Cathleen Summers
- Producer
- 11 on MovieCove · 12 credits in all
What are Cathleen Summers' films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 9
A split, not a type: Light 5 · Serious 4 · Dark 2
A split, not a type: Grounded 7 · Stylized 3 · Heightened 1
Gentle 2 · Charged 7 · Intense 2
Steady 3 · Shifting 5 · Whiplash 3
A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 3
Slow burn 4 · Even-paced 6 · Relentless 1
Casual 7 · Engaged 4 · Full focus 0
Easy watch 4 · Affecting 6 · Heavy 1
Resolved 10 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Cathleen Summers' films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Cathleen Summers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Slow Burn(2000)
Midcredits score: 15th percentile of all films
Everything That Rises (not in the MovieCove catalog yet)(1998)

Another Stakeout(1993)
Midcredits score: 26th percentile of all films
The Sandlot(1993)
Midcredits score: 96th percentile of all films
Dogfight(1991)
Midcredits score: 90th percentile of all films
Mystery Date(1991)
Midcredits score: 41st percentile of all films
Vital Signs(1990)
Midcredits score: 28th percentile of all films
D.O.A.(1988)
Midcredits score: 47th percentile of all films
Stakeout(1987)
Midcredits score: 68th percentile of all films
Class(1983)
Midcredits score: 38th percentile of all films
A Change of Seasons(1980)
Midcredits score: 21st percentile of all films
The Mountain Men(1980)
Midcredits score: 53rd percentile of all films
Career shape
A full career of 12 titles from 1980 to 2000.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Cathleen Summers' films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th5
- Below 25th2
Shape of the crowd
None of their 11 titles divides audiences: 4 are Broadly Agreed.
- Universally Loved2
- Crowd Pleaser2
- Broadly Agreed4
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Cathleen Summers' work okay for kids?
Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Cathleen Summers work with?
People who share at least 2 of Cathleen Summers' MovieCove titles, grouped by what they did on them; Jim Kouf shares the most, 3.
Directors
- John BadhamShared titles: Another Stakeout (1993), Stakeout (1987)See all 2 shared titles with John Badham

- Richard LangShared titles: A Change of Seasons (1980), The Mountain Men (1980)See all 2 shared titles with Richard Lang
Writers
- Jim KoufShared titles: Another Stakeout (1993), Stakeout (1987), Class (1983)See all 3 shared titles with Jim Kouf

Actors
- Dan LauriaShared titles: Another Stakeout (1993), Stakeout (1987)See all 2 shared titles with Dan Lauria

- Emilio EstevezShared titles: Another Stakeout (1993), Stakeout (1987)See all 2 shared titles with Emilio Estevez

- Richard DreyfussShared titles: Another Stakeout (1993), Stakeout (1987)See all 2 shared titles with Richard Dreyfuss

Composers
- Arthur B. RubinsteinShared titles: Another Stakeout (1993), Stakeout (1987)See all 2 shared titles with Arthur B. Rubinstein

Producers
- Martin RansohoffShared titles: Class (1983), A Change of Seasons (1980)See all 2 shared titles with Martin Ransohoff

- Richard R. St. JohnsShared titles: A Change of Seasons (1980), The Mountain Men (1980)See all 2 shared titles with Richard R. St. Johns



