Kurt Williams
Kurt Williams is a VES award-winning visual effects producer, co-producer, and executive producer who has worked on several Oscar-nominated films.He began his career as a filmmaker in commercials as a producer and AD. Having worked on many feature films as a co-producer, he's proven his talents not only in visual effects but with an overall view toward the entire production of films and episodic projects.His experience in live-action production, motion capture, and visual effects has brought a comprehensive insight to all of his endeavours.Kurt has experience as an executive producer on two (in development) features. Both projects utilised the up-to-the-minute virtual production tools for all phases of production, planning, and budgeting.His role as executive producer included creative and fiscal planning for story development and discovery, pre-production, and physical production through to post, as well as early-stage planning for multiple cross-platform materials.Most recently, he co-produced AVATAR: THE LAST AIRBENDER for Netflix, which included overseeing virtual production using immersive LED wall technology.He is a member of the PGA, DGA, and VES. Information above via their homepage.
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Biography from TMDB.
- Producer
- 11 on MovieCove
What are Kurt Williams' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 0 · Stylized 3 · Heightened 1
Gentle 0 · Charged 1 · Intense 3
Steady 0 · Shifting 4 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 0 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kurt Williams' films?
As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Disney+ (6).
Subscription and free streaming for Kurt Williams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 11 with a MovieCove page; 4 appearances as themselves are hidden until asked for.
Midcredits score: 51st percentile of all shows
X-Men: Dark Phoenix(2019)
Midcredits score: 22nd percentile of all films
Logan(2017)
Midcredits score: 99th percentile of all films
Monster Trucks(2016)
Midcredits score: 29th percentile of all films
Midcredits score: 95th percentile of all films
The Incredible Hulk(2008)
Midcredits score: 58th percentile of all films
X-Men: The Last Stand(2006)
Midcredits score: 59th percentile of all films
Fantastic Four(2005)
Midcredits score: 29th percentile of all films
Scooby-Doo(2002)
Midcredits score: 38th percentile of all films
Midcredits score: 66th percentile of all films
End of Days(1999)
Midcredits score: 30th percentile of all films
Career shape
A full career of 9 titles from 1999 to 2024.
Biggest box office
Rise of the Planet of the Apes (2011)
Highest rated
Rise of the Planet of the Apes (2011)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Kurt Williams' films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 10; across a limited sample of 4 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th4
- Below 25th1
Shape of the crowd
None of their 11 titles divides audiences: 4 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser4
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Kurt Williams' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Kurt Williams work with?
People who share at least 2 of Kurt Williams' MovieCove titles, grouped by what they did on them; Simon Kinberg shares the most, 2.
Writers
- Simon KinbergShared titles: X-Men: Dark Phoenix (2019), X-Men: The Last Stand (2006)See all 2 shared titles with Simon Kinberg
Producers
- Lauren Shuler DonnerShared titles: X-Men: Dark Phoenix (2019), X-Men: The Last Stand (2006)See all 2 shared titles with Lauren Shuler Donner
- Stan LeeShared titles: X-Men: Dark Phoenix (2019), X-Men: The Last Stand (2006)See all 2 shared titles with Stan Lee
