- September 20, 1957 (69)
- Producer and actor
- 8 on MovieCove · 18 credits in all
What are Lee Joon-dong's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 1 · Dark 7
Grounded 4 · Stylized 4 · Heightened 0
A split, not a type: Gentle 0 · Charged 3 · Intense 5
Steady 3 · Shifting 5 · Whiplash 0
Straight-faced 8 · Some laughs 0 · Funny 0
Slow burn 5 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 6 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 7
Resolved 1 · Open-ended 4 · Ambiguous 3
Moods and endings
- Bittersweet5
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee Joon-dong's films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lee Joon-dong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 8 with a MovieCove page.

Possible Love(2026)
Midcredits score: 98th percentile of all films
This Is the President (not in the MovieCove catalog yet)(2023)

Girl Who Dreams About Time (not in the MovieCove catalog yet)(2023)

Yanagawa(2021)
Midcredits score: 61st percentile of all films
Heartbeat (not in the MovieCove catalog yet)(2022)

The Man with High Hopes (not in the MovieCove catalog yet)(2021)

Birthday (not in the MovieCove catalog yet)(2019)

Ode to the Goose (not in the MovieCove catalog yet)(2018)

Burning(2018)
Midcredits score: 93rd percentile of all films
A Quiet Dream (not in the MovieCove catalog yet)(2016)

Love and... (not in the MovieCove catalog yet)(2015)

A Girl at My Door(2014)
Midcredits score: 79th percentile of all films
Hwayi: A Monster Boy(2013)
Midcredits score: 84th percentile of all films
The Cat(2011)
Midcredits score: 39th percentile of all films
Poetry(2010)
Midcredits score: 97th percentile of all films
A Brand New Life (not in the MovieCove catalog yet)(2009)

Never Forever (not in the MovieCove catalog yet)(2007)

Oasis(2002)
Midcredits score: 97th percentile of all films
Career shape
A full career of 17 titles from 2002 to 2026.

Biggest box office
Hwayi: A Monster Boy (2013)

Highest rated
Poetry (2010)

Most popular right now
Burning (2018)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lee Joon-dong's films land?
Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 89th percentile for acclaim.
- 75th and up6
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
3 of their 8 titles are Universally Loved.
- Universally Loved3
- Crowd Pleaser3
- Mixed2
Reviewers score the acting 87/100 in their films, across 7 reviewed titles; fans 91, detractors 70. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lee Joon-dong work with?
People who share at least 2 of Lee Joon-dong's MovieCove titles, grouped by what they did on them; Lee Chang-dong shares the most, 6.
Directors
- Lee Chang-dongShared titles: Possible Love (2026), Burning (2018), A Girl at My Door (2014), Hwayi: A Monster Boy (2013), Poetry (2010), Oasis (2002)See all 6 shared titles with Lee Chang-dong

Writers
- Jungmi OhShared titles: Possible Love (2026), Burning (2018)See all 2 shared titles with Jungmi Oh

Actors
- Sul Kyung-guShared titles: Possible Love (2026), Oasis (2002)See all 2 shared titles with Sul Kyung-gu

- Min Bok-giShared titles: Burning (2018), Poetry (2010)See all 2 shared titles with Min Bok-gi

- Moon Sung-keunShared titles: Burning (2018), A Girl at My Door (2014)See all 2 shared titles with Moon Sung-keun

- Kim Min-jaeShared titles: A Girl at My Door (2014), The Cat (2011)See all 2 shared titles with Kim Min-jae

Composers, cinematographers and editors
- Hyun KimShared titles: Burning (2018), Poetry (2010), Oasis (2002)See all 3 shared titles with Hyun Kim

- Da-Won KimShared titles: Possible Love (2026), Burning (2018)See all 2 shared titles with Da-Won Kim
- Kim Ji-yongShared titles: Possible Love (2026), Hwayi: A Monster Boy (2013)See all 2 shared titles with Kim Ji-yong

- MowgShared titles: Burning (2018), Hwayi: A Monster Boy (2013)See all 2 shared titles with Mowg

Producers
- Lee Dong-HaShared titles: Hwayi: A Monster Boy (2013), The Cat (2011), Poetry (2010)See all 3 shared titles with Lee Dong-Ha

- Sung-min ChoiShared titles: Poetry (2010), Oasis (2002)See all 2 shared titles with Sung-min Choi


