Mae Woods
- Producer
- 10 on MovieCove
What are Mae Woods' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 3 · Dark 2
Grounded 2 · Stylized 4 · Heightened 1
Gentle 0 · Charged 3 · Intense 4
Steady 0 · Shifting 7 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 0 · Even-paced 3 · Relentless 4
Casual 1 · Engaged 6 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mae Woods' films?
As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mae Woods' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Midcredits score: 14th percentile of all films
Johnny Handsome(1989)
Midcredits score: 46th percentile of all films
Tales from the Crypt(1989)
Midcredits score: 90th percentile of all shows
Red Heat(1988)
Midcredits score: 47th percentile of all films
Extreme Prejudice(1987)
Midcredits score: 68th percentile of all films
Crossroads(1986)
Midcredits score: 86th percentile of all films
Brewster's Millions(1985)
Midcredits score: 60th percentile of all films
Streets of Fire(1984)
Midcredits score: 72nd percentile of all films
The Last Picture Show(1971)
Midcredits score: 98th percentile of all films
Targets(1968)
Midcredits score: 91st percentile of all films
Career shape
A full career of 9 titles from 1968 to 1997.
Biggest box office
Brewster's Millions (1985)
Highest rated
Crossroads (1986)
Most popular right now
Brewster's Millions (1985)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mae Woods' films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 10 titles divides audiences: 6 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Broadly Agreed2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mae Woods' work okay for kids?
Across up to 6 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Mae Woods work with?
People who share at least 2 of Mae Woods' MovieCove titles, grouped by what they did on them; Walter Hill shares the most, 6.
Directors
- Walter HillShared titles: Johnny Handsome (1989), Red Heat (1988), Extreme Prejudice (1987), Crossroads (1986), Brewster's Millions (1985), Streets of Fire (1984)See all 6 shared titles with Walter Hill
Writers
- Harry KleinerShared titles: Red Heat (1988), Extreme Prejudice (1987)See all 2 shared titles with Harry Kleiner
Actors
- Peter JasonShared titles: Johnny Handsome (1989), Brewster's Millions (1985)See all 2 shared titles with Peter Jason
Composers, cinematographers and editors
- Freeman A. DaviesShared titles: Johnny Handsome (1989), Red Heat (1988), Extreme Prejudice (1987), Crossroads (1986), Brewster's Millions (1985), Streets of Fire (1984)See all 6 shared titles with Freeman A. Davies
- Ry CooderShared titles: Johnny Handsome (1989), Crossroads (1986), Brewster's Millions (1985), Streets of Fire (1984)See all 4 shared titles with Ry Cooder
- Matthew F. LeonettiShared titles: Johnny Handsome (1989), Red Heat (1988), Extreme Prejudice (1987)See all 3 shared titles with Matthew F. Leonetti
- Carmel DaviesShared titles: Johnny Handsome (1989), Red Heat (1988)See all 2 shared titles with Carmel Davies
Producers
- Andrew G. VajnaShared titles: Johnny Handsome (1989), Red Heat (1988), Extreme Prejudice (1987)See all 3 shared titles with Andrew G. Vajna
- Mario KassarShared titles: Johnny Handsome (1989), Red Heat (1988), Extreme Prejudice (1987)See all 3 shared titles with Mario Kassar
- Gene LevyShared titles: Brewster's Millions (1985), Streets of Fire (1984)See all 2 shared titles with Gene Levy
- Joel SilverShared titles: Brewster's Millions (1985), Streets of Fire (1984)See all 2 shared titles with Joel Silver
