Ramón Esquinas
Actor · Born May 16, 1969 (57) · Madrid, Spain
Ramón Esquinas was born in Madrid. He studied Economics for 3 years but he didn't finish. He worked in fashion at the same time during many years in Spain and other countries. He spent a summer in London as a squatter and he moved to New York to study at the New School University. In New York he got an scholarship as a modern dancer in Ballet Arts and he stayed almost 3 years taking dance classes and acting classes in HB Studio with Uta Hagen among others like Susan Batson. In Germany he worked as a model and as a dancer around the country. He worked in the Opera House of Cologne doing 'Citizen Kane' in the Modern Dance Company Tanz Forum as an actor-dancer. Then he decided to study during 4 years with Cristina Rota working with her as a teacher and directing and starring a Cabaret show quite known in Madrid, La Catarsis del Tomatazo. At the beginning of his career he focused in Theater doing Rossencratz and Guilderstern are dead by Tom Stoppard directed by her maestra as Hamlet. 'Pero, Quién Mató al Teatro?'' by the filmmaker Joaquín Oristrel, 'Verdad o Consecuencia'' by Paola Matienzo, 'El Arte de la Entrevista'' by Juan Mayorga in Teatro María Guerrero and 'Lo que tu quieras'' by Paola Matienzo have been other plays where Ramón Esquinas has been working in theatre.
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Biography from IMDb.
- May 16, 1969 (57)
- Madrid, Spain
- Actor
- 7 on MovieCove · 17 credits in all
Known for
What are Ramón Esquinas' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 1 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 0 · Open-ended 1 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ramón Esquinas' films?
As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Ramón Esquinas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 7 with a MovieCove page.
La última sesión (not in the MovieCove catalog yet)(2026)
Adiós Madrid (not in the MovieCove catalog yet)(2025)
Liuben(2023)
Midcredits score: 59th percentile of all films
The Influence(2019)
Midcredits score: 6th percentile of all films
Elite(2018)
Midcredits score: 60th percentile of all shows
Cable Girls(2017)
Midcredits score: 79th percentile of all shows
The Ministry of Time(2015)
Midcredits score: 91st percentile of all shows
Midcredits score: 55th percentile of all films
Muertos de amor (not in the MovieCove catalog yet)(2013)
Tita Cervera. La baronesa (not in the MovieCove catalog yet)(2011)
Amigos... (not in the MovieCove catalog yet)(2011)
Angel or Demon (not in the MovieCove catalog yet)(2011)
Suspicious Minds (not in the MovieCove catalog yet)(2010)
Dos de mayo, la libertad de una nación (not in the MovieCove catalog yet)(2008)
Plauto, Distorted Memory of an Eventual Fool (not in the MovieCove catalog yet)(2004)
Aquí no hay quien viva (not in the MovieCove catalog yet)(2003)
Intacto(2001)
Midcredits score: 73rd percentile of all films
Career shape
Star power in the 63rd percentile of 239,109 people with a billed film role, over a full career of 17 titles from 2001 to 2026; peak year 2001.
Film career
Peak 2001 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2001Screen debut· Intacto
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ramón Esquinas' films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- Below 25th1
Shape of the crowd
3 of their 7 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed3
Reviewers score the acting 67/100 in their films, across 3 reviewed titles; fans 77, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.