Louise Surprenant
- Editor
- 3 on MovieCove
What are Louise Surprenant's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 0 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Louise Surprenant's films?
As of October 24, 2026, none of Louise Surprenant's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Louise Surprenant's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
La sarrasine(1992)
Midcredits score: 77th percentile of all films (provisional, few ratings)
Caffe Italia Montréal(1985)
Midcredits score: 78th percentile of all films (provisional, few ratings)
Les grands enfants(1980)
Midcredits score: 41st percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1980 to 1992.
How do Louise Surprenant's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Louise Surprenant work with?
People who share at least 2 of Louise Surprenant's MovieCove titles, grouped by what they did on them; Paul Tana shares the most, 3.
Directors
- Paul TanaShared titles: La sarrasine (1992), Caffe Italia Montréal (1985), Les grands enfants (1980)See all 3 shared titles with Paul Tana
Writers
- Bruno RamirezShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Bruno Ramirez
Actors
- Domenico FioreShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Domenico Fiore
- Gilbert SicotteShared titles: La sarrasine (1992), Les grands enfants (1980)See all 2 shared titles with Gilbert Sicotte
- Tony NardiShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Tony Nardi
Cinematographers
- Michel CaronShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Michel Caron
Producers
- Marc DaigleShared titles: La sarrasine (1992), Caffe Italia Montréal (1985), Les grands enfants (1980)See all 3 shared titles with Marc Daigle
