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What are John Yoo's films like?

Across their 39 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 38 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 7 · Dark 25

A split, not a type: Grounded 20 · Stylized 17 · Heightened 1

Gentle 1 · Charged 9 · Intense 28

Steady 7 · Shifting 25 · Whiplash 6

Straight-faced 30 · Some laughs 5 · Funny 3

Slow burn 6 · Even-paced 24 · Relentless 8

Casual 9 · Engaged 20 · Full focus 9

Easy watch 3 · Affecting 14 · Heavy 21

Resolved 26 · Open-ended 10 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
33
Melancholic
18
Dread
9
Thrilling
9
Warm
7
Other
21

How their films end · 3 with a twist

  • Happy7
  • Bittersweet17
  • Tragic7
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Yoo's films?

As of October 24, 2026, 36 of their 39 MovieCove titles stream on a subscription or free service, most on Tubi (25).

Subscription and free streaming for John Yoo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 39 with a MovieCove page.

  • Queen Woo(2024)

    Show Producer

    Midcredits score: 69th percentile of all shows
  • Seoul Vibe(2022)

    Producer

    Midcredits score: 42nd percentile of all films
  • Psychokinesis(2018)

    Producer

    Midcredits score: 40th percentile of all films
  • Rampant(2018)

    Producer

    Midcredits score: 59th percentile of all films
  • Swing Kids(2018)

    Producer

    Midcredits score: 97th percentile of all films
  • The Great Battle(2018)

    Producer

    Midcredits score: 82nd percentile of all films
  • The Witness(2018)

    Producer

    Midcredits score: 64th percentile of all films
  • Because I Love You(2017)

    Producer

    Midcredits score: 70th percentile of all films
  • Lucid Dream(2017)

    Producer

    Midcredits score: 47th percentile of all films
  • One-Line(2017)

    Producer

    Midcredits score: 59th percentile of all films
  • Steel Rain(2017)

    Producer

    Midcredits score: 84th percentile of all films
  • The King(2017)

    Producer

    Midcredits score: 76th percentile of all films
  • The Mimic(2017)

    Producer

    Midcredits score: 31st percentile of all films
  • The Villainess(2017)

    Producer

    Midcredits score: 71st percentile of all films
  • A Melody to Remember(2016)

    Producer

    Midcredits score: 91st percentile of all films
  • Missing You(2016)

    Producer

    Midcredits score: 68th percentile of all films
  • Pandora(2016)

    Producer

    Midcredits score: 77th percentile of all films
  • Seoul Station(2016)

    Producer

    Midcredits score: 47th percentile of all films
  • Train to Busan(2016)

    Producer

    Midcredits score: 97th percentile of all films
  • Northern Limit Line(2015)

    Producer

    Midcredits score: 66th percentile of all films
  • The Beauty Inside(2015)

    Producer

    Midcredits score: 91st percentile of all films
  • The Phone(2015)

    Producer

    Midcredits score: 67th percentile of all films
  • The Tiger(2015)

    Producer

    Midcredits score: 88th percentile of all films
  • Twenty(2015)

    Producer

    Midcredits score: 75th percentile of all films
  • You Call It Passion(2015)

    Producer

    Midcredits score: 46th percentile of all films
  • Big Match(2014)

    Producer

    Midcredits score: 58th percentile of all films
  • Man in Love(2014)

    Producer

    Midcredits score: 83rd percentile of all films
  • Obsessed(2014)

    Producer

    Midcredits score: 57th percentile of all films
  • Sea Fog(2014)

    Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 84th percentile of all films
  • Cold Eyes(2013)

    Producer

    Midcredits score: 88th percentile of all films
  • Hide and Seek(2013)

    Producer

    Midcredits score: 58th percentile of all films
  • Miracle in Cell No. 7(2013)

    Producer

    Midcredits score: 99th percentile of all films
  • Moebius(2013)

    Producer

    Midcredits score: 58th percentile of all films
  • Montage(2013)

    Producer

    Midcredits score: 91st percentile of all films
  • New World(2013)

    Producer

    Midcredits score: 95th percentile of all films
  • The Attorney(2013)

    Producer

    Midcredits score: 95th percentile of all films
  • Love 911(2012)

    Producer

    Midcredits score: 81st percentile of all films
  • Midcredits score: 90th percentile of all films

Career shape

Across their 39 MovieCove titles from 2004 to 2024.

By role

only this rolewith another role
Producing39 of 39: 39 only producing, 0 with another role · typical Midcredits score75th

By decade

2000s1 · crew2010s36 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do John Yoo's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 38; across their 38 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 38

Approval · how many liked their films

72ndpercentile
Typical film, the median of 38

Reach · how many have seen their films

87thpercentile
Typical film, the median of 38

Midcredits score across 39 titles, by percentile

  • 75th and up20
  • 50th to 74th13
  • 25th to 49th6

Shape of the crowd

20 of their 39 titles are Crowd Pleasers.

  • Universally Loved7
  • Cult Classic1
  • Crowd Pleaser20
  • Broadly Agreed3
  • Mixed8

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Yoo's work okay for kids?

Across up to 16 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles46–95 · median 88 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity16 titles4–75 · median 19 · mildlighter than most filmsMedian of all films: 32
Profanity8 titles26–51 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles4–53 · median 26 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles50–89 · median 75 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Yoo work with?

People who share at least 2 of John Yoo's MovieCove titles, grouped by what they did on them; Kim Woo-taek shares the most, 13.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers