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Mark Slone

Producer

Works as
Producer
Titles
38 on MovieCove · 42 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 19% in 30 days

What are Mark Slone's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama8 titlesTypical Midcredits score: 25th percentile
: browse their Drama movies
Comedy7 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Comedy movies
Action6 titlesTypical Midcredits score: 36th percentile
: browse their Action movies
Adventure4 titlesTypical Midcredits score: 45th percentile
: browse their Adventure movies
Biography4 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Biography movies
Documentary3 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Documentary movies
Horror3 titlesTypical Midcredits score: 25th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
22%
Self
22%
Bonds
21%
Survival
14%
Society
9%
Power
7%
Ideas
5%
Identity7 titles, browse their movies with this themeFamily bonds7 titles, browse their movies with this themeSurvival7 titles, browse their movies with this themeJustice7 titles, browse their movies with this themeRedemption7 titles, browse their movies with this themePurpose6 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeDeception4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 13 · Serious 10 · Dark 14

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 23 · Stylized 8 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 9 · Charged 18 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 19 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 23 · Some laughs 7 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 19 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 19 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 12 · Affecting 14 · Heavy 11

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 17 · Open-ended 15 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
20
Melancholic
14
Dread
8
Contemplative
11
Hopeful
11
Other
34

How their films linger

Bittersweet13 titles, browse their movies with this aftertasteHopeful13 titles, browse their movies with this aftertasteThought-provoking10 titles, browse their movies with this aftertasteFeel-good9 titles, browse their movies with this aftertasteUnsettling10 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy8
  • Bittersweet15
  • Tragic1
  • Ambiguous13

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Slone's films?

As of October 24, 2026, 32 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (20).

Also on these channels

Subscription and free streaming for Mark Slone's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 38 with a MovieCove page.

  • How We Stand(2026)

    Executive Producer

    Midcredits score: 92nd percentile of all films (provisional, few ratings)

  • Youngblood(2025)

    Executive Producer

    Midcredits score: 15th percentile of all films

  • Holy Days(2026)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • Ballistic(2025)

    Producer

    Midcredits score: 11th percentile of all films

  • Autumn and the Black Jaguar(2024)

    Producer

    Midcredits score: 38th percentile of all films

  • The Boy in the Woods(2023)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • My Animal(2023)

    Producer

    Midcredits score: 16th percentile of all films

  • Offside: The Harold Ballard Story(2023)

    Producer

    Midcredits score: 72nd percentile of all films

  • Rosie (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • Revival69: The Concert That Rocked the World(2022)

    Producer

    Midcredits score: 82nd percentile of all films

  • The Grizzlie Truth(2022)

    Producer

    Midcredits score: 77th percentile of all films

  • Backstabbing for Beginners(2018)

    Executive Producer

    Midcredits score: 48th percentile of all films

  • Goon: Last of the Enforcers(2017)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Eye on Juliet(2017)

    Producer

    Midcredits score: 61st percentile of all films

  • Ozzy(2016)

    Executive Producer

    Midcredits score: 23rd percentile of all films

  • Two Lovers and a Bear(2016)

    Producer

    Midcredits score: 45th percentile of all films

  • Man Vs.(2015)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Forsaken(2015)

    Executive Producer

    Midcredits score: 56th percentile of all films

  • Life(2015)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • The Intruders(2015)

    Executive Producer

    Midcredits score: 7th percentile of all films

  • Born to Be Blue(2015)

    Producer

    Midcredits score: 75th percentile of all films

  • The Steps(2015)

    Producer

    Midcredits score: 38th percentile of all films

  • Outcast(2014)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • The Grand Seduction(2013)

    Executive Producer

    Midcredits score: 80th percentile of all films

  • Enemy(2013)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • No Clue(2013)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Dr. Cabbie(2014)

    Producer

    Midcredits score: 53rd percentile of all films

  • The Journey Home(2014)

    Producer

    Midcredits score: 44th percentile of all films

  • The Art of the Steal(2013)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • Stay(2013)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • The Colony(2013)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Antiviral(2012)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Goon(2011)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • Inescapable(2012)

    Producer

    Midcredits score: 19th percentile of all films

  • Afghan Luke(2011)

    Producer

    Midcredits score: 20th percentile of all films

  • Hobo with a Shotgun(2011)

    Producer

    Midcredits score: 53rd percentile of all films

  • The Moth Diaries(2011)

    Producer

    Midcredits score: 14th percentile of all films

  • Hard Core Logo 2 (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Gunless(2010)

    Executive Producer

    Midcredits score: 64th percentile of all films

  • Defendor(2009)

    Producer

    Midcredits score: 67th percentile of all films

  • Good in the Room (not in the MovieCove catalog yet)

    Executive Producer

  • Skin Games (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 25 titles, 23 of them dated from 2010 to 2026.

Biggest box office

Autumn and the Black Jaguar (2024)

$22M worldwide

Highest rated

Revival69: The Concert That Rocked the World (2022)

Midcredits 82nd

Most popular right now

Enemy (2013)

By role

only this rolewith another role
Producing25 of 25: 25 only producing, 0 with another role · typical Midcredits score42nd

By decade

2010s18 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mark Slone's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 38; across their 37 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 37

Approval · how many liked their films

41stpercentile
Typical film, the median of 37

Reach · how many have seen their films

81stpercentile
Typical film, the median of 37

Midcredits score across 38 titles, by percentile

  • 75th and up6
  • 50th to 74th11
  • 25th to 49th11
  • Below 25th10

Shape of the crowd

20 of their 38 titles are Mixed.

  • Universally Loved1
  • Divisive1
  • Crowd Pleaser12
  • Broadly Agreed4
  • Mixed20

Most divisive · producer

Youngblood (2025)

92nd percentile spread · 62% rated it 4 or lower

Most loved · producer

Revival69: The Concert That Rocked the World (2022)

Midcredits 82nd · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Slone's work okay for kids?

Across up to 19 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles18–83 · median 67 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity19 titles4–65 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity11 titles23–88 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles25–66 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles34–85 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mark Slone work with?

People who share at least 2 of Mark Slone's MovieCove titles, grouped by what they did on them; Jeff Sackman shares the most, 7.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles