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Louise Vesth

Louise Vesth

Producer · Born March 18, 1973 (53)

Oscar nominee

Producer Louise Vesth (b. 1973). Has a BA in economics and graduated from the producing programme at The National Film School of Denmark in 2001. Since 2001 she has worked as a producer with the Danish film company, Zentropa. Louise Vesth has had long term collaborations with directors like Christian E. Christiansen, Mikkel Nørgaard, Nikolaj Arcel, Anders Rønnov Klarlund and Lars Von Trier. She produced Nikolaj Arcel's "A Royal Affair" (2012), which was nominated for an Oscar for Best Foreign Language Film. She has also produced the highly successful adaptations of Jussi Adler Olsen's Department Q, "The Keeper of Lost Causes", "The Absent One", "A Conspiracy of Faith" and "The Purity of Vengeance". She has been Lars Von Triers regular producer since "Melancholia" and was in Festival de Cannes 2018 with "The House that Jack Built". She manages to combine the commercial with the artistic and is keen to work with younger generation of directors.

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Biography from IMDb.

Born
March 18, 1973 (53)
Works as
Producer
Titles
20 on MovieCove · 36 credits in all
TMDB popularity, last 155 days to Oct 26Down 43% in 30 days

What are Louise Vesth's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 1 · Dark 16

A split, not a type: Grounded 10 · Stylized 5 · Heightened 3

Gentle 1 · Charged 4 · Intense 13

Steady 5 · Shifting 13 · Whiplash 0

Straight-faced 16 · Some laughs 1 · Funny 1

Slow burn 7 · Even-paced 11 · Relentless 0

Casual 2 · Engaged 8 · Full focus 8

Easy watch 1 · Affecting 2 · Heavy 15

Resolved 6 · Open-ended 7 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
11
Melancholic
11
Cold
3
Contemplative
4
Other
6

How their films end · 7 with a twist

  • Happy1
  • Bittersweet8
  • Tragic6
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louise Vesth's films?

As of October 24, 2026, 14 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Louise Vesth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 20 with a MovieCove page.

  • What Lies Between Us(2026)

    Producer

    Midcredits score: 93rd percentile of all films
  • Families Like Ours(2024)

    Show 7 episodes · Executive Producer

    Midcredits score: 34th percentile of all shows
  • Mr. Freeman (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • The Promised Land(2023)

    Producer

    Midcredits score: 97th percentile of all films
  • Agent (not in the MovieCove catalog yet)(2023)

    Show 8 episodes · Producer

  • Nocebo (not in the MovieCove catalog yet)(2022)

    Producer

  • A Taste of Hunger(2021)

    Producer

    Midcredits score: 51st percentile of all films
  • Resin (not in the MovieCove catalog yet)(2019)

    Executive Producer

  • Journal 64(2018)

    Producer

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 74th percentile of all films
  • You Disappear(2017)

    Producer

    Midcredits score: 45th percentile of all films
  • The Day Will Come(2016)

    Producer

    Midcredits score: 98th percentile of all films
  • Midcredits score: 85th percentile of all films
  • The Model(2016)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Midcredits score: 86th percentile of all films
  • On the Edge (not in the MovieCove catalog yet)(2014)

    Producer

  • Nymphomaniac: Vol. I(2013)

    Producer

    Midcredits score: 77th percentile of all films
  • Nymphomaniac: Vol. II(2013)

    Producer

    Midcredits score: 67th percentile of all films
  • Midcredits score: 88th percentile of all films
  • The Weight of Elephants (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • A Royal Affair(2012)

    Producer

    Midcredits score: 94th percentile of all films
  • Melancholia(2011)

    Producer

    Midcredits score: 86th percentile of all films
  • Klown (not in the MovieCove catalog yet)(2010)

    Producer

  • Truth About Men (not in the MovieCove catalog yet)(2010)

    Producer

  • Balls (not in the MovieCove catalog yet)(2010)

    Co-Producer

  • Crying for Love (not in the MovieCove catalog yet)(2008)

    Producer

  • How to Get Rid of the Others (not in the MovieCove catalog yet)(2007)

    Producer

  • Råzone(2006)

    Producer

    Midcredits score: 60th percentile of all films
  • Manderlay(2005)

    Line Producer

    Midcredits score: 79th percentile of all films
  • Klovn (not in the MovieCove catalog yet)(2005)

    Show 60 episodes · Producer

  • Kick 'n Rush (not in the MovieCove catalog yet)(2003)

    Producer

  • Kopps(2003)

    Co-Producer

    Midcredits score: 71st percentile of all films
  • The Kingdom(1994)

    Show 13 episodes · Producer

    Midcredits score: 91st percentile of all shows
  • After (not in the MovieCove catalog yet)

    Producer

  • Mr. Nawashi (not in the MovieCove catalog yet)

    Producer

  • My Fairytale Life (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 35 titles, 32 of them dated from 1994 to 2026.

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score85th

By decade

1990s1 · crew2000s7 · crew2010s18 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Oscar in 2008, Best Short Film, Live Action.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Louise Vesth's films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 18

Approval · how many liked their films

83rdpercentile
Typical film, the median of 18

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 18

Midcredits score across 20 titles, by percentile

  • 75th and up12
  • 50th to 74th5
  • 25th to 49th3

Shape of the crowd

None of their 20 titles divides audiences: 11 are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser11
  • Broadly Agreed1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Louise Vesth's work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles48–92 · median 71 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity12 titles49–85 · median 65 · intenseheavier than most filmsMedian of all films: 32
Profanity9 titles37–86 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles25–56 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles45–91 · median 78 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Louise Vesth work with?

People who share at least 2 of Louise Vesth's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 13.

Directors

Writers

Actors

Cinematographers and editors

Producers

  • Peter Aalbæk Jensen13 titles
    See newest 12 of 13 shared titles with Peter Aalbæk Jensen
  • Marianne Jul Hansen10 titles
    See all 10 shared titles with Marianne Jul Hansen
  • Madeleine Ekman10 titles
    See all 10 shared titles with Madeleine Ekman
  • Ida Harder8 titles
    See all 8 shared titles with Ida Harder