Tom Sternberg

What are Tom Sternberg's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tom Sternberg's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • The Black Stallion (1979) · producer · free
  • The Two Faces of January (2014) · producer · free
  • The Black Stallion Returns (1983) · producer · free
• MGM+2 titles, browse their movies on this service
  • The Black Stallion (1979) · producer
  • The Black Stallion Returns (1983) · producer
• Pluto TV2 titles, browse their movies on this service
  • The Black Stallion (1979) · producer · free
  • The Black Stallion Returns (1983) · producer · free
• Paramount+1 title, browse their movies on this service
  • The Talented Mr. Ripley (1999) · producer
• STARZ1 title, browse their movies on this service
  • The Talented Mr. Ripley (1999) · producer
• The Criterion Channel1 title, browse their movies on this service
  • Lost Highway (1997) · producer
• The Roku Channel1 title, browse their movies on this service
  • The Black Stallion Returns (1983) · producer · free

Subscription and free streaming for Tom Sternberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  The Two Faces of January(2014)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Sleuth(2007)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Under the Tuscan Sun(2003)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  The Talented Mr. Ripley(1999)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Lost Highway(1997)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Eat a Bowl of Tea(1989)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  Dim Sum: A Little Bit of Heart(1985)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  The Black Stallion Returns(1983)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  American Playhouse (not in the MovieCove catalog yet)(1982)

  Show 1 episode · Producer
• 

  The Black Stallion(1979)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Apocalypse Now(1979)

  Co-Producer

  Midcredits score: 99th percentile of all films99^th
• 

  The Sidelong Glances of a Pigeon Kicker (not in the MovieCove catalog yet)(1970)

  Associate Producer

Career shape

A full career of 11 titles from 1970 to 2014.

Biggest box office

The Talented Mr. Ripley (1999)

$138M worldwide

Highest rated

Apocalypse Now (1979)

Midcredits 99^th

How do Tom Sternberg's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 74^th percentile for acclaim.

Shape of the crowd

None of their 10 titles divides audiences: 4 are Crowd Pleasers.

342

• Universally Loved3
• Crowd Pleaser4
• Broadly Agreed2
• Mixed1

Most loved · producer

Apocalypse Now (1979)

Midcredits 99^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tom Sternberg's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Tom Sternberg work with?

People who share at least 2 of Tom Sternberg's MovieCove titles, grouped by what they did on them; Walter Murch shares the most, 3.