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Robert Simmonds

Producer

Works as
Producer
Titles
10 on MovieCove · 11 credits in all
TMDB popularity, last 155 days to Oct 26Down 30% in 30 days

What are Robert Simmonds' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

A split, not a type: Grounded 1 · Stylized 1 · Heightened 2

Gentle 2 · Charged 2 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
2
Joyful
2
Contemplative
2
Thrilling
1
Triumphant
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Simmonds' films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Robert Simmonds' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

  • The Contractor(2022)

    Executive Producer

    Midcredits score: 31st percentile of all films
  • Superman II: The Richard Donner Cut(2006)

    Production Manager

    Midcredits score: 92nd percentile of all films
  • Midcredits score: 8th percentile of all films
  • Santa Claus(1985)

    Associate Producer

    Midcredits score: 58th percentile of all films
  • The Making of 'Superman III'(1984)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • Superman III(1983)

    Associate Producer

    Midcredits score: 11th percentile of all films
  • Superman II(1980)

    Production Executive

    Midcredits score: 75th percentile of all films
  • Superman(1978)

    Production Supervisor

    Midcredits score: 91st percentile of all films
  • The Catholics (not in the MovieCove catalog yet)(1973)

    Production Manager

  • Scorpio(1973)

    Location Manager

    Midcredits score: 54th percentile of all films
  • Fragment of Fear(1970)

    Location Manager

    Midcredits score: 42nd percentile of all films

Career shape

A full career of 11 titles from 1970 to 2022.

By role

only this rolewith another role
Producing5 of 11: 5 only producing, 0 with another role · typical Midcredits score31stOther crew6 of 11: 6 only other crew, 0 with another role · typical Midcredits score75th

By decade

1970s4 · crew1980s4 · crew1990s1 · crew2000s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Robert Simmonds' films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 10; across a limited sample of 4 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 4

Approval · how many liked their films

22ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 4

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Simmonds work with?

People who share at least 2 of Robert Simmonds' MovieCove titles, grouped by what they did on them; Ilya Salkind shares the most, 4.

Writers

Actors

Producers