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Bradley Thomas

Bradley Thomas

Producer · Born November 30, 1965 (60) · Maryland, USA

Oscar nominee · BAFTA Award nominee · 1 other major award body

Bradley Thomas (born November 30, 1965) is an American film and television producer. Thomas is the co-founder of Imperative Entertainment, a studio specializing in the development, production, and financing of original and branded entertainment across all platforms focusing on film, television, and documentaries. Imperative Entertainment films include The Square (Palme d'Or at the 2017 Festival de Cannes), All the Money in the World, and The Mule. Imperative Entertainment also produced the 2023 Academy Award nominated film Killers of the Flower Moon which stars Leonardo DiCaprio. Thomas has produced films with Peter and Bobby Farrelly such as Dumb and Dumber, There’s Something About Mary, Me Myself and Irene, Shallow Hal, Hall Pass, and also co-produced Triangle of Sadness. and Black Bird for Apple TV.

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Biography from TMDB.

Born
November 30, 1965 (60)
From
Maryland, USA
Works as
Producer
Titles
34 on MovieCove · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 24% in 30 days

What are Bradley Thomas' films like?

Across their 32 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy19 titlesTypical Midcredits score: 37th percentile
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 43rd percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 83rd percentile, at or above their average across these genres
: browse their Crime movies
Action2 titlesTypical Midcredits score: 17th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
34%
Self
20%
Morality
19%
Survival
12%
Power
9%
Society
4%
Ideas
2%
Family bonds9 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeIdentity7 titles, browse their movies with this themeRedemption8 titles, browse their movies with this themeFriendship5 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeAmbition5 titles, browse their movies with this theme

What they feel like to watch

their average across 31 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 17 · Serious 6 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 17 · Stylized 10 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 9 · Charged 14 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 12 · Shifting 14 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 8 · Funny 15

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 17 · Relentless 5

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 19 · Engaged 11 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 23 · Open-ended 5 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
17
Tense
16
Joyful
10
Romantic
7
Contemplative
5
Other
29

How their films linger

Fun15 titles, browse their movies with this aftertasteFeel-good14 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy14
  • Bittersweet13
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bradley Thomas' films?

As of October 24, 2026, 24 of their 34 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Bradley Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 34 with a MovieCove page; 7 appearances as themselves are hidden until asked for.

  • A Big Bold Beautiful Journey(2025)

    Producer

    Midcredits score: 41st percentile of all films

  • Smoke(2025)

    Show 9 episodes · Executive Producer

    Midcredits score: 27th percentile of all shows

  • Killers of the Flower Moon(2023)

    Producer

    Midcredits score: 94th percentile of all films

  • Triangle of Sadness(2022)

    Executive Producer

    Midcredits score: 85th percentile of all films

  • Black Bird(2022)

    Show 6 episodes · Executive Producer

    Midcredits score: 96th percentile of all shows

  • Treadstone(2019)

    Show 10 episodes · Executive Producer

    Midcredits score: 48th percentile of all shows

  • The Last Vermeer(2019)

    Producer

    Midcredits score: 72nd percentile of all films

  • Phil(2019)

    Producer

    Midcredits score: 17th percentile of all films

  • The Gift: The Journey of Johnny Cash(2019)

    Producer

    Midcredits score: 96th percentile of all films

  • The Mule(2018)

    Producer

    Midcredits score: 83rd percentile of all films

  • Arizona(2018)

    Producer

    Midcredits score: 35th percentile of all films

  • Hot Summer Nights(2017)

    Producer

    Midcredits score: 55th percentile of all films

  • All the Money in the World(2017)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Square(2017)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • Dumb and Dumber To(2014)

    Producer

    Midcredits score: 26th percentile of all films

  • Clear History(2013)

    Producer

    Midcredits score: 58th percentile of all films

  • The Three Stooges(2012)

    Producer

    Midcredits score: 27th percentile of all films

  • Hall Pass(2011)

    Producer

    Midcredits score: 30th percentile of all films

  • Unhitched (not in the MovieCove catalog yet)(2008)

    Show 6 episodes · Executive Producer

  • The Heartbreak Kid(2007)

    Producer

    Midcredits score: 30th percentile of all films

  • The Ringer(2005)

    Producer

    Midcredits score: 36th percentile of all films

  • Fever Pitch(2005)

    Producer

    Midcredits score: 51st percentile of all films

  • Stuck on You(2003)

    Producer

    Midcredits score: 30th percentile of all films

  • Shallow Hal(2001)

    Producer

    Midcredits score: 37th percentile of all films

  • Osmosis Jones(2001)

    Producer

    Midcredits score: 55th percentile of all films

  • Say It Isn't So(2001)

    Producer

    Midcredits score: 13th percentile of all films

  • Me, Myself & Irene(2000)

    Producer

    Midcredits score: 64th percentile of all films

  • American Dragons(1998)

    Associate Producer

    Midcredits score: 19th percentile of all films

  • There's Something About Mary(1998)

    Producer

    Midcredits score: 79th percentile of all films

  • Music from Another Room(1998)

    Producer

    Midcredits score: 49th percentile of all films

  • Behind Enemy Lines (not in the MovieCove catalog yet)(1997)

    Executive Producer

  • The Locusts(1997)

    Producer

    Midcredits score: 45th percentile of all films

  • Kingpin(1996)

    Producer

    Midcredits score: 73rd percentile of all films

  • Soldier Boyz(1995)

    Producer

    Midcredits score: 14th percentile of all films

  • Till the End of the Night(1995)

    Producer

    Midcredits score: 16th percentile of all films

  • Dumb and Dumber(1994)

    Co-Producer

    Midcredits score: 82nd percentile of all films

  • Pop. 1280 (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 34 titles, 33 of them dated from 1994 to 2025.

Biggest box office

There's Something About Mary (1998)

$370M worldwide

Highest rated

Killers of the Flower Moon (2023)

Midcredits 94th

By role

only this rolewith another role
Producing34 of 34: 34 only producing, 0 with another role · typical Midcredits score49th

By decade

1990s7 · crew2000s9 · crew2010s12 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 2024.

  1. 2024
    • Oscar, nominated · Best Motion Picture of the Year
    • BAFTA Award, nominated · Best Film
    • +1 other major body · 1 nomination
      • Producers Guild Award, nominated · Outstanding Producer of Theatrical Motion Pictures

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Bradley Thomas' films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 31; across their 31 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 31

Approval · how many liked their films

51stpercentile
Typical film, the median of 31

Reach · how many have seen their films

94thpercentile
Typical film, the median of 31

Midcredits score across 34 titles, by percentile

  • 75th and up8
  • 50th to 74th8
  • 25th to 49th13
  • Below 25th5

Shape of the crowd

15 of their 34 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser15
  • Broadly Agreed8
  • Mixed8

Most divisive · producer

Till the End of the Night (1995)

95th percentile spread · 46% rated it 4 or lower

Most loved · producer

Black Bird (2022)

Midcredits 96th · 94% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bradley Thomas' work okay for kids?

Across up to 25 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore21 titles8–81 · median 43 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity25 titles16–66 · median 49 · moderateheavier than most filmsMedian of all films: 32
Profanity21 titles33–86 · median 62 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs20 titles30–63 · median 43 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense20 titles8–77 · median 35 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Bradley Thomas work with?

People who share at least 2 of Bradley Thomas' MovieCove titles, grouped by what they did on them; Peter Farrelly shares the most, 15.

Directors

Writers

Actors

Cinematographers and editors

Producers