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Kan-Cheung Tsang

Writer

Works as
Writer
Titles
16 on MovieCove

What are Kan-Cheung Tsang's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 2 · Dark 3

Grounded 3 · Stylized 8 · Heightened 5

A split, not a type: Gentle 5 · Charged 5 · Intense 6

A split, not a type: Steady 7 · Shifting 4 · Whiplash 5

A split, not a type: Straight-faced 2 · Some laughs 6 · Funny 8

Slow burn 4 · Even-paced 9 · Relentless 3

Casual 9 · Engaged 7 · Full focus 0

Resolved 16 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
10
Thrilling
6
Warm
6
Tense
3
Romantic
4
Other
15

How their films end · 1 with a twist

  • Happy11
  • Bittersweet4
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kan-Cheung Tsang's films?

As of October 24, 2026, 4 of their 16 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Kan-Cheung Tsang's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 16 with a MovieCove page.

  • The Mermaid(2016)

    Writer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 15th percentile of all films
  • CJ7: The Cartoon(2010)

    Writer

    Midcredits score: 38th percentile of all films
  • Flirting Scholar 2(2010)

    Writer

    Midcredits score: 2nd percentile of all films
  • Jump(2009)

    Writer

    Midcredits score: 24th percentile of all films
  • CJ7(2008)

    Writer

    Midcredits score: 61st percentile of all films
  • Kung Fu Hustle(2004)

    Writer

    Midcredits score: 97th percentile of all films
  • Shaolin Soccer(2001)

    Writer

    Midcredits score: 90th percentile of all films
  • King of Comedy(1999)

    Writer

    Midcredits score: 90th percentile of all films
  • The God of Cookery(1996)

    Writer

    Midcredits score: 91st percentile of all films
  • Casino Raiders II(1991)

    Writer

    Midcredits score: 40th percentile of all films
  • Magic Cop(1990)

    Writer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Seven Warriors(1989)

    Writer

    Midcredits score: 49th percentile of all films
  • Dynamite Fighters(1987)

    Writer

    Midcredits score: 65th percentile of all films
  • Royal Warriors(1986)

    Writer

    Midcredits score: 82nd percentile of all films

Career shape

Across their 16 MovieCove titles from 1986 to 2016.

By role

only this rolewith another role
Writing16 of 16: 16 only writing, 0 with another role · typical Midcredits score63rd

By decade

1980s4 · crew1990s4 · crew2000s4 · crew2010s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Kan-Cheung Tsang's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 16

Approval · how many liked their films

60thpercentile
Typical film, the median of 16

Reach · how many have seen their films

76thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

8 of their 16 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser8
  • Mixed5

Reviewers score the dialogue 52/100 and the plot and story 46/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Kan-Cheung Tsang's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 43 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 23 · mildMedian of all films: 32
Profanity3 titlesmedian 43 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 37 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 40 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Kan-Cheung Tsang work with?

People who share at least 2 of Kan-Cheung Tsang's MovieCove titles, grouped by what they did on them; Stephen Chow shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles