Jane Rosenthal

Producer, also actor · Born September 21, 1956 (70) · Denver, Colorado, USA

Oscar nominee · Primetime Emmy nominee · BAFTA Award nominee · 1 other major award body

Jane Rosenthal (born September 21, 1956) is an American film producer. She is co-founder, CEO, and executive chair of Tribeca Enterprises. This media company encompasses Tribeca Productions, the Tribeca Film Festival, Tribeca Studios, and the non-profit offshoot the Tribeca Film Institute. She and Robert De Niro founded the Tribeca Film Festival after the September 11 attacks to help revitalize downtown Manhattan. She has been De Niro's producing partner since 1988, producing films including Wag the Dog (1997), Meet the Parents (2000), and The Good Shepherd (2006). In 2020, Rosenthal was nominated for the Academy Award for Best Picture for producing The Irishman (2019). Description above from the Wikipedia article Jane Rosenthal, licensed under CC-BY-SA, full list of contributors on Wikipedia.

What are Jane Rosenthal's films like?

Across their 33 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy13 titles50^th

Drama7 titles71^st

Crime6 titles67^th

Biography3 titles95^th

Documentary2 titles74^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

32%

Self

24%

Morality

19%

Society

11%

Survival

7%

Power

6%

Ideas

2%

Family bonds13 Identity9 Friendship5 Community5 Ambition5 Redemption5 Justice4 Self-worth4

What they feel like to watch

their average across 32 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 2 · Wry 2 · Earnest 28

Serious

Tone · Weight

lightdark

A split, not a type: Light 13 · Serious 11 · Dark 8

Grounded

Tone · Style

naturalisticheightened

Grounded 26 · Stylized 4 · Heightened 2

Charged

Feel · Intensity

gentleintense

Gentle 7 · Charged 19 · Intense 6

Shifting

Feel · Swings

steadyswings

A split, not a type: Steady 15 · Shifting 12 · Whiplash 5

Some laughs

Feel · Humor

noneconstant

Straight-faced 10 · Some laughs 13 · Funny 9

Even-paced

Demand · Pace

slowrelentless

Slow burn 15 · Even-paced 16 · Relentless 1

Engaged

Demand · Attention

casualfull focus

A split, not a type: Casual 17 · Engaged 11 · Full focus 4

Affecting

Demand · Emotional cost

easyheavy

Easy watch 11 · Affecting 11 · Heavy 10

Resolved

Demand · Resolution

resolvedambiguous

Resolved 25 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

15

Melancholic

14

Hopeful

9

Absurd

8

Bittersweet

6

Other

35

How their films linger

Hopeful13 Bittersweet12 Feel-good10 Thought-provoking9 Fun7 Haunting4

How their films end · 1 with a twist

Happy12
Bittersweet13
Tragic4
Ambiguous3
Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jane Rosenthal's films?

As of October 24, 2026, 24 of their 41 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Lionsgate+2 titles, show their 2 titles on Lionsgate+
Cinemax1 title, show their title on Cinemax
Cineverse1 title, show their title on Cineverse
Marquee TV1 title, show their title on Marquee TV
ScreenPix1 title, show their title on ScreenPix
Sony Pictures Core1 title, show their title on Sony Pictures Core

Subscription and free streaming for Jane Rosenthal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

