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Sol C. Siegel

Sol C. Siegel

Producer · Died December 29, 1982, aged 79

Born
March 30, 1903
Died
December 29, 1982 (aged 79)
Works as
Producer
Titles
54 on MovieCove · 79 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 22% in 30 days

What are Sol C. Siegel's films like?

Across their 53 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama20 titlesTypical Midcredits score: 43rd percentile
: browse their Drama movies
Comedy16 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Comedy movies
Crime5 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Crime movies
Adventure4 titlesTypical Midcredits score: 61st percentile, at or above their average across these genres
: browse their Adventure movies
Action3 titlesTypical Midcredits score: 37th percentile
: browse their Action movies
Western3 titlesTypical Midcredits score: 39th percentile
: browse their Western movies
Biography2 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
32%
Bonds
31%
Society
16%
Self
12%
Survival
4%
Power
3%
Ideas
2%
Justice21 titles, browse their movies with this themeRomantic love14 titles, browse their movies with this themeCommunity15 titles, browse their movies with this themeFamily bonds11 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themeLoyalty5 titles, browse their movies with this themeRedemption5 titles, browse their movies with this themeSurvival7 titles, browse their movies with this theme

What they feel like to watch

their average across 53 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 36 · Serious 10 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 32 · Stylized 19 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 25 · Charged 21 · Intense 7

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 33 · Shifting 20 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 12 · Some laughs 30 · Funny 11

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 24 · Even-paced 27 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 37 · Engaged 15 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 51 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Joyful
20
Thrilling
17
Hopeful
17
Romantic
17
Other
44

How their films linger

Feel-good31 titles, browse their movies with this aftertasteFun26 titles, browse their movies with this aftertasteHopeful12 titles, browse their movies with this aftertasteRousing10 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy40
  • Bittersweet9
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sol C. Siegel's films?

As of October 24, 2026, 24 of their 54 MovieCove titles stream on a subscription or free service, most on Tubi (18).

Also on these channels

Subscription and free streaming for Sol C. Siegel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

79 credits, 54 with a MovieCove page.

  • That's Entertainment, Part II(1976)

    Thanks

    Midcredits score: 86th percentile of all films

  • No Way to Treat a Lady(1968)

    Producer

    Midcredits score: 79th percentile of all films

  • Alvarez Kelly(1966)

    Producer

    Midcredits score: 54th percentile of all films

  • Walk Don't Run(1966)

    Producer

    Midcredits score: 68th percentile of all films

  • Home from the Hill(1960)

    Producer

    Midcredits score: 90th percentile of all films

  • The World, the Flesh and the Devil(1959)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Some Came Running(1958)

    Producer

    Midcredits score: 88th percentile of all films

  • Merry Andrew(1958)

    Producer

    Midcredits score: 66th percentile of all films

  • Les Girls(1957)

    Producer

    Midcredits score: 68th percentile of all films

  • Man on Fire (not in the MovieCove catalog yet)(1957)

    Producer

  • High Society(1956)

    Producer

    Midcredits score: 77th percentile of all films

  • There's No Business Like Show Business(1954)

    Producer

    Midcredits score: 58th percentile of all films

  • Broken Lance(1954)

    Producer

    Midcredits score: 76th percentile of all films

  • Three Coins in the Fountain(1954)

    Producer

    Midcredits score: 51st percentile of all films

  • Gentlemen Prefer Blondes(1953)

    Producer

    Midcredits score: 89th percentile of all films

  • Call Me Madam (not in the MovieCove catalog yet)(1953)

    Producer

  • The President's Lady(1953)

    Producer

    Midcredits score: 70th percentile of all films

  • Monkey Business(1952)

    Producer

    Midcredits score: 76th percentile of all films

  • What Price Glory(1952)

    Producer

    Midcredits score: 48th percentile of all films

  • Dreamboat(1952)

    Producer

    Midcredits score: 64th percentile of all films

  • Deadline - U.S.A.(1952)

    Producer

    Midcredits score: 87th percentile of all films

  • The House in the Square (not in the MovieCove catalog yet)(1951)

    Producer

  • On the Riviera (not in the MovieCove catalog yet)(1951)

    Producer

  • Fourteen Hours(1951)

    Producer

    Midcredits score: 83rd percentile of all films

  • My Blue Heaven(1950)

    Producer

    Midcredits score: 46th percentile of all films

  • Panic in the Streets(1950)

    Producer

    Midcredits score: 86th percentile of all films

  • Stella (not in the MovieCove catalog yet)(1950)

    Producer

  • Prince of Foxes(1949)

    Producer

    Midcredits score: 78th percentile of all films

  • I Was a Male War Bride(1949)

    Producer

    Midcredits score: 81st percentile of all films

  • House of Strangers(1949)

    Producer

    Midcredits score: 89th percentile of all films

  • A Letter to Three Wives(1949)

    Producer

    Midcredits score: 94th percentile of all films

  • Cry of the City(1948)

    Producer

    Midcredits score: 87th percentile of all films

  • The Iron Curtain (not in the MovieCove catalog yet)(1948)

    Producer

  • The Perils of Pauline(1947)

    Producer

    Midcredits score: 59th percentile of all films

  • Welcome Stranger(1947)

    Producer

    Midcredits score: 74th percentile of all films

  • Blue Skies(1946)

    Producer

    Midcredits score: 59th percentile of all films

  • Kiss and Tell (not in the MovieCove catalog yet)(1945)

    Associate Producer

  • Hostages (not in the MovieCove catalog yet)(1943)

    Associate Producer

  • Lady Bodyguard (not in the MovieCove catalog yet)(1943)

    Producer

  • My Heart Belongs to Daddy (not in the MovieCove catalog yet)(1942)

