Skip to content
MovieCove

Pam Ziegenhagen

Editor

Works as
Editor
Titles
8 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 26% in 30 days

What are Pam Ziegenhagen's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
50%
Self
30%
Morality
10%
Society
5%
Ideas
3%
Power
2%
Friendship6 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 8 · Serious 0 · Dark 0

Heightened: How far its world departs from everyday reality. Browse their heightened movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 3 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 3 · Whiplash 0

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 1 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 6 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
8
Warm
6
Thrilling
6
Manic
1
Absurd
1
Other
3

How their films linger

Feel-good7 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertaste

How their films end

  • Happy7
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pam Ziegenhagen's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

Also on these channels

Subscription and free streaming for Pam Ziegenhagen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • The Monkey King(2023)

    Editor

    Midcredits score: 40th percentile of all films

  • Abominable(2019)

    Editor

    Midcredits score: 80th percentile of all films

  • The Star(2017)

    Editor

    Midcredits score: 56th percentile of all films

  • Despicable Me(2010)

    Editor

    Midcredits score: 95th percentile of all films

  • Boog & Elliot's Midnight Bun Run(2006)

    Editor

    Midcredits score: 31st percentile of all films

  • Open Season(2006)

    Editor

    Midcredits score: 45th percentile of all films

  • Mulan II(2004)

    Editor

    Midcredits score: 39th percentile of all films

  • The Emperor's New Groove(2000)

    Editor

    Midcredits score: 93rd percentile of all films

  • Abandoned and Deceived (not in the MovieCove catalog yet)(1995)

    Assistant Editor

Career shape

A full career of 7 titles from 1995 to 2023.

Biggest box office

Despicable Me (2010)

$544M worldwide

Highest rated

Despicable Me (2010)

Midcredits 95th

By role

only this rolewith another role
Editing6 of 7: 6 only editing, 0 with another role · typical Midcredits score43rdOther crew1 of 7: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s4 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Pam Ziegenhagen's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 8

Approval · how many liked their films

53rdpercentile
Typical film, the median of 8

Reach · how many have seen their films

95thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th4

Shape of the crowd

4 of their 8 titles are Mixed.

  • Universally Loved2
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed4

Most divisive · editor

Boog & Elliot's Midnight Bun Run (2006)

67th percentile spread · 26% rated it 4 or lower

Most loved · editor

Despicable Me (2010)

Midcredits 95th · 86% liked

Reviewers score the pacing 56/100 in their films, across 7 reviewed titles; fans 64, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pam Ziegenhagen's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles25–41 · median 35 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles8–24 · median 16 · mildlighter than most filmsMedian of all films: 32
Profanity5 titles7–21 · median 13 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs5 titles6–23 · median 10 · minimallighter than most filmsMedian of all films: 33
Frightening / Intense6 titles20–35 · median 31 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Pam Ziegenhagen work with?

People who share at least 2 of Pam Ziegenhagen's MovieCove titles, grouped by what they did on them; Anthony Stacchi shares the most, 3.

Directors

Writers

Actors

Composers

Producers

Mixed roles