Eric Potter

Editor, also producer · Born April 1, 1971 (55) · Anderson, South Carolina, USA

Eric Potter was born in Anderson, South Carolina, USA. He is an editor, known for Underworld: Rise of the Lycans (2009), The Lincoln Lawyer (2011) and Gamer (2009).

Biography from TMDB.

Born: April 1, 1971 (55)
From: Anderson, South Carolina, USA
Works as: Editor, also producer
Titles: 41 on MovieCove · 45 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 11% in 30 days

What are Eric Potter's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Adventure2 titles35^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Survival

31%

Bonds

23%

Morality

22%

Self

9%

Power

7%

Society

5%

Ideas

5%

Survival16 Justice10 Family bonds7 Trauma7 Loyalty5 Friendship4 Revenge3 Redemption3

What they feel like to watch

their average across 36 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 1 · Wry 3 · Earnest 32

Serious

Tone · Weight

lightdark

A split, not a type: Light 10 · Serious 10 · Dark 16

Grounded

Tone · Style

naturalisticheightened

Grounded 23 · Stylized 9 · Heightened 4

Charged

Feel · Intensity

gentleintense

Gentle 7 · Charged 16 · Intense 13

Shifting

Feel · Swings

steadyswings

Steady 15 · Shifting 17 · Whiplash 4

Straight-faced

Feel · Humor

noneconstant

Straight-faced 28 · Some laughs 6 · Funny 2

Even-paced

Demand · Pace

slowrelentless

Slow burn 8 · Even-paced 22 · Relentless 6

Engaged

Demand · Attention

casualfull focus

Casual 15 · Engaged 19 · Full focus 2

Affecting

Demand · Emotional cost

easyheavy

Easy watch 14 · Affecting 16 · Heavy 6

Resolved

Demand · Resolution

resolvedambiguous

Resolved 27 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

30

Dread

14

Thrilling

11

Hopeful

8

Contemplative

5

Other

25

How their films linger

Unsettling17 Bittersweet13 Hopeful10 Cathartic6 Fun6 Thought-provoking5

How their films end · 9 with a twist

Happy10
Bittersweet16
Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eric Potter's films?

As of October 24, 2026, 28 of their 41 MovieCove titles stream on a subscription or free service, most on Tubi (17).

Also on these channels

Howdy2 titles, show their 2 titles on Howdy
MovieSphere+2 titles, show their 2 titles on MovieSphere+
Shout! TV2 titles, show their 2 titles on Shout! TV
Fuse+1 title, show their title on Fuse+
MyOutdoorTV1 title, show their title on MyOutdoorTV
Sony Pictures Core1 title, show their title on Sony Pictures Core
ViX1 title, show their title on ViX

Subscription and free streaming for Eric Potter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 41 with a MovieCove page.

