Dominique Vignet

What are Dominique Vignet's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dominique Vignet's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Charlotte (2021) · producer
• The Criterion Channel1 title, browse their movies on this service
  • One Hundred and One Nights (1995) · producer

Subscription and free streaming for Dominique Vignet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Charlotte(2021)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  One Hundred and One Nights(1995)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  Deadly Games(1989)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  Hard to Be a God(1989)

  Producer

  Midcredits score: 59th percentile of all films59^th

Career shape

Across a limited sample of 4 MovieCove titles from 1989 to 2021.

Biggest box office

Charlotte (2021)

$211K worldwide

Highest rated

One Hundred and One Nights (1995)

Midcredits 66^th

Most popular right now

Deadly Games (1989)

How do Dominique Vignet's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

211

• Crowd Pleaser2
• Broadly Agreed1
• Mixed1

Most divisive · producer

Charlotte (2021)

64^th percentile spread · 21% rated it 4 or lower

Most loved · producer

One Hundred and One Nights (1995)

Midcredits 66^th · 52% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.