Pietro Morana

What are Pietro Morana's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pietro Morana's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Netflix (4).

• Netflix4 titles, browse their movies on this service
  • Nuovo Olimpo (2023) · editor
  • Baby (2018) · editor
  • Zero (2021) · editor
  • Don't Kill Me (2021) · editor
• Prime Video3 titles, browse their movies on this service
  • Portrait of the Queen (2022) · editor
  • Still Fabulous (2024) · editor
  • The Legend of the Christmas Witch (2018) · editor
• Tubi3 titles, browse their movies on this service
  • The Goddess of Fortune (2019) · editor · free
  • Portrait of the Queen (2022) · editor · free
  • The Legend of the Christmas Witch (2018) · editor · free
• Hulu1 title, browse their movies on this service
  • The Ignorant Angels (2022) · editor
• The Roku Channel1 title, browse their movies on this service
  • The Legend of the Christmas Witch (2018) · editor · free

Subscription and free streaming for Pietro Morana's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  I Am the End of the World(2025)

  Editor

  Midcredits score: 11th percentile of all films11^th
• 

  Diamonds(2024)

  Editor

  Midcredits score: 77th percentile of all films77^th
• 

  Still Fabulous(2024)

  Editor

  Midcredits score: 16th percentile of all films16^th
• 

  Nuovo Olimpo(2023)

  Editor

  Midcredits score: 87th percentile of all films87^th
• 

  Portrait of the Queen(2022)

  Editor

  Midcredits score: 62nd percentile of all films (provisional, few ratings)~62^nd
• 

  The Ignorant Angels(2022)

  Show Editor

  Midcredits score: 55th percentile of all shows55^th
• 

  Don't Kill Me(2021)

  Editor

  Midcredits score: 3rd percentile of all films3^rd
• 

  Si vive una volta sola(2021)

  Editor

  Midcredits score: 16th percentile of all films16^th
• 

  Speravo de morì prima(2021)

  Show Editor

  Midcredits score: 32nd percentile of all shows32^nd
• 

  Zero(2021)

  Show Editor

  Midcredits score: 15th percentile of all shows15^th
• 

  The Goddess of Fortune(2019)

  Editor

  Midcredits score: 74th percentile of all films74^th
• 

  Baby(2018)

  Show Editor

  Midcredits score: 53rd percentile of all shows53^rd
• 

  The Legend of the Christmas Witch(2018)

  Editor

  Midcredits score: 12th percentile of all films12^th
• 

  Where Am I Going?(2016)

  Editor

  Midcredits score: 76th percentile of all films76^th

Career shape

Across their 14 MovieCove titles from 2016 to 2025.

Biggest box office

Where Am I Going? (2016)

$76M worldwide

Highest rated

Nuovo Olimpo (2023)

Midcredits 87^th

Most popular right now

Baby (2018)

How do Pietro Morana's films land?

Their typical MovieCove film has a Midcredits score in the 39^th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

7 of their 14 titles are Mixed.

57

• Universally Panned1
• Crowd Pleaser5
• Broadly Agreed1
• Mixed7

Most divisive · editor

I Am the End of the World (2025)

57^th percentile spread · 45% rated it 4 or lower

Most loved · editor

Nuovo Olimpo (2023)

Midcredits 87^th · 76% liked

Reviewers score the pacing 40/100 in their films, across 7 reviewed titles; fans 53, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pietro Morana's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Pietro Morana work with?

People who share at least 2 of Pietro Morana's MovieCove titles, grouped by what they did on them; Ferzan Özpetek shares the most, 4.