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What are Ann Wingate's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 6

Grounded 6 · Stylized 3 · Heightened 1

Gentle 4 · Charged 6 · Intense 0

Steady 6 · Shifting 4 · Whiplash 0

Straight-faced 8 · Some laughs 1 · Funny 1

Slow burn 7 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 6 · Full focus 1

A split, not a type: Resolved 6 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
6
Warm
3
Contemplative
3
Romantic
3
Other
6

How their films end · 2 with a twist

  • Happy2
  • Bittersweet5
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ann Wingate's films?

As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

Subscription and free streaming for Ann Wingate's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • The American(2010)

    Producer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 67th percentile of all films
  • Into the Storm(2009)

    Producer

    Midcredits score: 78th percentile of all films
  • Judas(2004)

    Producer

    Midcredits score: 25th percentile of all films
  • Perfect Strangers(2004)

    Producer

    Midcredits score: 46th percentile of all films
  • My House in Umbria(2003)

    Producer

    Midcredits score: 71st percentile of all films
  • Midcredits score: 59th percentile of all films
  • Midcredits score: 51st percentile of all films
  • The Hawk(1993)

    Producer

    Midcredits score: 21st percentile of all films
  • Howards End(1992)

    Producer

    Midcredits score: 91st percentile of all films

Career shape

Across their 10 MovieCove titles from 1992 to 2010.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score55th

By decade

1990s4 · crew2000s4 · crew2010s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Ann Wingate's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 10

Approval · how many liked their films

54thpercentile
Typical film, the median of 10

Reach · how many have seen their films

81stpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ann Wingate's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 24 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 43 · moderateMedian of all films: 32
Profanity3 titlesmedian 20 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 31 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ann Wingate work with?

People who share at least 2 of Ann Wingate's MovieCove titles, grouped by what they did on them; Frank Doelger shares the most, 3.

Directors

Writers

Actors

Producers