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Alexandra Stone

Alexandra Stone

Producer

Works as
Producer
Titles
12 on MovieCove · 14 credits in all
TMDB popularity, last 37 days to Oct 26Down 14% in 30 days

What are Alexandra Stone's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 7

Grounded 5 · Stylized 3 · Heightened 0

Gentle 0 · Charged 2 · Intense 6

A split, not a type: Steady 5 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 5 · Relentless 0

Casual 0 · Engaged 6 · Full focus 2

Easy watch 0 · Affecting 4 · Heavy 4

Resolved 2 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
5
Melancholic
5
Cold
2
Hopeful
1
Other
2

How their films end · 3 with a twist

  • Bittersweet2
  • Tragic1
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandra Stone's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Alexandra Stone's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 12 with a MovieCove page.

  • Call Me Queen(2026)

    Producer

    Midcredits score: 81st percentile of all films (provisional, few ratings)
  • The Drowning(2021)

    Show Producer

    Midcredits score: 4th percentile of all shows
  • Midcredits score: 32nd percentile of all films
  • 10x10(2018)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • Two Pigeons(2017)

    Producer

    Midcredits score: 32nd percentile of all films
  • Franklyn(2008)

    Co-Producer

    Midcredits score: 48th percentile of all films
  • Unrelated(2007)

    Thanks

    Midcredits score: 66th percentile of all films
  • Kidulthood(2006)

    Producer

    Midcredits score: 72nd percentile of all films
  • Fast Food Nation(2006)

    Producer

    Midcredits score: 49th percentile of all films
  • Young Adam(2003)

    Co-Producer

    Midcredits score: 54th percentile of all films
  • Blood and Wine(1996)

    Production Executive

    Midcredits score: 37th percentile of all films
  • A Fish Called Wanda(1988)

    Producer's Assistant

    Midcredits score: 93rd percentile of all films
  • The Invisible Kid (not in the MovieCove catalog yet)(1988)

    Extras Casting Coordinator

  • Foreign Bodies (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 11 titles, 10 of them dated from 1988 to 2026.

By role

only this rolewith another role
Producing8 of 11: 8 only producing, 0 with another role · typical Midcredits score54thOther crew3 of 11: 3 only other crew, 0 with another role

By decade

1980s2 · crew1990s1 · crew2000s4 · crew2010s1 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexandra Stone's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 11; across their 8 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 8

Approval · how many liked their films

49thpercentile
Typical film, the median of 8

Reach · how many have seen their films

85thpercentile
Typical film, the median of 8

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

4 of their 12 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexandra Stone's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 69 · intenseMedian of all films: 32
Profanity3 titlesmedian 50 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 50 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 72 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Alexandra Stone work with?

People who share at least 2 of Alexandra Stone's MovieCove titles, grouped by what they did on them; Noel Clarke shares the most, 3.

Writers

Producers