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Erin Cressida Wilson

Erin Cressida Wilson

Writer, actor and producer · Born February 12, 1964 (62) · San Francisco, California, USA

Independent Spirit Award winner

Erin Cressida Wilson (born February 12, 1964) is an American playwright, screenwriter, professor, and author. Wilson is known for the 2002 film Secretary, which she adapted from a short story by Mary Gaitskill. It won her the Independent Spirit Award for Best First Screenplay and received critical acclaim. She also wrote the screenplays for the 2006 film Fur: An Imaginary Portrait of Diane Arbus, starring Nicole Kidman; for the 2009 erotic thriller Chloe, directed by Atom Egoyan (remake of the 2003 French film Nathalie...); for the 2014 drama Men, Women & Children, co-written with its director Jason Reitman (from the novel by Chad Kultgen); and the 2016 mystery thriller The Girl on the Train, from the Paula Hawkins novel of the same name. The latter is her highest-grossing film to date. She was also a writer-producer on the HBO series Vinyl. Wilson has also authored dozens of plays and short works. She has taught at Duke University, Brown University, and the University of California, Santa Barbara. Description above from the Wikipedia article Erin Cressida Wilson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
February 12, 1964 (62)
From
San Francisco, California, USA
Works as
Writer, actor and producer
Titles
10 on MovieCove · 14 credits in all
TMDB popularity, last 155 days to Oct 26Down 38% in 30 days

What are Erin Cressida Wilson's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 4

A split, not a type: Grounded 4 · Stylized 2 · Heightened 2

Gentle 0 · Charged 5 · Intense 3

Steady 2 · Shifting 5 · Whiplash 1

Straight-faced 6 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 4 · Relentless 0

A split, not a type: Casual 4 · Engaged 2 · Full focus 2

Resolved 3 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Tense
4
Romantic
3
Contemplative
2
Hopeful
2
Other
5

How their films end · 2 with a twist

  • Happy3
  • Bittersweet4
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erin Cressida Wilson's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Erin Cressida Wilson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 10 with a MovieCove page.

  • Eleanor the Great(2025)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • Snow White(2025)

    Screenplay

    Midcredits score: 1st percentile of all films
  • The Girl on the Train(2016)

    Screenplay

    Midcredits score: 59th percentile of all films
  • Men, Women & Children(2014)

    Screenplay

    Midcredits score: 58th percentile of all films
  • Walking Stories (not in the MovieCove catalog yet)(2013)

    Writer

  • Midcredits score: 76th percentile of all films
  • Stoker(2013)

    Additional Writing

    Midcredits score: 71st percentile of all films
  • Chloe(2009)

    Associate Producer · Screenplay

    Midcredits score: 45th percentile of all films
  • Midcredits score: 57th percentile of all films
  • Secretary(2002)

    Screenplay · as Sitting In Mr. Grey's Waiting Room (uncredited)

    Midcredits score: 77th percentile of all films
  • Above Suspicion(2000)

    as Ellie

    Midcredits score: 38th percentile of all films
  • Darrow (not in the MovieCove catalog yet)(1991)

    as Jessie Darrow

  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · as Jessie Darrow

  • Invisible Woman (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 14 titles, 13 of them dated from 1982 to 2025.

Film career

MilestoneAward win

By role

only this rolewith another role
Acting4 of 14: 3 only acting, 1 with another roleWriting9 of 14: 7 only writing, 2 with another role · typical Midcredits score58thProducing2 of 14: 1 only producing, 1 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1980s1 · acting1990s1 · acting2000s3 · 2 acting · 2 crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won an Independent Spirit Award in 2003, Best First Screenplay.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Erin Cressida Wilson's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 8

Approval · how many liked their films

61stpercentile
Typical film, the median of 8

Reach · how many have seen their films

96thpercentile
Typical film, the median of 8

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 7 are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser7
  • Broadly Agreed2

Reviewers score the dialogue 39/100 and the plot and story 46/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Erin Cressida Wilson's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles31–71 · median 38 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles42–71 · median 67 · intenseheavier than most filmsMedian of all films: 32
Profanity5 titles33–76 · median 52 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles19–69 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles31–65 · median 37 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Erin Cressida Wilson work with?

People who share at least 2 of Erin Cressida Wilson's MovieCove titles, grouped by what they did on them; Steven Shainberg shares the most, 2.

Directors

Producers