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MovieCove

Kim Roth

Producer

Works as
Producer
Titles
29 on MovieCove · 31 credits in all
TMDB popularity, last 155 days to Oct 26Up 10% in 30 days

What are Kim Roth's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 7 · Dark 5

Grounded 14 · Stylized 4 · Heightened 2

Gentle 4 · Charged 10 · Intense 6

Steady 8 · Shifting 12 · Whiplash 0

Straight-faced 14 · Some laughs 4 · Funny 2

A split, not a type: Slow burn 11 · Even-paced 8 · Relentless 1

Casual 7 · Engaged 10 · Full focus 3

Resolved 15 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
14
Tense
7
Hopeful
10
Contemplative
6
Bittersweet
5
Other
17

How their films end · 1 with a twist

  • Happy2
  • Bittersweet17
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kim Roth's films?

As of October 24, 2026, 21 of their 29 MovieCove titles stream on a subscription or free service, most on Netflix (5).

Subscription and free streaming for Kim Roth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 29 with a MovieCove page.

  • Unicorns(2023)

    Producer

    Midcredits score: 89th percentile of all films
  • Food, Inc. 2(2023)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Dreamin' Wild(2022)

    Producer

    Midcredits score: 58th percentile of all films
  • They Cloned Tyrone(2023)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Young. Wild. Free.(2023)

    Producer

    Midcredits score: 35th percentile of all films
  • Frybread Face and Me(2023)

    Producer

    Midcredits score: 86th percentile of all films
  • Nine Days(2020)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Judas and the Black Messiah(2021)

    Executive Producer

    Midcredits score: 94th percentile of all films
  • Blue Bayou(2021)

    Producer

    Midcredits score: 87th percentile of all films
  • Tigertail(2020)

    Producer

    Midcredits score: 66th percentile of all films
  • Really Love(2020)

    Producer

    Midcredits score: 57th percentile of all films
  • Harriet(2019)

    Producer

    Midcredits score: 77th percentile of all films
  • The Apollo(2019)

    Executive Producer

    Midcredits score: 69th percentile of all films
  • Sorry to Bother You(2018)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Roman J. Israel, Esq.(2017)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Mudbound(2017)

    Producer

    Midcredits score: 93rd percentile of all films
  • American Made(2017)

    Producer

    Midcredits score: 87th percentile of all films
  • Fences(2016)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Lowriders(2016)

    Producer

    Midcredits score: 42nd percentile of all films
  • Love the Coopers(2015)

    Executive Producer

    Midcredits score: 31st percentile of all films
  • The Good Lie(2014)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Tower Heist(2011)

    Producer

    Midcredits score: 46th percentile of all films
  • The Dilemma(2011)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • Inside Man(2006)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Fun with Dick and Jane(2005)

    Co-Producer

    Midcredits score: 46th percentile of all films
  • Inside Deep Throat(2005)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Undercover Brother(2002)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • Insomnia(2002)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • A Woman in the Sun (not in the MovieCove catalog yet)

    Producer

  • Miles & Juliette (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 27 titles, 25 of them dated from 2002 to 2024.

By role

only this rolewith another role
Producing27 of 27: 27 only producing, 0 with another role · typical Midcredits score76th

By decade

2000s5 · crew2010s12 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kim Roth's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 29; across their 20 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 20

Approval · how many liked their films

73rdpercentile
Typical film, the median of 20

Reach · how many have seen their films

94thpercentile
Typical film, the median of 20

Midcredits score across 29 titles, by percentile

  • 75th and up15
  • 50th to 74th7
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

19 of their 29 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser19
  • Broadly Agreed3
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Kim Roth's work okay for kids?

Across up to 14 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles27–63 · median 36 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity14 titles9–61 · median 27 · mildnear the median of all filmsMedian of all films: 32
Profanity13 titles25–79 · median 63 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles26–60 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles25–64 · median 42 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Kim Roth work with?

People who share at least 2 of Kim Roth's MovieCove titles, grouped by what they did on them; Charles D. King shares the most, 10.

Actors

Composers

Producers