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Hiromasa Yonebayashi

Hiromasa Yonebayashi

Director, writer and actor · Born July 10, 1973 (53) · Ishikawa, Japan

Oscar nominee

From Wikipedia, the free encyclopedia. Hiromasa Yonebayashi (born 1973 in Ishikawa Prefecture, Japan), nicknamed Maro, is a Japanese animator and director for Studio Ghibli. Making his directing debut with them in the film The Borrower Arrietty, he became the youngest director of a Studio Ghibli film. Description above from the Wikipedia article Hiromasa Yonebayashi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
July 10, 1973 (53)
From
Ishikawa, Japan
Works as
Director, writer and actor
Titles
14 on MovieCove · 22 credits in all

What are Hiromasa Yonebayashi's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 2 · Dark 0

A split, not a type: Grounded 1 · Stylized 1 · Heightened 3

Gentle 4 · Charged 1 · Intense 0

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 3 · Heavy 0

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
3
Hopeful
3
Melancholic
2
Bittersweet
1
Warm
2
Other
3

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hiromasa Yonebayashi's films?

As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service, most on HBO Max (8).

Subscription and free streaming for Hiromasa Yonebayashi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 14 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

  • The Imaginary(2023)

    Key Animation

    Midcredits score: 78th percentile of all films
  • The Boy and the Heron(2023)

    Key Animation

    Midcredits score: 96th percentile of all films
  • The Deer King(2021)

    Key Animation

    Midcredits score: 61st percentile of all films
  • With All Our Hearts (not in the MovieCove catalog yet)(2021)

    Director

  • Modest Heroes(2018)

    Director · Key Animation · Screenplay

    Midcredits score: 66th percentile of all films
  • Mary and the Witch's Flower(2017)

    Director · Screenplay

    Midcredits score: 78th percentile of all films
  • When Marnie Was There(2014)

    Director · Screenplay

    Midcredits score: 97th percentile of all films
  • Haikyuu!!(2014)

    Show 1 episode · Key Animation

    Midcredits score: 98th percentile of all shows
  • The Wind Rises(2013)

    Key Animation

    Midcredits score: 98th percentile of all films
  • From Up on Poppy Hill(2011)

    Key Animation

    Midcredits score: 94th percentile of all films
  • The Secret World of Arrietty(2010)

    Director · as Additional Voices (voice)

    Midcredits score: 97th percentile of all films
  • The Theory of Evolution (not in the MovieCove catalog yet)(2008)

    Director · Screenplay · Storyboard

  • Ponyo(2008)

    Key Animation

    Midcredits score: 97th percentile of all films
  • Iblard Time (not in the MovieCove catalog yet)(2007)

    Key Animation

  • Howl's Moving Castle(2004)

    Key Animation

    Midcredits score: 99th percentile of all films
  • Monster(2004)

    Show 1 episode · Key Animation

    Midcredits score: 99th percentile of all shows
  • Imaginary Flying Machines (not in the MovieCove catalog yet)(2002)

    Animation Director

  • Mei and the Kittenbus (not in the MovieCove catalog yet)(2002)

    Animation Director

  • Spirited Away(2001)

    Key Animation

    Midcredits score: 99th percentile of all films
  • Ghiblies (not in the MovieCove catalog yet)(2000)

    Key Animation

  • Master Keaton (not in the MovieCove catalog yet)(1998)

    Show 2 episodes · Key Animation

  • Serial Experiments Lain (not in the MovieCove catalog yet)(1998)

    Show 5 episodes · Key Animation

Career shape

A full career of 22 titles from 1998 to 2023.

By role

only this rolewith another role
Acting1 of 22: 0 only acting, 1 with another roleDirecting6 of 22: 1 only directing, 5 with another roleWriting4 of 22: 0 only writing, 4 with another roleOther crew17 of 22: 16 only other crew, 1 with another role · typical Midcredits score97th

22 titles, 5 with more than one role — other crew and directing overlap on 1 of them.

By decade

1990s2 · crew2000s9 · crew2010s7 · 1 acting · 7 crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Oscar in 2016, Best Animated Feature Film of the Year.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Hiromasa Yonebayashi's films land?

Their typical MovieCove film has a Midcredits score in the 97th percentile, the median of all 12; across their 5 films with reception data, the typical film sits in the 89th percentile for acclaim.

Acclaim · how much people like their films

89thpercentile
Typical film, the median of 5

Approval · how many liked their films

77thpercentile
Typical film, the median of 5

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 5

Midcredits score across 14 titles, by percentile

  • 75th and up12
  • 50th to 74th2

Shape of the crowd

None of their 14 titles divides audiences: 9 are Universally Loved.

  • Universally Loved9
  • Crowd Pleaser5

Reviewers score the atmosphere 80/100 and the pacing 48/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Hiromasa Yonebayashi's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 19 · mildMedian of all films: 44
Sex & Nudity3 titlesmedian 4 · minimalMedian of all films: 32
Profanity3 titlesmedian 5 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 7 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 29 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Hiromasa Yonebayashi work with?

People who share at least 2 of Hiromasa Yonebayashi's MovieCove titles, grouped by what they did on them; Ryôichi Fukuyama shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers