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Teresa Cheng

Producer

Works as
Producer
Titles
7 on MovieCove · 9 credits in all
TMDB popularity, last 63 days to Oct 26Down 3% in 30 days

What are Teresa Cheng's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
35%
Society
26%
Bonds
21%
Power
9%
Ideas
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 1 · Stylized 1 · Heightened 1

A split, not a type: Gentle 1 · Charged 2 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 3

A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Warm
1
Tense
1
Melancholic
1
Thrilling
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Teresa Cheng's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Peacock (2).

Subscription and free streaming for Teresa Cheng's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page.

  • Midcredits score: 23rd percentile of all films
  • Shrek Forever After(2010)

    Producer

    Midcredits score: 55th percentile of all films
  • Shrek the Halls (not in the MovieCove catalog yet)(2007)

    Producer

  • The Madagascar Penguins in a Christmas Caper (not in the MovieCove catalog yet)(2005)

    Producer

  • Madagascar(2005)

    Co-Producer

    Midcredits score: 81st percentile of all films
  • Shrek 2(2004)

    Head of Production

    Midcredits score: 94th percentile of all films
  • Ace Ventura: When Nature Calls(1995)

    Production Supervisor

    Midcredits score: 56th percentile of all films
  • Batman Forever(1995)

    Digital Effects Producer

    Midcredits score: 21st percentile of all films
  • True Lies(1994)

    Digital Effects Producer

    Midcredits score: 89th percentile of all films

Career shape

A full career of 9 titles from 1994 to 2010.

By role

only this rolewith another role
Producing7 of 9: 7 only producing, 0 with another role · typical Midcredits score55thOther crew2 of 9: 2 only other crew, 0 with another role

By decade

1990s3 · crew2000s4 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Teresa Cheng's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 7; across a limited sample of 3 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 3

Approval · how many liked their films

51stpercentile
Typical film, the median of 3

Reach · how many have seen their films

99thpercentile
Typical film, the median of 3

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • Below 25th2

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Teresa Cheng work with?

People who share at least 2 of Teresa Cheng's MovieCove titles, grouped by what they did on them; William Steig shares the most, 2.

Writers

Actors

Producers