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Alex Sutherland

Alex Sutherland

Producer

Alex Sutherland entered the film industry straight out of school, rapidly gaining extensive production experience across a wide range of international locations. His foundational training came through hands-on work on the acclaimed television series Sharpe a landmark production consisting of 16 feature-length episodes filmed between 1993 and 2008 where he steadily rose through the ranks from assistant director to line producer. Drawn by the richness, diversity, and dynamic filmmaking potential of Türkiye, Alex co-founded AZ Celtic Films in Istanbul in 2010. Since then, the company has successfully fulfilled its core mission: attracting high-profile international productions to Türkiye and delivering them to world-class standards. Alex has produced major global advertising campaigns for leading brands such as Heineken and Nike. With a strong focus on international feature films, AZ Celtic has played a key role in some of the most prestigious productions shot in the region, including Argo (Warner Bros.), The Two Faces of January and Tinker Tailor Soldier Spy (Working Title), Denmark's Oscar-nominated A War, Ali & Nino (Asif Kapadia), Operation Fortune and The Ministry of Ungentlemanly Warfare (Guy Ritchie), Aftersun, The Amateur (20th Century Studios, starring Rami Malek), and most recently, The Night Agent Season 3.

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Biography from IMDb.

Works as
Producer
Titles
19 on MovieCove · 22 credits in all

What are Alex Sutherland's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 4 · Dark 8

A split, not a type: Grounded 6 · Stylized 5 · Heightened 3

Gentle 2 · Charged 7 · Intense 5

Steady 10 · Shifting 3 · Whiplash 1

Straight-faced 9 · Some laughs 4 · Funny 1

Slow burn 4 · Even-paced 8 · Relentless 2

Casual 5 · Engaged 6 · Full focus 3

Resolved 8 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
7
Thrilling
4
Dread
3
Hopeful
4
Other
17

How their films end · 3 with a twist

  • Happy4
  • Bittersweet11
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Sutherland's films?

As of October 24, 2026, 16 of their 19 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alex Sutherland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 19 with a MovieCove page.

  • The Amateur(2025)

    Producer

    Midcredits score: 60th percentile of all films
  • Hakki(2024)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • Midcredits score: 76th percentile of all films
  • Secret Life of the Safari Park (not in the MovieCove catalog yet)(2024)

    Show 6 episodes · Executive Producer

  • The Veil(2024)

    Show Producer

    Midcredits score: 24th percentile of all shows
  • Operation Fortune: Ruse de Guerre(2023)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 32nd percentile of all films
  • Aftersun(2022)

    Co-Producer · Executive Producer

    Midcredits score: 96th percentile of all films
  • I Am You (not in the MovieCove catalog yet)(2019)

    Producer · Unit Production Manager

  • The Gift(2019)

    Show Producer

    Midcredits score: 47th percentile of all shows
  • The State(2017)

    Show Producer

    Midcredits score: 49th percentile of all shows
  • Ali and Nino(2016)

    Producer

    Midcredits score: 80th percentile of all films
  • Run for Love(2016)

    Producer

    Midcredits score: 8th percentile of all films
  • A War(2015)

    Producer

    Midcredits score: 83rd percentile of all films
  • Midcredits score: 46th percentile of all films
  • Pinocchio (not in the MovieCove catalog yet)(2013)

    Show 2 episodes · Co-Producer

  • Ambassadors(2013)

    Show Producer

    Midcredits score: 65th percentile of all shows
  • Argo(2012)

    Producer

    Midcredits score: 96th percentile of all films
  • Will(2011)

    Line Producer

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Boogie Woogie(2009)

    Production Supervisor

    Midcredits score: 16th percentile of all films
  • Diverted(2009)

    Producer

    Midcredits score: 60th percentile of all films

Career shape

A full career of 9 titles from 2010 to 2024.

By role

only this rolewith another role
Producing8 of 9: 7 only producing, 1 with another role · typical Midcredits score73rdOther crew2 of 9: 1 only other crew, 1 with another role

By decade

2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alex Sutherland's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 14

Approval · how many liked their films

70thpercentile
Typical film, the median of 14

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 14

Midcredits score across 19 titles, by percentile

  • 75th and up6
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

9 of their 19 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alex Sutherland's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles32–79 · median 60 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles17–51 · median 26 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles39–67 · median 47 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles32–58 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles43–62 · median 51 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alex Sutherland work with?

People who share at least 2 of Alex Sutherland's MovieCove titles, grouped by what they did on them; Ron Halpern shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers