Jan Williams

What are Jan Williams' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jan Williams' films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Disney+ (2).

• Disney+2 titles, browse their movies on this service
  • The Cat from Outer Space (1978) · producer
  • Herbie Goes to Monte Carlo (1977) · producer

Subscription and free streaming for Jan Williams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

• 

  Condorman(1981)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  The Last Flight of Noah's Ark(1980)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  The London Connection (not in the MovieCove catalog yet)(1979)

  Producer
• 

  The Cat from Outer Space(1978)

  Associate Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Child of Glass (not in the MovieCove catalog yet)(1978)

  Producer
• 

  Herbie Goes to Monte Carlo(1977)

  Associate Producer

  Midcredits score: 32nd percentile of all films32^nd

Career shape

A full career of 5 titles from 1977 to 1980.

Biggest box office

Herbie Goes to Monte Carlo (1977)

$29M worldwide

Highest rated

The Cat from Outer Space (1978)

Midcredits 46^th

How do Jan Williams' films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 42^nd percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Mixed.

13

• Broadly Agreed1
• Mixed3

Most loved · producer

The Cat from Outer Space (1978)

Midcredits 46^th · 42% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jan Williams work with?

People who share at least 2 of Jan Williams' MovieCove titles, grouped by what they did on them; Ron Miller shares the most, 4.