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Jules Schermer

Producer and writer

Works as
Producer and writer
Titles
10 on MovieCove · 12 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 19% in 30 days

What are Jules Schermer's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Crime4 titlesTypical Midcredits score: 81st percentile, at or above their average across these genres
: browse their Crime movies
Biography2 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Biography movies
Drama2 titlesTypical Midcredits score: 61st percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
37%
Bonds
19%
Survival
17%
Self
12%
Power
12%
Ideas
4%
Redemption3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 3 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 4 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 8 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
8
Thrilling
2
Hopeful
2
Warm
1
Other
6

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jules Schermer's films?

As of October 24, 2026, 2 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Jules Schermer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 10 with a MovieCove page.

  • A Dream of Kings(1969)

    Producer

    Midcredits score: 48th percentile of all films

  • Onionhead(1958)

    Producer

    Midcredits score: 32nd percentile of all films

  • These Wilder Years(1956)

    Producer

    Midcredits score: 73rd percentile of all films

  • Pushover(1954)

    Producer

    Midcredits score: 83rd percentile of all films

  • Pickup on South Street(1953)

    Producer

    Midcredits score: 95th percentile of all films

  • Lydia Bailey (not in the MovieCove catalog yet)(1952)

    Producer

  • The Pride of St. Louis(1952)

    Producer

    Midcredits score: 62nd percentile of all films

  • Union Station(1950)

    Producer

    Midcredits score: 75th percentile of all films

  • Illegal Entry (not in the MovieCove catalog yet)(1949)

    Producer

  • The Man from Colorado(1948)

    Producer

    Midcredits score: 71st percentile of all films

  • Framed(1947)

    Producer

    Midcredits score: 78th percentile of all films

  • The Fighting Sullivans(1944)

    Story

    Midcredits score: 89th percentile of all films

Career shape

A full career of 10 titles from 1944 to 1969.

Highest rated

Pickup on South Street (1953)

Midcredits 95th

By role

only this rolewith another role
Writing1 of 10: 1 only writing, 0 with another roleProducing9 of 10: 9 only producing, 0 with another role · typical Midcredits score75th

By decade

1940s4 · crew1950s5 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jules Schermer's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 10

Approval · how many liked their films

75thpercentile
Typical film, the median of 10

Reach · how many have seen their films

55thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

7 of their 10 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser7
  • Broadly Agreed1

Most divisive · producer

A Dream of Kings (1969)

54th percentile spread · 14% rated it 4 or lower

Most loved · producer

Pickup on South Street (1953)

Midcredits 95th · 84% liked

Reviewers score the dialogue 59/100 and the plot and story 54/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jules Schermer work with?

People who share at least 2 of Jules Schermer's MovieCove titles, grouped by what they did on them; Thomas Walsh shares the most, 2.

Writers

Actors