    Producer

  • Priorities on Parade (not in the MovieCove catalog yet)(1942)

    Producer

  • Sweater Girl (not in the MovieCove catalog yet)(1942)

    Producer

  • Night in New Orleans (not in the MovieCove catalog yet)(1942)

    Producer

  • Dr. Broadway(1942)

    Producer

    Midcredits score: 54th percentile of all films

  • Fly By Night (not in the MovieCove catalog yet)(1942)

    Producer

  • Henry Aldrich, Editor(1942)

    Producer

    Midcredits score: 74th percentile of all films

  • Pacific Blackout (not in the MovieCove catalog yet)(1941)

    Producer

  • Among the Living (not in the MovieCove catalog yet)(1941)

    Producer

  • World Premiere (not in the MovieCove catalog yet)(1941)

    Producer

  • West Point Widow (not in the MovieCove catalog yet)(1941)

    Producer

  • Buy Me That Town(1941)

    Producer

    Midcredits score: 73rd percentile of all films

  • Melody Ranch(1940)

    Associate Producer

    Midcredits score: 33rd percentile of all films

  • Three Faces West(1940)

    Producer

    Midcredits score: 46th percentile of all films

  • Dark Command(1940)

    Producer

    Midcredits score: 72nd percentile of all films

  • Should Husbands Work? (not in the MovieCove catalog yet)(1939)

    Producer

  • She Married a Cop (not in the MovieCove catalog yet)(1939)

    Producer

  • The Zero Hour (not in the MovieCove catalog yet)(1939)

    Associate Producer

  • Army Girl (not in the MovieCove catalog yet)(1938)

    Associate Producer

  • Under Western Stars(1938)

    Associate Producer

    Midcredits score: 33rd percentile of all films

  • The Purple Vigilantes(1938)

    Associate Producer

    Midcredits score: 38th percentile of all films

  • The Old Barn Dance(1938)

    Producer

    Midcredits score: 14th percentile of all films

  • Boots and Saddles(1937)

    Producer

    Midcredits score: 24th percentile of all films

  • SOS Coast Guard (not in the MovieCove catalog yet)(1937)

    Associate Producer

  • Gunsmoke Ranch (not in the MovieCove catalog yet)(1937)

    Associate Producer

  • Hit the Saddle(1937)

    Producer

    Midcredits score: 39th percentile of all films

  • Paradise Express(1937)

    Associate Producer

    Midcredits score: 31st percentile of all films

  • Riders of the Whistling Skull(1937)

    Associate Producer

    Midcredits score: 35th percentile of all films

  • Come On, Cowboys(1937)

    Producer

    Midcredits score: 39th percentile of all films

  • Heart of the Rockies(1937)

    Producer

    Midcredits score: 53rd percentile of all films

  • Public Cowboy No. 1(1937)

    Producer

    Midcredits score: 27th percentile of all films

  • Range Defenders(1937)

    Producer

    Midcredits score: 21st percentile of all films

  • Springtime in the Rockies(1937)

    Producer

    Midcredits score: 26th percentile of all films

  • The Trigger Trio(1937)

    Producer

    Midcredits score: 49th percentile of all films (provisional, few ratings)

  • Wild Horse Rodeo(1937)

    Producer

    Midcredits score: 61st percentile of all films (provisional, few ratings)

  • Zorro Rides Again(1937)

    Producer

    Midcredits score: 58th percentile of all films

  • The Three Mesquiteers (not in the MovieCove catalog yet)(1936)

    Associate Producer

  • Ghost Town Gold(1936)

    Producer

    Midcredits score: 39th percentile of all films

  • Roarin' Lead(1936)

    Producer

    Midcredits score: 37th percentile of all films

  • Robinson Crusoe of Clipper Island(1936)

    Producer

    Midcredits score: 37th percentile of all films

Career shape

A full career of 62 titles from 1936 to 1976.

Biggest box office

Gentlemen Prefer Blondes (1953)

$31K worldwide

Highest rated

A Letter to Three Wives (1949)

Midcredits 94th

Most popular right now

Gentlemen Prefer Blondes (1953)

By role

only this rolewith another role
Producing61 of 62: 61 only producing, 0 with another role · typical Midcredits score68thOther crew1 of 62: 1 only other crew, 0 with another role

By decade

1930s13 · crew1940s24 · crew1950s21 · crew1960s3 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Sol C. Siegel's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 54; across their 53 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 53

Approval · how many liked their films

61stpercentile
Typical film, the median of 53

Reach · how many have seen their films

40thpercentile
Typical film, the median of 53

Midcredits score across 54 titles, by percentile

  • 75th and up16
  • 50th to 74th19
  • 25th to 49th16
  • Below 25th3

Shape of the crowd

30 of their 54 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser30
  • Broadly Agreed5
  • Mixed17

Most divisive · producer

Henry Aldrich, Editor (1942)

75th percentile spread · 18% rated it 4 or lower

Most loved · producer

A Letter to Three Wives (1949)

Midcredits 94th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Sol C. Siegel's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 15 · mildMedian of all films: 32
Alcohol & Drugs3 titlesmedian 32 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Sol C. Siegel work with?

People who share at least 2 of Sol C. Siegel's MovieCove titles, grouped by what they did on them; Lester Orlebeck shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

  • Lester Orlebeck12 titles    See all 12 shared titles with Lester Orlebeck
  • Murray Seldeen12 titles    See all 12 shared titles with Murray Seldeen
  • Jack A. Marta9 titles    See all 9 shared titles with Jack A. Marta
  • Alfred Newman7 titles    See all 7 shared titles with Alfred Newman

Producers

Mixed roles