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Matthew Heineman

Matthew Heineman

Director, producer, cinematographer and editor · Born November 30, 1983 (42) · Washington, D.C., USA

Matthew Heineman (born June 6, 1983) is an American documentary filmmaker, director, and producer. His inspiration and fascination with American history led him to early success with the documentary film Cartel Land, which was nominated for an Academy Award for Best Documentary Feature Film, a BAFTA Award for Best Documentary, and won three Primetime Emmy Awards. In 2009, Heineman founded his New York–based production company Our Time Projects, Inc., which would later release Our Time, his first documentary film about what it's like to be young in America, which he shot in the lower 48 states while travelling in an RV with three of his friends after graduating from college. His 2021 film The First Wave received the Pare Lorentz Award from the International Documentary Association, was shortlisted for an Academy Award, and was nominated for seven Emmy Awards, winning Best Documentary, Best Cinematography, and Best Editing. The 2022 film Retrograde was nominated for the Directors Guild of America Award for Outstanding Directing at the Producers Guild of America Awards and won Outstanding Editing at the News and Documentary Emmy Awards. Description above from the Wikipedia article Matthew Heineman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
November 30, 1983 (42)
From
Washington, D.C., USA
Works as
Director, producer, cinematographer and editor
Titles
13 on MovieCove · 20 credits in all
TMDB popularity, last 63 days to Oct 26Down 2% in 30 days

What are Matthew Heineman's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 2 · Dark 6

Grounded 9 · Stylized 0 · Heightened 0

Gentle 0 · Charged 4 · Intense 5

Steady 2 · Shifting 4 · Whiplash 3

Straight-faced 9 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 5 · Relentless 0

Casual 2 · Engaged 6 · Full focus 1

Easy watch 1 · Affecting 1 · Heavy 7

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Contemplative
8
Melancholic
6
Dread
3
Hopeful
4
Other
2

How their films end

  • Bittersweet7
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matthew Heineman's films?

As of October 24, 2026, all 13 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Matthew Heineman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 13 with a MovieCove page.

  • Midcredits score: 93rd percentile of all films
  • American Symphony(2023)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 73rd percentile of all films
  • Transition(2023)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Retrograde (not in the MovieCove catalog yet)(2022)

    Director · Cinematographer · Editor · Producer

  • The First Wave(2021)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 82nd percentile of all films
  • Tiger(2021)

    Show 2 episodes · Director · Executive Producer

    Midcredits score: 80th percentile of all shows
  • The Boy from Medellín(2020)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 53rd percentile of all films
  • A Private War(2018)

    Director · Producer

    Midcredits score: 76th percentile of all films
  • When Lambs Become Lions(2018)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • The Trade(2018)

    Show 9 episodes · Director · Executive Producer

    Midcredits score: 64th percentile of all shows
  • City of Ghosts(2017)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 91st percentile of all films
  • The Third Man (not in the MovieCove catalog yet)(2016)

    Director · Producer

  • Cartel Land(2015)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 92nd percentile of all films
  • Escape Fire: The Fight to Rescue American Healthcare(2012)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 85th percentile of all films
  • Our Time (not in the MovieCove catalog yet)(2009)

    Director · Cinematographer · Editor · Producer · Writer

  • The Alzheimer's Project(2009)

    Show Producer

    Midcredits score: 55th percentile of all shows
  • Overcoming the Storm (not in the MovieCove catalog yet)(2006)

    Director · Cinematographer · Editor · Producer · Writer

  • The Savant (not in the MovieCove catalog yet)

    Show 8 episodes · Director · Executive Producer

  • Untitled Maria Felix Biopic (not in the MovieCove catalog yet)

    Director

  • Untitled Paradise Camp Fire Project (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 19 titles, 16 of them dated from 2006 to 2025.

By role

only this rolewith another role
Directing16 of 19: 2 only directing, 14 with another role · typical Midcredits score80thWriting2 of 19: 0 only writing, 2 with another roleProducing16 of 19: 2 only producing, 14 with another role · typical Midcredits score80thCinematography9 of 19: 0 only cinematography, 9 with another role · typical Midcredits score84thEditing9 of 19: 0 only editing, 9 with another role · typical Midcredits score84thOther crew1 of 19: 1 only other crew, 0 with another role

19 titles, 14 with more than one role — directing and producing overlap on 14 of them.

By decade

2000s2 · crew2010s7 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Matthew Heineman's films land?

Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 9

Approval · how many liked their films

76thpercentile
Typical film, the median of 9

Reach · how many have seen their films

59thpercentile
Typical film, the median of 9

Midcredits score across 13 titles, by percentile

  • 75th and up9
  • 50th to 74th4

Reviewers score the atmosphere 75/100 and the pacing 59/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Matthew Heineman work with?

People who share at least 2 of Matthew Heineman's MovieCove titles, grouped by what they did on them; Joedan Okun shares the most, 8.

Composers, cinematographers and editors

Producers

Mixed roles