Breaking Cover(2026)
Editor
Mischief Upon Mischief(2026)
Editor
Midcredits score: 66th percentile of all films (provisional, few ratings)
Zip Wire(2026)
Editor
Midcredits score: 15th percentile of all films
Out of Order (not in the MovieCove catalog yet)(2025)
Editor
Into the Deep(2025)
Editor
Midcredits score: 2nd percentile of all films
Milarepa(2025)
Editor
Midcredits score: 49th percentile of all films
72 Hours(2024)
Editor
Midcredits score: 20th percentile of all films
Crescent City(2024)
Editor
Midcredits score: 7th percentile of all films
Half Baked: Totally High(2024)
Editor
Midcredits score: 17th percentile of all films
57 Seconds(2023)
Editor
Midcredits score: 21st percentile of all films
97 Minutes(2023)
Editor
Midcredits score: 45th percentile of all films
Sweetwater(2023)
Editor
Midcredits score: 49th percentile of all films
Welcome to Redville(2023)
Editor
Midcredits score: 3rd percentile of all films
Bring It On: Cheer or Die(2022)
Editor
Midcredits score: 2nd percentile of all films
Section 8(2022)
Editor
Midcredits score: 11th percentile of all films
Jeepers Creepers: Reborn(2022)
Editor
Midcredits score: 1st percentile of all films
Every Last One of Them(2021)
Editor
Midcredits score: 26th percentile of all films
Take Back(2021)
Editor
Midcredits score: 13th percentile of all films
Paradise Cove(2021)
Editor
Midcredits score: 4th percentile of all films
Welcome to Sudden Death(2020)
Editor
Midcredits score: 7th percentile of all films
Paydirt(2020)
Editor
Midcredits score: 46th percentile of all films
Roped (not in the MovieCove catalog yet)(2020)
Editor
The Unhealer(2020)
Editor
Midcredits score: 39th percentile of all films
Toby Goes to Camp(2020)
Editor
Midcredits score: 74th percentile of all films (provisional, few ratings)
Grand Isle(2019)
Editor
Midcredits score: 11th percentile of all films
Dream Killer (not in the MovieCove catalog yet)(2019)
Editor
Drama Drama(2019)
Editor
Midcredits score: 37th percentile of all films
Beyond White Space(2018)
Editor
Midcredits score: 8th percentile of all films
Cult of Chucky(2017)
Assistant Editor
Midcredits score: 25th percentile of all films
9/11(2017)
Associate Producer · Editor
Midcredits score: 11th percentile of all films
The Ice Cream Truck(2017)
Editor · Producer
Midcredits score: 29th percentile of all films
Honey 3: Dare to Dance(2016)
Editor
Midcredits score: 32nd percentile of all films
Vigilante Diaries(2016)
Editor
Midcredits score: 37th percentile of all films
The Cheerleader Murders(2016)
Editor
Midcredits score: 32nd percentile of all films
Kiss Me(2014)
Editor
Midcredits score: 30th percentile of all films
The Vatican Tapes(2015)
Editor
Midcredits score: 21st percentile of all films
The Night Crew(2015)
Editor
Midcredits score: 10th percentile of all films
Hangar 1: The UFO Files(2014)
Show Editor
Midcredits score: 57th percentile of all shows
Rebound(2014)
Editor · Producer
Midcredits score: 10th percentile of all films
No One Lives(2012)
Associate Editor
Midcredits score: 40th percentile of all films
The Big Ask(2013)
Editor
Midcredits score: 13th percentile of all films
Beneath the Darkness(2011)
Editor
Midcredits score: 5th percentile of all films
Born to Ride(2011)
Co-Producer · Editor
Midcredits score: 4th percentile of all films
Underworld: Rise of the Lycans(2009)
Editor
Midcredits score: 62nd percentile of all films
Santa's Chair (not in the MovieCove catalog yet)
Editor

Career shape

A full career of 33 titles, 32 of them dated from 2009 to 2025.

Biggest box office

Underworld: Rise of the Lycans (2009)

$92M worldwide

Highest rated

Underworld: Rise of the Lycans (2009)

Midcredits 62^nd

By role

only this rolewith another role

Producing2 of 33Editing31 of 33 · 13^thOther crew2 of 33

By decade

2000s1 · crew2010s15 · crew2020s16 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Eric Potter's films land?

Their typical MovieCove film has a Midcredits score in the 20^th percentile, the median of the 39 of 40 with a score; across their 36 films with reception data, the typical film sits in the 16^th percentile for acclaim.

Acclaim · how much people like their films

16^thpercentile

Typical film, the median of 36

Approval · how many liked their films

15^thpercentile

Typical film, the median of 36

Reach · how many have seen their films

70^thpercentile

Typical film, the median of 36

Midcredits score across 40 titles, by percentile

50^th to 74^th4
25^th to 49^th14
Below 25^th22

Shape of the crowd

21 of their 40 titles are Mixed.

Universally Panned7
Divisive6
Cult Classic4
Crowd Pleaser1
Broadly Agreed1
Mixed21

Most divisive · editor

Drama Drama (2019)

99^th percentile spread · 41% rated it 4 or lower

Most loved · editor

Underworld: Rise of the Lycans (2009)

Midcredits 62^nd · 59% liked

Reviewers score the pacing 36/100 in their films, across 27 reviewed titles; fans 57, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Eric Potter's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore10 titles49–86 · median 68 · intenseheavier than most films

Sex & Nudity13 titles17–50 · median 32 · mildnear the median of all films

Profanity8 titles29–71 · median 55 · moderateheavier than most films

Alcohol & Drugs8 titles16–60 · median 39 · moderatenear the median of all films

Frightening / Intense9 titles39–69 · median 60 · intenseheavier than most films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.