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John Veitch

Producer · Died December 8, 1998, aged 78 · Queens, New York, USA

Born
June 22, 1920
Died
December 8, 1998 (aged 78)
From
Queens, New York, USA
Works as
Producer
Titles
13 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 35% in 30 days

What are John Veitch's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
27%
Morality
19%
Bonds
18%
Survival
15%
Power
14%
Society
7%
Corruption2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeObsession2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 3 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Hopeful
2
Dread
2
Melancholic
2
Contemplative
2
Other
4

How their films linger

Hopeful3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Veitch's films?

As of October 24, 2026, 9 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for John Veitch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Fly Away Home(1996)

    Producer

    Midcredits score: 81st percentile of all films

  • Mary Shelley's Frankenstein(1994)

    Producer

    Midcredits score: 53rd percentile of all films

  • Dracula(1992)

    Co-Producer

    Midcredits score: 89th percentile of all films

  • Rainbow Drive(1990)

    Producer

    Midcredits score: 10th percentile of all films

  • Suspect(1987)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • Fast Forward(1985)

    Producer

    Midcredits score: 48th percentile of all films

  • Ship of Fools(1965)

    Assistant Director

    Midcredits score: 79th percentile of all films

  • Major Dundee(1965)

    Assistant Director

    Midcredits score: 71st percentile of all films

  • The Magnificent Seven(1960)

    Unit Production Manager

    Midcredits score: 96th percentile of all films

  • Guns of the Timberland(1960)

    Unit Production Manager

    Midcredits score: 29th percentile of all films

  • The Horse Soldiers(1959)

    Location Manager

    Midcredits score: 84th percentile of all films

  • Some Like It Hot(1959)

    Location Manager

    Midcredits score: 99th percentile of all films

  • Crime Wave(1953)

    as Information Officer (uncredited)

    Midcredits score: 90th percentile of all films

Career shape

A full career of 13 titles from 1953 to 1996.

Biggest box office

Dracula (1992)

$216M worldwide

Highest rated

Dracula (1992)

Midcredits 89th

By role

only this rolewith another role
Acting1 of 13: 1 only acting, 0 with another roleProducing6 of 13: 6 only producing, 0 with another role · typical Midcredits score60thOther crew6 of 13: 6 only other crew, 0 with another role · typical Midcredits score82nd

By decade

1950s3 · 1 acting · 2 crew1960s4 · crew1980s2 · crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Veitch's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 13; across their 6 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 6

Approval · how many liked their films

59thpercentile
Typical film, the median of 6

Reach · how many have seen their films

89thpercentile
Typical film, the median of 6

Midcredits score across 13 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

8 of their 13 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser8
  • Mixed2

Most divisive · producer

Fast Forward (1985)

81st percentile spread · 27% rated it 4 or lower

Most loved · actor

Crime Wave (1953)

Midcredits 90th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Veitch's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 64 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 34 · mildMedian of all films: 32
Profanity4 titlesmedian 36 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 5 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 68 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does John Veitch work with?

People who share at least 2 of John Veitch's MovieCove titles, grouped by what they did on them; Nicholas C. Smith shares the most, 2.

Editors

Producers