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Brian Taylor

Brian Taylor

Writer, director, producer and actor · Coventry, Warwickshire, England, UK

Brian Taylor is an American film director, cinematographer, camera operator, producer, and screenwriter. He is best known for frequently collaborating with Mark Neveldine as Neveldine/Taylor. Taylor attended the Los Angeles Film School in Hollywood, California and began his career as a cinematographer, working on a series on independent films and low-budget shorts. In the early 2000s, Taylor united with Mark Neveldine, both becoming known for their engineering skills as cinematographers and camera operators. They invented "The Roller Dolly," and immediately submitted it for a patent.

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Biography from TMDB.

From
Coventry, Warwickshire, England, UK
Works as
Writer, director, producer and actor
Titles
11 on MovieCove · 14 credits in all
TMDB popularity, last 37 days to Oct 26Down 13% in 30 days

What are Brian Taylor's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 3 · Dark 5

Grounded 3 · Stylized 3 · Heightened 3

Gentle 0 · Charged 0 · Intense 9

A split, not a type: Steady 2 · Shifting 3 · Whiplash 4

Straight-faced 3 · Some laughs 5 · Funny 1

Slow burn 0 · Even-paced 3 · Relentless 6

Casual 3 · Engaged 6 · Full focus 0

Resolved 6 · Open-ended 2 · Ambiguous 1

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
4
Absurd
3
Manic
3
Thrilling
3
Other
4

How their films end · 3 with a twist

  • Happy2
  • Bittersweet2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Brian Taylor's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Brian Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Hellboy: The Crooked Man(2024)

    Director · Screenplay

    Midcredits score: 9th percentile of all films
  • Brave New World(2020)

    Show 1 episode · Creator · Executive Producer · Teleplay

    Midcredits score: 48th percentile of all shows
  • Mom and Dad(2017)

    Director · Producer · Writer

    Midcredits score: 27th percentile of all films
  • Happy!(2017)

    Show 9 episodes · Director · Creator · Teleplay

    Midcredits score: 90th percentile of all shows
  • Midcredits score: 5th percentile of all films
  • Midcredits score: 13th percentile of all films
  • Jonah Hex(2010)

    Screenplay · Story

    Midcredits score: 5th percentile of all films
  • First Person Shooter: The Evolution of Red (not in the MovieCove catalog yet)(2010)

    Actor

  • Inside the Game: Controlling Gamer (not in the MovieCove catalog yet)(2010)

    Actor

  • Tits Against the Glass: Making 'Crank 2' (not in the MovieCove catalog yet)(2009)

    Actor

  • Gamer(2009)

    Director · Executive Producer · Writer

    Midcredits score: 27th percentile of all films
  • Crank: High Voltage(2009)

    Director · "A" Camera Operator · Executive Producer · Screenplay

    Midcredits score: 47th percentile of all films
  • Pathology(2008)

    Producer · Screenplay

    Midcredits score: 39th percentile of all films
  • Crank(2006)

    Director · Camera Operator · Screenplay

    Midcredits score: 75th percentile of all films

Career shape

A full career of 14 titles from 2006 to 2024.

Film career

By role

only this rolewith another role
Acting4 of 14: 4 only acting, 0 with another roleDirecting7 of 14: 1 only directing, 6 with another role · typical Midcredits score27thWriting9 of 14: 1 only writing, 8 with another role · typical Midcredits score39thProducing5 of 14: 0 only producing, 5 with another role · typical Midcredits score39thOther crew4 of 14: 0 only other crew, 4 with another role

14 titles, 8 with more than one role — writing and directing overlap on 6 of them.

By decade

2000s5 · 1 acting · 4 crew2010s7 · 3 acting · 4 crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Brian Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 9

Approval · how many liked their films

23rdpercentile
Typical film, the median of 9

Reach · how many have seen their films

96thpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up2
  • 25th to 49th5
  • Below 25th4

Reviewers score the dialogue 34/100 and the plot and story 31/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Brian Taylor's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles64–97 · median 89 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles22–81 · median 66 · intenseheavier than most filmsMedian of all films: 32
Profanity8 titles43–96 · median 86 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles39–94 · median 57 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense8 titles60–93 · median 83 · severeheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Brian Taylor work with?

People who share at least 2 of Brian Taylor's MovieCove titles, grouped by what they did on them; Mark Neveldine shares the most, 6.

Directors

Actors

Cinematographers and editors

Producers