Lothar Wolff

What are Lothar Wolff's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lothar Wolff's films?

As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Martin Luther (1953) · writer, producer · free
  • The Ramparts We Watch (1940) · editor · free
• HBO Max1 title, browse their movies on this service
  • The Testament of Dr. Mabuse (1933) · editor
• MGM+1 title, browse their movies on this service
  • The Ramparts We Watch (1940) · editor
• Prime Video1 title, browse their movies on this service
  • Martin Luther (1953) · writer, producer
• The Criterion Channel1 title, browse their movies on this service
  • The Testament of Dr. Mabuse (1933) · editor

Subscription and free streaming for Lothar Wolff's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

• 

  Question 7(1961)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  The Roman Spring of Mrs. Stone(1961)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Man on a String(1960)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Windjammer: The Voyage of the Christian Radich(1958)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Animal Farm(1954)

  Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Martin Luther(1953)

  Producer · Writer

  Midcredits score: 74th percentile of all films74^th
• 

  Lost Boundaries(1949)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  The Ramparts We Watch(1940)

  Editor

  Midcredits score: 48th percentile of all films (provisional, few ratings)~48^th
• 

  The Testament of Dr. Mabuse(1933)

  Editor

  Midcredits score: 96th percentile of all films96^th

Career shape

Across their 9 MovieCove titles from 1933 to 1961.

Biggest box office

The Testament of Dr. Mabuse (1933)

$28K worldwide

Highest rated

The Testament of Dr. Mabuse (1933)

Midcredits 96^th

Most popular right now

Animal Farm (1954)

How do Lothar Wolff's films land?

Their typical MovieCove film has a Midcredits score in the 74^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 69^th percentile for acclaim.

Shape of the crowd

4 of their 9 titles are Crowd Pleasers.

243

• Universally Loved2
• Crowd Pleaser4
• Mixed3

Most divisive · producer

Question 7 (1961)

64^th percentile spread · 21% rated it 4 or lower

Most loved · editor

The Testament of Dr. Mabuse (1933)

Midcredits 96^th · 84% liked

Reviewers score the pacing 46/100 in their films, across 7 reviewed titles; fans 52, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lothar Wolff work with?

People who share at least 2 of Lothar Wolff's MovieCove titles, grouped by what they did on them; Louis De Rochemont shares the most, 6.