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Edwin Wendler

Edwin Wendler

Composer · Born April 11, 1975 (51)

Born
April 11, 1975 (51)
Works as
Composer
Titles
14 on MovieCove · 21 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26

What are Edwin Wendler's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Genres

Action7 titlesTypical Midcredits score: 8th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 17th percentile, at or above their average across these genres
: browse their Adventure movies
Comedy2 titlesTypical Midcredits score: 21st percentile, at or above their average across these genres
: browse their Comedy movies
Horror2 titlesTypical Midcredits score: 19th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
41%
Society
26%
Morality
20%
Power
7%
Bonds
4%
Self
2%
Survival9 titles, browse their movies with this themeFaith3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeTradition vs change2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 4 · Wry 2 · Earnest 7

Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 3 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 3 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 8 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 9 · Some laughs 1 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 9 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
6
Absurd
5
Thrilling
5
Hopeful
3
Other
6

How their films linger

Fun5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy4
  • Bittersweet3
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edwin Wendler's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Edwin Wendler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • American Vampires (not in the MovieCove catalog yet)(2026)

    Composer

  • You Can't Leave(2026)

    Composer

    Midcredits score: 87th percentile of all films

  • DreamScapes (not in the MovieCove catalog yet)(2025)

    Composer

  • Mafia Wars(2024)

    Composer

    Midcredits score: 8th percentile of all films

  • Glowzies(2023)

    Composer

    Midcredits score: 19th percentile of all films

  • Jurassic Hunt(2021)

    Composer

    Midcredits score: 3rd percentile of all films

  • Dragon Soldiers(2020)

    Composer

    Midcredits score: 1st percentile of all films

  • Dead Ant(2017)

    Composer

    Midcredits score: 13th percentile of all films

  • Jesus VR (not in the MovieCove catalog yet)(2016)

    Composer

  • Tales of Halloween(2015)

    Composer

    Midcredits score: 30th percentile of all films

  • Unnatural(2015)

    Composer

    Midcredits score: 4th percentile of all films

  • I Spit on Your Grave: Vengeance Is Mine(2015)

    Composer

    Midcredits score: 18th percentile of all films

  • The Mark: Redemption(2013)

    Composer

    Midcredits score: 6th percentile of all films

  • Bulletproof (not in the MovieCove catalog yet)(2013)

    Composer

  • The Mark(2012)

    Composer

    Midcredits score: 8th percentile of all films

  • The Right to Love: An American Family (not in the MovieCove catalog yet)(2012)

    Composer

  • Escape(2012)

    Composer

    Midcredits score: 15th percentile of all films

  • Christmas with a Capital C(2011)

    Composer

    Midcredits score: 21st percentile of all films

  • Azureus Rising (not in the MovieCove catalog yet)(2010)

    Composer

  • Black Oasis (not in the MovieCove catalog yet)(2005)

    Composer

  • Home the Horror Story(2000)

    Composer

    Midcredits score: 20th percentile of all films (provisional, few ratings)

Career shape

A full career of 17 titles from 2000 to 2026.

Biggest box office

Tales of Halloween (2015)

$417K worldwide

Highest rated

Tales of Halloween (2015)

Midcredits 30th

Most popular right now

I Spit on Your Grave: Vengeance Is Mine (2015)

By role

only this rolewith another role
Music17 of 17: 17 only music, 0 with another role · typical Midcredits score13th

By decade

2000s2 · crew2010s10 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Edwin Wendler's films land?

Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 14

Approval · how many liked their films

15thpercentile
Typical film, the median of 14

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up1
  • 25th to 49th1
  • Below 25th12

Shape of the crowd

11 of their 14 titles are Mixed.

  • Universally Panned1
  • Divisive2
  • Mixed11

Most divisive · composer

Home the Horror Story (2000)

98th percentile spread · 52% rated it 4 or lower

Most loved · composer

You Can't Leave (2026)

Midcredits 87th · 85% liked

Reviewers score the sound and music 54/100 in their films, across 11 reviewed titles; fans 64, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Edwin Wendler's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 94 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 48 · moderateMedian of all films: 32
Profanity3 titlesmedian 69 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 44 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 84 · severeMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Edwin Wendler work with?

People who share at least 2 of Edwin Wendler's MovieCove titles, grouped by what they did on them; Hank Braxtan shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles