William Talman is best known for his role as Hamilton Burger, the district attorney who perpetually lost to Perry Mason in the long-running series Perry Mason (1957). Talman was an accomplished screenwriter and stage and screen actor, and appeared in numerous roles on television as a character actor from the mid-'50s until his death from lung cancer in August of 1968. He was born William Whitney Talman Jr. on February 4, 1915, in Detroit, Michigan, the first son of William Talman Sr. and Ada B. Talman. His father was vice-president of an electrical company that manufactured industrial heat-measuring recording devices and yachts. During an interview with "TV Guide" in April of 1963, Talman told writer Richard Gehman that his father made a good deal of money, "enough to send me to school in a limousine each day. Public school. That meant I had to fight my way in and out." In school Talman developed an avid interest in athletics, especially boxing and baseball. He furthered his interest in boxing early in life by fighting on the local parish boxing team of the Episcopal Church. At one point in his life he played semi-professional baseball. He was educated at Cranbrook School and later attended Dartmouth College, where his interest in acting first took hold. He left Dartmouth in his sophomore year after an incident in which a freshman he knew "loaned" him a car so that he could go visit a girlfriend at Smith College. A bus forced the car off of the road and it hit a tree. A boy who was with them was killed and it later turned out that the car was stolen. Talman was asked to resign from Dartmouth, which he did. Although invited back the next year, he never returned. Talman began his acting career on Broadway in the early 1940s. His first roles were in "Beverly Hills", "Yokel Boy" and "Of Mice and Men." He was appearing in "Spring Again" at Henry Miller's Theatre in January of 1942 when he received his draft notice for induction into the US army. Prior to leaving for active duty he married actress Lynne Carter. He entered the army as a private and saw 30 months of service in the Pacific, where he won a commission and eventually was promoted to the rank of major. During the war his assignments included the managing of a school that trained soldiers to put on shows. At one point he was in charge of training boxing and baseball teams. He was proud of the fact that his teams won both the boxing and baseball championships of the Western Pacific. Talman returned to Broadway after the war. Two of his more notable postwar roles were in Joseph M. Hyman's and Bernard Hart's production of "Dear Ruth" in 1946 and Henry Adrian's production of "A Young Man's Fancy" in 1947. In 1949 the actor moved to Hollywood and began making films. His first picture was Red, Hot and Blue (1949), in which he played gangster Bunny Harris. Other movie and television roles soon followed. In 1951 his wife sued him for divorce, citing extreme cruelty. She claimed that Talman had criticized her publicly in front of their friends. The divorce was granted in September of 1952 with custody of the couple's three-year-old daughter, Lynda, and 24% of Talman's income awarded to his former spouse. He went on to perform in over 17 films, several of which he starred in. Some of his more notable films include The Racket (1951), Armored Car Robbery (1950), Smoke Signal (1955), Big House, U.S.A. (1955), One Minute to Zero (1952) and Two-Gun Lady (1955). His best known role was as escaped killer and kidnapper Emmett Myers in the classic film noir The Hitch-Hiker (1953), directed by Ida Lupino. He also co-wrote two feature films, I've Lived Before (1956) and Joe Dakota (1957). Talman married actress Barbara Read in 1952. The couple had two children, Barbie and Billy, but they separated in September of 1959. In a tragic turn of events, his former wife took her own life in December of 1963 by closing up her house and turning on the gas jets. Notes she left behind blamed ill health for her action. In March of 1960 Talman made headlines when he was arrested during a police raid of an alleged "wild nude party" being held at the home of an acquaintance, Richard Reibold. The incident caused CBS to invoke a morals clause in his contract that cost him his job on "Perry Mason." The charges were eventually dropped after a trial that was closely followed by the newspapers and sensationalized by the tabloids. Talman always maintained his innocence, and following the trial the judge in the case criticized the police for arresting him. He remained off the show until December of 1960, when CBS reinstated him after a flood of fan mail from supporters. He married Margaret (Peggy) Flanigan and adopted her two children from a previous marriage, Steve and Debbie. After the "Perry Mason" show ended in 1966, Talman went on a six-week tour of Vietnam to entertain the troops. Upon his return home, it was discovered that he had lung cancer. His last film was The Ballad of Josie (1967), with Doris Day. Near the end of his life, Talman did something that, while common nowadays, was an extraordinarily courageous thing for an actor to do at that time. A heavy smoker for most of his life, he was angered by a newspaper article he read about actors being afraid to make anti-smoking messages for fear of losing opportunities to make lucrative cigarette commercials. He decided to do something about it. Talman volunteered to make a short film for the American Cancer Society, part of which was shown in late 1968 and 1969 as a television anti-smoking commercial. He was the first actor to ever make such a commercial. When the message was being filmed, Talman knew he was dying, was in a great deal of pain and was in fact under heavy sedation for it. The short film begins, "Before I die I want to do what I can to leave a world free of cancer for my six children . . . ", William Talman died of cardiac arrest due to complications from lung cancer at West Valley Community Hospital in Encino, California, on August 30, 1968, at the age of 53. Although his life was short, he left an enduring legacy through his writing, his acting, his heroism and his never-ending championing of the underdog.
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Biography from IMDb.
- February 4, 1915
- August 30, 1968 (aged 53)
- Detroit, Michigan, USA
- Actor, also writer
- 14 on MovieCove · 33 credits in all
What are William Talman's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 2 · Serious 4 · Dark 6
Grounded 6 · Stylized 6 · Heightened 0
Gentle 0 · Charged 5 · Intense 7
Steady 4 · Shifting 7 · Whiplash 1
Straight-faced 10 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 8 · Relentless 2
Casual 2 · Engaged 9 · Full focus 1
Easy watch 5 · Affecting 5 · Heavy 2
Resolved 9 · Open-ended 3 · Ambiguous 0
Roles they play
Usually the Shadow: 5 of 7 analyzed roles.
Show the 7 rolesHide the roles
- Shadowas Dave Purvis in Armored Car Robbery (1950)
- Threshold guardianas Minninger in The Kid from Texas (1950)
- Allyas Officer Bob Johnson in The Racket (1951)
- Shadowas Hayes Stewart in City That Never Sleeps (1953)
- Shadowas Emmett Myers in The Hitch-Hiker (1953)
- Shadowas Capt. Harper in Smoke Signal (1955)
- Shadowas Hamilton Burger in Perry Mason (1957)
Moods and endings
- Happy5
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Talman's films?
As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for William Talman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
33 credits, 14 with a MovieCove page.

The Ballad of Josie(1967)
Midcredits score: 38th percentile of all films
The Invaders (not in the MovieCove catalog yet)(1967)

The Wild Wild West (not in the MovieCove catalog yet)(1965)

Joe Dakota(1957)
Midcredits score: 69th percentile of all films
Trackdown (not in the MovieCove catalog yet)(1957)

Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Have Gun, Will Travel (not in the MovieCove catalog yet)(1957)

Hell on Devil's Island (not in the MovieCove catalog yet)(1957)

The Persuader (not in the MovieCove catalog yet)(1957)

The Man Is Armed (not in the MovieCove catalog yet)(1956)

I've Lived Before (not in the MovieCove catalog yet)(1956)

Telephone Time (not in the MovieCove catalog yet)(1956)

Uranium Boom (not in the MovieCove catalog yet)(1956)
No. 5 Checked Out (not in the MovieCove catalog yet)(1956)

Two-Gun Lady (not in the MovieCove catalog yet)(1955)

Screen Director's Playhouse (not in the MovieCove catalog yet)(1955)

Gunsmoke (not in the MovieCove catalog yet)(1955)

Big House, U.S.A.(1955)
Midcredits score: 67th percentile of all films
Crashout (not in the MovieCove catalog yet)(1955)

Smoke Signal(1955)
Midcredits score: 48th percentile of all films
Climax! (not in the MovieCove catalog yet)(1954)

City That Never Sleeps(1953)
Midcredits score: 69th percentile of all films
The Hitch-Hiker(1953)
Midcredits score: 79th percentile of all films
Cavalcade of America (not in the MovieCove catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
One Minute to Zero(1952)
Midcredits score: 38th percentile of all films
Beware, My Lovely (not in the MovieCove catalog yet)(1952)

The Racket(1951)
Midcredits score: 68th percentile of all filmsLux Video Theatre (not in the MovieCove catalog yet)(1950)

The Woman on Pier 13(1949)
Midcredits score: 38th percentile of all films
Armored Car Robbery(1950)
Midcredits score: 79th percentile of all films
The Kid from Texas(1950)
Midcredits score: 54th percentile of all films
Red, Hot and Blue(1949)
Midcredits score: 38th percentile of all films
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 33 titles from 1949 to 1967.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do William Talman's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up3
- 50th to 74th6
- 25th to 49th5
Shape of the crowd
None of their 14 titles divides audiences: 8 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser8
- Broadly Agreed3
- Mixed2
Reviewers score the acting 65/100 in their films, across 12 reviewed titles; fans 74, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Talman work with?
People who share at least 2 of William Talman's MovieCove titles, grouped by what they did on them; George F. Slavin shares the most, 3.
Directors
- Tay GarnettShared titles: One Minute to Zero (1952), The Racket (1951)See all 2 shared titles with Tay Garnett

Writers
- George F. SlavinShared titles: Big House, U.S.A. (1955), Smoke Signal (1955), The Woman on Pier 13 (1949)See all 3 shared titles with George F. Slavin
- George W. GeorgeShared titles: Big House, U.S.A. (1955), Smoke Signal (1955), The Woman on Pier 13 (1949)See all 3 shared titles with George W. George
- William Wister HainesShared titles: One Minute to Zero (1952), The Racket (1951)See all 2 shared titles with William Wister Haines
- Robert Hardy AndrewsShared titles: The Kid from Texas (1950), The Woman on Pier 13 (1949)See all 2 shared titles with Robert Hardy Andrews
Actors
- Charles McGrawShared titles: Joe Dakota (1957), One Minute to Zero (1952), Armored Car Robbery (1950)See all 3 shared titles with Charles McGraw

- Ray CollinsShared titles: Perry Mason (1957), The Racket (1951)See all 2 shared titles with Ray Collins

- Robert MitchumShared titles: One Minute to Zero (1952), The Racket (1951)See all 2 shared titles with Robert Mitchum

- Robert RyanShared titles: The Racket (1951), The Woman on Pier 13 (1949)See all 2 shared titles with Robert Ryan

Composers and cinematographers
- Henry ManciniShared titles: Joe Dakota (1957), Smoke Signal (1955)See all 2 shared titles with Henry Mancini

- Irving GertzShared titles: Joe Dakota (1957), Smoke Signal (1955)See all 2 shared titles with Irving Gertz
- Nicholas MusuracaShared titles: The Hitch-Hiker (1953), The Woman on Pier 13 (1949)See all 2 shared titles with Nicholas Musuraca

Producers
- Howard ChristieShared titles: Joe Dakota (1957), Smoke Signal (1955)See all 2 shared titles with Howard Christie
- Edmund GraingerShared titles: One Minute to Zero (1952), The Racket (1951)See all 2 shared titles with Edmund Grainger

