
Ángel Amorós
Cinematographer, also writer
- Cinematographer, also writer
- 16 on MovieCove · 29 credits in all
What are Ángel Amorós' films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 9
A split, not a type: Light 6 · Serious 4 · Dark 2
Grounded 6 · Stylized 6 · Heightened 0
Gentle 1 · Charged 6 · Intense 5
Steady 4 · Shifting 4 · Whiplash 4
A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 3
Slow burn 2 · Even-paced 9 · Relentless 1
Casual 4 · Engaged 4 · Full focus 4
Easy watch 4 · Affecting 4 · Heavy 4
Resolved 7 · Open-ended 3 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet9
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ángel Amorós' films?
As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service, most on Netflix (4).
Subscription and free streaming for Ángel Amorós' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 16 with a MovieCove page.
Midcredits score: 45th percentile of all shows
Shared Custody(2025)
Midcredits score: 20th percentile of all shows
Championext (not in the MovieCove catalog yet)(2023)

Phenomena(2023)
Midcredits score: 24th percentile of all films
Mañana es hoy(2022)
Midcredits score: 27th percentile of all films
Midcredits score: 8th percentile of all shows
Descarrilados(2021)
Midcredits score: 11th percentile of all films
Someone Has to Die(2020)
Midcredits score: 21st percentile of all shows
Black Beach(2020)
Midcredits score: 28th percentile of all films
A quien dices amar (not in the MovieCove catalog yet)(2019)

My Brother Juan (not in the MovieCove catalog yet)(2019)

Mujeres, de Coque Malla (not in the MovieCove catalog yet)(2019)

Sin fin(2018)
Midcredits score: 71st percentile of all films
Wave of Crimes(2018)
Midcredits score: 27th percentile of all films
Perfect Strangers(2017)
Midcredits score: 72nd percentile of all films
Loving (not in the MovieCove catalog yet)(2017)

The Bar(2017)
Midcredits score: 54th percentile of all films
The Way I Love You (not in the MovieCove catalog yet)(2016)

Bombay Goa Express (not in the MovieCove catalog yet)(2016)

My Big Night(2015)
Midcredits score: 45th percentile of all films
B(2015)
Midcredits score: 74th percentile of all films
The Tip (not in the MovieCove catalog yet)(2014)

Shrew's Nest(2014)
Midcredits score: 72nd percentile of all films
Midcredits score: 74th percentile of all films
The Child (not in the MovieCove catalog yet)(2013)

That Wasn't Me (not in the MovieCove catalog yet)(2012)

Madrid-Moscú (not in the MovieCove catalog yet)(2007)

No One Could Live Here (not in the MovieCove catalog yet)(2003)
Todo arde (not in the MovieCove catalog yet)
Career shape
A full career of 25 titles, 24 of them dated from 2003 to 2023.

Biggest box office
Perfect Strangers (2017)

Highest rated
B (2015)

Most popular right now
If It's Tuesday, It's Murder (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ángel Amorós' films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 50th to 74th6
- 25th to 49th5
- Below 25th5
Shape of the crowd
8 of their 16 titles are Mixed.
- Crowd Pleaser5
- Broadly Agreed3
- Mixed8
Reviewers score the cinematography 69/100 in their films, across 5 reviewed titles; fans 75, detractors 51. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ángel Amorós' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Ángel Amorós work with?
People who share at least 2 of Ángel Amorós' MovieCove titles, grouped by what they did on them; Álex de la Iglesia shares the most, 4.
Directors
- Álex de la IglesiaShared titles: Perfect Strangers (2017), The Bar (2017), My Big Night (2015), Shrew's Nest (2014)See all 4 shared titles with Álex de la Iglesia

- Manolo CaroShared titles: Once Upon a Time... Happily Never After (2022), Someone Has to Die (2020)See all 2 shared titles with Manolo Caro

Writers
- Jorge GuerricaechevarríaShared titles: Perfect Strangers (2017), The Bar (2017), My Big Night (2015)See all 3 shared titles with Jorge Guerricaechevarría

Actors
- Carmen MachiShared titles: Mañana es hoy (2022), The Bar (2017), My Big Night (2015)See all 3 shared titles with Carmen Machi

- Pepón NietoShared titles: Mañana es hoy (2022), Perfect Strangers (2017), My Big Night (2015)See all 3 shared titles with Pepón Nieto

- Carolina BangShared titles: Perfect Strangers (2017), The Bar (2017), My Big Night (2015), Shrew's Nest (2014)See all 4 shared titles with Carolina Bang

- Lorena LópezShared titles: Shared Custody (2025), Phenomena (2023)See all 2 shared titles with Lorena López

Composers and editors
- Domingo GonzálezShared titles: Perfect Strangers (2017), The Bar (2017), My Big Night (2015)See all 3 shared titles with Domingo González

- Joan ValentShared titles: The Bar (2017), My Big Night (2015), Shrew's Nest (2014)See all 3 shared titles with Joan Valent
- Federico JusidShared titles: If It's Tuesday, It's Murder (2026), Wave of Crimes (2018)See all 2 shared titles with Federico Jusid

- Mapa PastorShared titles: Shared Custody (2025), Mañana es hoy (2022)See all 2 shared titles with Mapa Pastor

Producers
- Kiko MartínezShared titles: Phenomena (2023), Perfect Strangers (2017), The Bar (2017), Shrew's Nest (2014)See all 4 shared titles with Kiko Martínez

- Javier PascualShared titles: If It's Tuesday, It's Murder (2026), Shared Custody (2025)See all 2 shared titles with Javier Pascual
- Sofía FábregasShared titles: Shared Custody (2025), The Bar (2017)See all 2 shared titles with Sofía Fábregas
- José Luis JiménezShared titles: Phenomena (2023), Perfect Strangers (2017)See all 2 shared titles with José Luis Jiménez