Mary Jane Ufland
- Producer
- 4 on MovieCove
What are Mary Jane Ufland's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 1
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 0 · Charged 3 · Intense 1
Steady 0 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 3 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mary Jane Ufland's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mary Jane Ufland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Crazy/Beautiful(2001)
Midcredits score: 60th percentile of all films
Freaked(1993)
Midcredits score: 60th percentile of all films
Night and the City(1992)
Midcredits score: 34th percentile of all films
Not Without My Daughter(1991)
Midcredits score: 69th percentile of all films
Career shape
A full career of 4 titles from 1991 to 2001.
How do Mary Jane Ufland's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
3 of their 4 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mary Jane Ufland's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mary Jane Ufland work with?
People who share at least 2 of Mary Jane Ufland's MovieCove titles; Harry J. Ufland shares the most, 4.
- Harry J. UflandShared titles: Crazy/Beautiful (2001), Freaked (1993), Night and the City (1992), Not Without My Daughter (1991)See all 4 shared titles with Harry J. Ufland
