd
6 of their 23 titles are Crowd Pleasers.
- Universally Loved4
- Loved with Detractors1
- Divisive2
- Cult Classic4
- Crowd Pleaser6
- Broadly Agreed1
- Mixed5
Reviewers score the cinematography 42/100 in their films, across 8 reviewed titles; fans 54, detractors 33. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jenna Rosher work with?
People who share at least 2 of Jenna Rosher's MovieCove titles, grouped by what they did on them; Amy Berg shares the most, 4.
Directors
- Amy BergShared titles: It's Never Over, Jeff Buckley (2025), Keep This Between Us (2022), Phoenix Rising (2022), Janis: Little Girl Blue (2015)See all 4 shared titles with Amy Berg

- Heidi EwingShared titles: Call Your Mother (2020), Norman Lear: Just Another Version of You (2016), Jesus Camp (2006)See all 3 shared titles with Heidi Ewing

- Rachel GradyShared titles: Call Your Mother (2020), Norman Lear: Just Another Version of You (2016), Jesus Camp (2006)See all 3 shared titles with Rachel Grady

- R.J. CutlerShared titles: Marc by Sofia (2025), Elton John: Never Too Late (2024), Billie Eilish: The World's a Little Blurry (2021), Dear... (2020)See all 4 shared titles with R.J. Cutler

Writers
- Mark BaileyShared titles: The Trial of Alec Baldwin (2025), Above and Beyond: NASA's Journey to Tomorrow (2018)See all 2 shared titles with Mark Bailey

Cinematographers and editors
- Curren SheldonShared titles: It's Never Over, Jeff Buckley (2025), Keep This Between Us (2022), Phoenix Rising (2022)See all 3 shared titles with Curren Sheldon

- Poppy DasShared titles: Bad Influence: The Dark Side of Kidfluencing (2025), Elton John: Never Too Late (2024), Robin Williams: Come Inside My Mind (2018)See all 3 shared titles with Poppy Das
- Wolfgang HeldShared titles: It's Never Over, Jeff Buckley (2025), Keep This Between Us (2022), Robin Williams: Come Inside My Mind (2018)See all 3 shared titles with Wolfgang Held

- Greg FintonShared titles: Elton John: Never Too Late (2024), Billie Eilish: The World's a Little Blurry (2021), Robin Williams: Come Inside My Mind (2018)See all 3 shared titles with Greg Finton
Producers
- Trevor SmithShared titles: Marc by Sofia (2025), Elton John: Never Too Late (2024), Billie Eilish: The World's a Little Blurry (2021), Dear... (2020)See all 4 shared titles with Trevor Smith

- Jane Cha CutlerShared titles: Marc by Sofia (2025), Elton John: Never Too Late (2024), Dear... (2020)See all 3 shared titles with Jane Cha Cutler
- Ian EgosShared titles: Elton John: Never Too Late (2024), Billie Eilish: The World's a Little Blurry (2021), Dear... (2020)See all 3 shared titles with Ian Egos
- Katelyn HowesShared titles: Billie Eilish: The World's a Little Blurry (2021), Kids Behind Bars: Life or Parole (2019), Janis: Little Girl Blue (2015)See all 3 shared titles with Katelyn Howes
