Donna Roth
- Producer
- 8 on MovieCove · 9 credits in all
What are Donna Roth's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 6
Light 4 · Serious 3 · Dark 1
Grounded 4 · Stylized 4 · Heightened 0
Gentle 3 · Charged 4 · Intense 1
Steady 3 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 5
Slow burn 2 · Even-paced 5 · Relentless 1
Casual 6 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 3 · Heavy 0
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Donna Roth's films?
As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Donna Roth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 8 with a MovieCove page.
Drillbit Taylor(2008)
Midcredits score: 28th percentile of all films
13 Going on 30(2004)
Midcredits score: 66th percentile of all films
America's Sweethearts(2001)
Midcredits score: 28th percentile of all films
The Haunting(1999)
Midcredits score: 14th percentile of all films
Forces of Nature(1999)
Midcredits score: 20th percentile of all films
Grosse Pointe Blank(1997)
Midcredits score: 90th percentile of all films
Unstrung Heroes(1995)
Midcredits score: 69th percentile of all films
Benny & Joon(1993)
Midcredits score: 84th percentile of all films
13 Going on 30 (not in the MovieCove catalog yet)
Career shape
A full career of 8 titles, 7 of them dated from 1993 to 2008.
Biggest box office
The Haunting (1999)
Highest rated
Grosse Pointe Blank (1997)
Most popular right now
13 Going on 30 (2004)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Donna Roth's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 8 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Donna Roth's work okay for kids?
Across up to 7 MovieCove titles with content scores, frightening / intense runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Donna Roth work with?
People who share at least 2 of Donna Roth's MovieCove titles, grouped by what they did on them; Susan Arnold shares the most, 8.
Actors
- Owen WilsonShared titles: Drillbit Taylor (2008), The Haunting (1999)See all 2 shared titles with Owen Wilson
- Alan ArkinShared titles: America's Sweethearts (2001), Grosse Pointe Blank (1997)See all 2 shared titles with Alan Arkin
- Catherine Zeta-JonesShared titles: America's Sweethearts (2001), The Haunting (1999)See all 2 shared titles with Catherine Zeta-Jones
- Hank AzariaShared titles: America's Sweethearts (2001), Grosse Pointe Blank (1997)See all 2 shared titles with Hank Azaria
Cinematographers
- Phedon PapamichaelShared titles: America's Sweethearts (2001), Unstrung Heroes (1995)See all 2 shared titles with Phedon Papamichael
Producers
- Susan ArnoldShared titles: Drillbit Taylor (2008), 13 Going on 30 (2004), America's Sweethearts (2001), Forces of Nature (1999), The Haunting (1999), Grosse Pointe Blank (1997), Unstrung Heroes (1995), Benny & Joon (1993)See all 8 shared titles with Susan Arnold
- Desi van TilShared titles: Drillbit Taylor (2008), 13 Going on 30 (2004)See all 2 shared titles with Desi van Til
- Allegra CleggShared titles: 13 Going on 30 (2004), America's Sweethearts (2001)See all 2 shared titles with Allegra Clegg
- Jacqueline LevineShared titles: Grosse Pointe Blank (1997), Unstrung Heroes (1995)See all 2 shared titles with Jacqueline Levine