David Weisbart

What are David Weisbart's films like?

Across their 34 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Weisbart's films?

As of October 24, 2026, 6 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Dark Passage (1947) · editor · free
  • Them! (1954) · producer · free
  • The Man Who Cheated Himself (1950) · editor · free
  • Love Me Tender (1956) · producer · free
• HBO Max2 titles, browse their movies on this service
  • A Streetcar Named Desire (1951) · editor
  • Night and Day (1946) · editor
• Fandor1 title, browse their movies on this service
  • The Man Who Cheated Himself (1950) · editor
• MGM+1 title, browse their movies on this service
  • The Man Who Cheated Himself (1950) · editor
• Prime Video1 title, browse their movies on this service
  • The Man Who Cheated Himself (1950) · editor
• The Roku Channel1 title, browse their movies on this service
  • The Man Who Cheated Himself (1950) · editor · free

Subscription and free streaming for David Weisbart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 35 with a MovieCove page.

• 

  Valley of the Dolls(1967)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  The Pleasure Seekers (not in the MovieCove catalog yet)(1964)

  Producer
• 

  Goodbye Charlie(1964)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Rio Conchos(1964)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Kid Galahad(1962)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Follow That Dream(1962)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  Flaming Star(1960)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  A Private's Affair(1959)

  Producer

  Midcredits score: 10th percentile of all films10^th
• 

  Holiday for Lovers (not in the MovieCove catalog yet)(1959)

  Producer
• 

  April Love (not in the MovieCove catalog yet)(1957)

  Producer
• 

  Love Me Tender(1956)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Between Heaven and Hell(1956)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Our Miss Brooks(1956)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  The Steel Jungle (not in the MovieCove catalog yet)(1956)

  Producer
• 

  Rebel Without a Cause(1955)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Tall Man Riding(1955)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Jump Into Hell(1955)

  Producer

  Midcredits score: 22nd percentile of all films22^nd
• 

  Target Zero(1955)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Them!(1954)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  The Command(1954)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  The Boy from Oklahoma(1954)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  Thunder Over the Plains(1953)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  The Charge at Feather River(1953)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Carson City(1952)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Mara Maru (not in the MovieCove catalog yet)(1952)

  Producer
• 

  A Streetcar Named Desire(1951)

  Editor

  Midcredits score: 97th percentile of all films97^th
• 

  The Man Who Cheated Himself(1950)

  Editor

  Midcredits score: 72nd percentile of all films72^nd
• 

  The Glass Menagerie (not in the MovieCove catalog yet)(1950)

  Editor
• 

  Perfect Strangers(1950)

  Editor

  Midcredits score: 46th percentile of all films46^th
• 

  The Fountainhead(1949)

  Editor

  Midcredits score: 78th percentile of all films78^th
• 

  A Kiss in the Dark(1949)

  Editor

  Midcredits score: 41st percentile of all films41^st
• 

  The Lady Takes a Sailor(1949)

  Editor

  Midcredits score: 40th percentile of all films40^th
• 

  Johnny Belinda(1948)

  Editor

  Midcredits score: 94th percentile of all films94^th
• 

  Dark Passage(1947)

  Editor

  Midcredits score: 94th percentile of all films94^th
• 

  Stallion Road (not in the MovieCove catalog yet)(1947)

  Editor
• 

  That Hagen Girl(1947)

  Editor

  Midcredits score: 46th percentile of all films46^th
• 

  Night and Day(1946)

  Editor

  Midcredits score: 44th percentile of all films44^th
• 

  My Reputation(1946)

  Editor

  Midcredits score: 81st percentile of all films81^st
• 

  Mildred Pierce(1945)

  Editor

  Midcredits score: 98th percentile of all films98^th
• 

  Conflict(1945)

  Editor

  Midcredits score: 87th percentile of all films87^th
• 

  Roughly Speaking (not in the MovieCove catalog yet)(1945)

  Editor
• 

  The Constant Nymph(1943)

  Editor

  Midcredits score: 68th percentile of all films68^th
• 

  Edge of Darkness(1943)

  Editor

  Midcredits score: 85th percentile of all films85^th

Career shape

A full career of 39 titles from 1943 to 1967.

Biggest box office

Flaming Star (1960)

$4.4M worldwide

Highest rated

Mildred Pierce (1945)

Midcredits 98^th

Most popular right now

A Streetcar Named Desire (1951)

How do David Weisbart's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 35; across their 34 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

20 of their 35 titles are Crowd Pleasers.

5206

• Universally Loved5
• Crowd Pleaser20
• Broadly Agreed6
• Mixed4

Most divisive · producer

A Private's Affair (1959)

51^st percentile spread · 29% rated it 4 or lower

Most loved · editor

Mildred Pierce (1945)

Midcredits 98^th · 88% liked

Reviewers score the pacing 53/100 in their films, across 33 reviewed titles; fans 60, detractors 37. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David Weisbart's work okay for kids?

Across up to 5 MovieCove titles with content scores, alcohol & drugs and frightening / intense run heavier than most films and sex & nudity and profanity lighter.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does David Weisbart work with?

People who share at least 2 of David Weisbart's MovieCove titles, grouped by what they did on them; Max Steiner shares the most, 7.