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Alberto de Toro

Alberto de Toro

Editor and director

Works as
Editor and director
Titles
25 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 18% in 30 days

What are Alberto de Toro's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy9 titlesTypical Midcredits score: 26th percentile
: browse their Comedy movies
Action5 titlesTypical Midcredits score: 42nd percentile, at or above their average across these genres
: browse their Action movies
Drama4 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
36%
Self
17%
Survival
16%
Power
11%
Morality
11%
Society
8%
Ideas
1%
Family bonds8 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeClass3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeCommunity4 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 4 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 15 · Stylized 7 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 11 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 13 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 5 · Funny 10

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 16 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 11 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Absurd
9
Joyful
7
Warm
8
Dread
5
Other
22

How their films linger

Fun13 titles, browse their movies with this aftertasteFeel-good11 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy7
  • Bittersweet10
  • Tragic2
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alberto de Toro's films?

As of October 24, 2026, 14 of their 25 MovieCove titles stream on a subscription or free service, most on Netflix (8).

Also on these channels

Subscription and free streaming for Alberto de Toro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 25 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Old Dog, New Tricks(2025)

    Show 5 episodes · Director

    Midcredits score: 55th percentile of all shows

  • Wolfgang(2025)

    Editor

    Midcredits score: 69th percentile of all films

  • The Other Side(2023)

    Show 6 episodes · Director

    Midcredits score: 49th percentile of all shows

  • Phenomena(2023)

    Editor

    Midcredits score: 24th percentile of all films

  • A Man of Action(2022)

    Editor

    Midcredits score: 58th percentile of all films

  • The Wasteland(2021)

    Editor

    Midcredits score: 8th percentile of all films

  • Valley of the Dead(2020)

    Director

    Midcredits score: 33rd percentile of all films

  • I Can Quit Whenever I Want(2019)

    Editor

    Midcredits score: 31st percentile of all films

  • Superlopez(2018)

    Editor

    Midcredits score: 23rd percentile of all films

  • Arde Madrid (not in the MovieCove catalog yet)(2018)

    Show 8 episodes · Editor

  • It's for Your Own Good(2017)

    Editor

    Midcredits score: 26th percentile of all films

  • 7 Years(2016)

    Editor

    Midcredits score: 70th percentile of all films

  • Kiki, Love to Love(2016)

    Editor

    Midcredits score: 58th percentile of all films

  • We Need to Talk(2016)

    Editor

    Midcredits score: 35th percentile of all films

  • Spy Time(2015)

    Editor

    Midcredits score: 42nd percentile of all films

  • Ahora o nunca(2015)

    Editor

    Midcredits score: 19th percentile of all films

  • Three Many Weddings(2013)

    Editor

    Midcredits score: 48th percentile of all films

  • Tasting Menu(2013)

    Editor

    Midcredits score: 22nd percentile of all films

  • Ghost Graduation(2012)

    Editor

    Midcredits score: 58th percentile of all films

  • I Want to Be a Soldier(2010)

    Editor

    Midcredits score: 41st percentile of all films

  • Spanish Movie(2009)

    Editor

    Midcredits score: 8th percentile of all films

  • Chance (not in the MovieCove catalog yet)(2009)

    Editor

  • Paraiso Travel(2008)

    Editor

    Midcredits score: 83rd percentile of all films

  • Satanas(2007)

    Editor

    Midcredits score: 84th percentile of all films

  • The Ungodly (not in the MovieCove catalog yet)(2007)

    Editor

  • KM 31: Kilómetro 31(2006)

    Editor

    Midcredits score: 30th percentile of all films

  • Killing Cabos(2004)

    Editor

    Midcredits score: 92nd percentile of all films

  • Nicotina(2003)

    Editor

    Midcredits score: 61st percentile of all films

Career shape

A full career of 24 titles from 2003 to 2025.

Biggest box office

Superlopez (2018)

$14M worldwide

Highest rated

Killing Cabos (2004)

Midcredits 92nd

Most popular right now

Old Dog, New Tricks (2025)

By role

only this rolewith another role
Directing3 of 24: 3 only directing, 0 with another roleEditing21 of 24: 21 only editing, 0 with another role · typical Midcredits score45th

By decade

2000s6 · crew2010s12 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alberto de Toro's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 23

Approval · how many liked their films

38thpercentile
Typical film, the median of 23

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 23

Midcredits score across 25 titles, by percentile

  • 75th and up3
  • 50th to 74th7
  • 25th to 49th9
  • Below 25th6

Shape of the crowd

10 of their 25 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser10
  • Broadly Agreed6
  • Mixed8

Most divisive · editor

I Want to Be a Soldier (2010)

69th percentile spread · 22% rated it 4 or lower

Most loved · editor

Killing Cabos (2004)

Midcredits 92nd · 81% liked

Reviewers score the pacing 52/100 in their films, across 22 reviewed titles; fans 62, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alberto de Toro's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles10–62 · median 21 · mildlighter than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alberto de Toro work with?

People who share at least 2 of Alberto de Toro's MovieCove titles, grouped by what they did on them; Javier Ruiz Caldera shares the most, 9.

Directors

Writers

Actors

Composers and cinematographers

Producers