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Anna Roth

Producer

Works as
Producer
Titles
21 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 26% in 30 days

What are Anna Roth's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
25%
Bonds
22%
Ideas
16%
Society
15%
Self
13%
Power
6%
Morality
3%
Family bonds3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeWar2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 0 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 0 · Charged 2 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 5 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
4
Hopeful
2
Thrilling
2
Joyful
1
Other
5

How their films linger

Hopeful2 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Roth's films?

As of October 24, 2026, 16 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Anna Roth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 21 with a MovieCove page.

  • El día de la unión(2018)

    Producer

    Midcredits score: 33rd percentile of all films

  • Cinco de Mayo, La Batalla(2013)

    Producer

    Midcredits score: 64th percentile of all films

  • HOUBA! On the Trail of the Marsupilami(2012)

    Line Producer

    Midcredits score: 27th percentile of all films

  • Seventh Moon(2008)

    Costume Design

    Midcredits score: 9th percentile of all films

  • Che: Part One(2008)

    Line Producer · Production Manager

    Midcredits score: 86th percentile of all films

  • Apocalypto(2006)

    Unit Manager

    Midcredits score: 97th percentile of all films

  • Innocent Voices(2004)

    Executive Producer

    Midcredits score: 96th percentile of all films

  • Man on Fire(2004)

    Production Manager

    Midcredits score: 95th percentile of all films

  • Master and Commander: The Far Side of the World(2003)

    Production Consultant

    Midcredits score: 94th percentile of all films

  • Collateral Damage(2002)

    Production Supervisor

    Midcredits score: 18th percentile of all films

  • Dust to Dust(2000)

    Producer

    Midcredits score: 77th percentile of all films

  • Deep Blue Sea(1999)

    Production Supervisor

    Midcredits score: 40th percentile of all films

  • Titanic(1997)

    Unit Production Manager

    Midcredits score: 97th percentile of all films

  • Clear and Present Danger(1994)

    Production Manager

    Midcredits score: 80th percentile of all films

  • The Wrong Man (not in the MovieCove catalog yet)(1993)

    Associate Producer

  • Blind Side(1993)

    Production Manager

    Midcredits score: 27th percentile of all films

  • Total Recall(1990)

    Location Manager

    Midcredits score: 94th percentile of all films

  • Nam Angels (not in the MovieCove catalog yet)(1989)

    Associate Producer

  • Eye of the Eagle 2: Inside the Enemy (not in the MovieCove catalog yet)(1989)

    Associate Producer

  • Deathstalker and the Warriors from Hell(1988)

    Associate Producer

    Midcredits score: 1st percentile of all films

  • Predator(1987)

    Unit Manager

    Midcredits score: 96th percentile of all films

  • Let's Get Harry(1986)

    Assistant Production Manager

    Midcredits score: 24th percentile of all films

  • Under Fire(1983)

    Associate Producer

    Midcredits score: 80th percentile of all films

  • Es mi vida(1982)

    Actor

    Midcredits score: 39th percentile of all films (provisional, few ratings)

  • El Noa Noa (not in the MovieCove catalog yet)(1981)

    Assistant Director · Actor

  • Vivir para amar (not in the MovieCove catalog yet)(1980)

    Production Supervisor

  • Lunik 3 (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 25 titles, 24 of them dated from 1980 to 2018.

Biggest box office

HOUBA! On the Trail of the Marsupilami (2012)

$50M worldwide

Highest rated

Innocent Voices (2004)

Midcredits 96th

By role

only this rolewith another role
Acting2 of 25: 1 only acting, 1 with another roleProducing10 of 25: 9 only producing, 1 with another role · typical Midcredits score57thOther crew15 of 25: 13 only other crew, 2 with another role · typical Midcredits score86th

By decade

1980s9 · 2 acting · 8 crew1990s6 · crew2000s7 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anna Roth's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 21; across their 6 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 6

Approval · how many liked their films

67thpercentile
Typical film, the median of 6

Reach · how many have seen their films

75thpercentile
Typical film, the median of 6

Midcredits score across 21 titles, by percentile

  • 75th and up11
  • 50th to 74th1
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

7 of their 21 titles are Universally Loved.

  • Universally Loved7
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed7

Most divisive · producer

El día de la unión (2018)

87th percentile spread · 43% rated it 4 or lower

Most loved · producer

Innocent Voices (2004)

Midcredits 96th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Roth work with?

People who share at least 2 of Anna Roth's MovieCove titles, grouped by what they did on them; Kuno Becker shares the most, 2.

Actors

Producers