- August 15, 1967 (59)
- Southgate, Michigan, USA
- Writer, also producer
- 5 on MovieCove
What are Keith Mitchell's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Keith Mitchell's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, on Disney+ (2).
Subscription and free streaming for Keith Mitchell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 19th percentile of all films
Like Mike 2: Streetball(2006)
Midcredits score: 11th percentile of all films
Mr. 3000(2004)
Midcredits score: 25th percentile of all films
Mail to the Chief(2000)
Midcredits score: 32nd percentile of all films
Eddie(1996)
Midcredits score: 20th percentile of all films
Career shape
A full career of 4 titles from 1996 to 2007.
How do Keith Mitchell's films land?
Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 25th to 49th2
- Below 25th3
Shape of the crowd
3 of their 5 titles are Mixed.
- Cult Classic1
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 36/100 and the plot and story 29/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Keith Mitchell work with?
People who share at least 2 of Keith Mitchell's MovieCove titles, grouped by what they did on them; Allie Dvorin shares the most, 2.
Writers
- Allie DvorinShared titles: The Sandlot: Heading Home (2007), Like Mike 2: Streetball (2006)See all 2 shared titles with Allie Dvorin
- Eric ChampnellaShared titles: Mail to the Chief (2000), Eddie (1996)See all 2 shared titles with Eric Champnella
Composers and cinematographers
- Albert J. DunkShared titles: Like Mike 2: Streetball (2006), Mail to the Chief (2000)See all 2 shared titles with Albert J. Dunk
- Stanley ClarkeShared titles: Like Mike 2: Streetball (2006), Eddie (1996)See all 2 shared titles with Stanley Clarke
Producers
- Vicki SotheranShared titles: The Sandlot: Heading Home (2007), Like Mike 2: Streetball (2006)See all 2 shared titles with Vicki Sotheran