Matyas Seiber
Composer · Died September 24, 1960, aged 55 · Budapest, Hungary
- May 4, 1905
- September 24, 1960 (aged 55)
- Budapest, Hungary
- Composer
- 6 on MovieCove · 23 credits in all
What are Matyas Seiber's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 1 · Serious 1 · Dark 4
Grounded 1 · Stylized 5 · Heightened 0
Gentle 0 · Charged 4 · Intense 2
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 4 · Full focus 1
Easy watch 1 · Affecting 3 · Heavy 2
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matyas Seiber's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Matyas Seiber's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 6 with a MovieCove page.
Snip and Snap (not in the MovieCove catalog yet)(1960)
HaBa Tales: The Insolent Matador (not in the MovieCove catalog yet)(1960)
The Christmas Visitor (not in the MovieCove catalog yet)(1959)
Chase a Crooked Shadow(1958)
Midcredits score: 81st percentile of all films
The Mark of the Hawk(1957)
Midcredits score: 8th percentile of all films
Robbery Under Arms(1957)
Midcredits score: 37th percentile of all films
A Short Vision (not in the MovieCove catalog yet)(1956)
A Town Like Alice(1956)
Midcredits score: 83rd percentile of all films
Animal Farm(1954)
Midcredits score: 83rd percentile of all films
The Diamond Wizard(1954)
Midcredits score: 30th percentile of all filmsDown a Long Way (not in the MovieCove catalog yet)(1954)
Graham Sutherland (not in the MovieCove catalog yet)(1953)
The Figurehead (not in the MovieCove catalog yet)(1952)
The Owl And The Pussycat (not in the MovieCove catalog yet)(1952)
Shapes and Forms (not in the MovieCove catalog yet)(1950)
The Shoemaker and the Hatter (not in the MovieCove catalog yet)(1950)
Charley Junior's Schooldays (not in the MovieCove catalog yet)(1949)
Robinson Charley (not in the MovieCove catalog yet)(1948)
Charley in New Town (not in the MovieCove catalog yet)(1948)
Pattern for Progress (not in the MovieCove catalog yet)(1948)
A Modern Guide to Health (not in the MovieCove catalog yet)(1946)
6 Little Jungle Boys (not in the MovieCove catalog yet)(1945)
Abu's Dungeon (not in the MovieCove catalog yet)(1943)
Career shape
A full career of 23 titles from 1943 to 1960.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Matyas Seiber's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up3
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 6 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed2
Reviewers score the sound and music 59/100 in their films, across 6 reviewed titles; fans 68, detractors 48. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Matyas Seiber work with?
People who share at least 2 of Matyas Seiber's MovieCove titles, grouped by what they did on them; Jack Lee shares the most, 2.
Directors
- Jack LeeShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Jack Lee
Writers
- Richard MasonShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Richard Mason
- W.P. LipscombShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with W.P. Lipscomb
Actors
- Jean AndersonShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Jean Anderson
- Maureen SwansonShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Maureen Swanson
- Peter FinchShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Peter Finch
Cinematographers
- Erwin HillierShared titles: Chase a Crooked Shadow (1958), The Mark of the Hawk (1957)See all 2 shared titles with Erwin Hillier
Producers
- Earl St. JohnShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Earl St. John
- Joseph JanniShared titles: Robbery Under Arms (1957), A Town Like Alice (1956)See all 2 shared titles with Joseph Janni