53 credits, 41 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

Focker-in-Law (not in the MovieCove catalog yet)(2026)
Producer
Top of the World (not in the MovieCove catalog yet)(2026)
Executive Producer
Breaking Glass: The Pat Summitt Story(2026)
Producer
Midcredits score: 97th percentile of all films
Oh. What. Fun.(2025)
Producer
Midcredits score: 16th percentile of all films
Zero Day(2025)
Show 6 episodes · Co-Executive Producer
Midcredits score: 37th percentile of all shows
The Good House(2021)
Producer
Midcredits score: 57th percentile of all films
The Death of My Two Fathers (not in the MovieCove catalog yet)(2021)
Executive Producer
This Is a Robbery: The World's Greatest Art Heist(2021)
Show 4 episodes · Executive Producer
Midcredits score: 24th percentile of all shows
The War with Grandpa(2020)
Executive Producer
Midcredits score: 26th percentile of all films
Artemis Fowl(2020)
Executive Producer
Midcredits score: 4th percentile of all films
The Irishman(2019)
Producer
Midcredits score: 97th percentile of all films
When They See Us(2019)
Show 4 episodes · Executive Producer
Midcredits score: 99th percentile of all shows
Bohemian Rhapsody(2018)
Executive Producer
Midcredits score: 95th percentile of all films
Quincy(2018)
Executive Producer
Midcredits score: 93rd percentile of all films
The Pirates of Somalia(2017)
Executive Producer
Midcredits score: 73rd percentile of all films
The Wizard of Lies(2017)
Executive Producer
Midcredits score: 74th percentile of all films
All We Had(2016)
Producer
Midcredits score: 41st percentile of all films
Brittney Griner: Lifesize (not in the MovieCove catalog yet)(2014)
Executive Producer
Grudge Match(2013)
Executive Producer
Midcredits score: 48th percentile of all films
NYC 22 (not in the MovieCove catalog yet)(2012)
Show 13 episodes · Executive Producer
Being Flynn(2012)
Executive Producer
Midcredits score: 54th percentile of all films
The Education of Dee Dee Ricks (not in the MovieCove catalog yet)(2011)
Executive Producer
Little Fockers(2010)
Producer
Midcredits score: 17th percentile of all films
Public Enemies(2009)
Executive Producer
Midcredits score: 77th percentile of all films
What Just Happened(2008)
Producer
Midcredits score: 24th percentile of all films
The Good Shepherd(2006)
Producer
Midcredits score: 67th percentile of all films
Rent(2005)
Producer
Midcredits score: 79th percentile of all films
Meet the Fockers(2004)
Producer
Midcredits score: 50th percentile of all films
Stage Beauty(2004)
Producer
Midcredits score: 81st percentile of all films
House of D(2004)
Producer
Midcredits score: 64th percentile of all films
Analyze That(2002)
Producer
Midcredits score: 32nd percentile of all films
Porn 'n Chicken (not in the MovieCove catalog yet)(2002)
Executive Producer
About a Boy(2002)
Producer
Midcredits score: 85th percentile of all films
Showtime(2002)
Producer
Midcredits score: 20th percentile of all films
Prison Song(2001)
Producer
Midcredits score: 58th percentile of all films
Holiday Heart(2000)
Executive Producer
Midcredits score: 88th percentile of all films
Meet the Parents(2000)
Producer
Midcredits score: 81st percentile of all films
The Adventures of Rocky & Bullwinkle(2000)
Producer
Midcredits score: 7th percentile of all films
Entropy (not in the MovieCove catalog yet)(1999)
Producer
Flawless(1999)
Producer
Midcredits score: 56th percentile of all films
Analyze This(1999)
Producer
Midcredits score: 69th percentile of all films
Witness to the Mob(1998)
Executive Producer
Midcredits score: 73rd percentile of all films
The Repair Shop (not in the MovieCove catalog yet)(1998)
Executive Producer
Wag the Dog(1997)
Producer
Midcredits score: 83rd percentile of all films
Marvin's Room(1996)
Producer
Midcredits score: 71st percentile of all films
Faithful(1996)
Producer
Midcredits score: 38th percentile of all films
A Bronx Tale(1993)
Producer
Midcredits score: 99th percentile of all films
TriBeCa (not in the MovieCove catalog yet)(1993)
Show 7 episodes · Producer
Night and the City(1992)
Producer
Midcredits score: 34th percentile of all films
Thunderheart(1992)
Producer
Midcredits score: 75th percentile of all films
Cape Fear(1991)
Producer
Midcredits score: 91st percentile of all films
Kill Your Darlings (not in the MovieCove catalog yet)
Producer
The Formula (not in the MovieCove catalog yet)
Producer

Career shape

A full career of 50 titles, 47 of them dated from 1992 to 2026.

Biggest box office

Bohemian Rhapsody (2018)

$911M worldwide

Highest rated

A Bronx Tale (1993)

Midcredits 99^th

By role

only this rolewith another role

Producing50 of 50 · 66^th

By decade

1990s12 · crew2000s14 · crew2010s13 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

7 major nominations and no wins, 2017–2020.

2020
- Oscar, nominated · Best Motion Picture of the Year
- BAFTA Award, nominated · Best Film
- +1 other major body · 2 nominations
  - Producers Guild Award, nominated · Outstanding Producer of Limited Series Television
  - Producers Guild Award, nominated · Outstanding Producer of Theatrical Motion Pictures
2019
- Primetime Emmy, nominated · Outstanding Limited Series
2018
- Producers Guild Award, nominated · Outstanding Producer of Long-Form Television
2017
- Primetime Emmy, nominated · Outstanding Television Movie

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Jane Rosenthal's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 38; across their 32 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Acclaim · how much people like their films

62^ndpercentile

Typical film, the median of 32

Approval · how many liked their films

67^thpercentile

Typical film, the median of 32

Reach · how many have seen their films

94^thpercentile

Typical film, the median of 32

Midcredits score across 41 titles, by percentile

75^th and up15
50^th to 74^th12
25^th to 49^th7
Below 25^th7

Shape of the crowd

20 of their 41 titles are Crowd Pleasers.

Universally Loved5
Cult Classic1
Crowd Pleaser20
Broadly Agreed6
Mixed9

Most divisive · producer

Prison Song (2001)

80^th percentile spread · 18% rated it 4 or lower

Most loved · producer

When They See Us (2019)

Midcredits 99^th · 95% liked

Reviewers score the acting 75/100 in their films, across 30 reviewed titles; fans 84, detractors 51. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jane Rosenthal's work okay for kids?

Across up to 23 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore17 titles18–78 · median 37 · moderatenear the median of all films

Sex & Nudity23 titles9–60 · median 38 · moderatenear the median of all films

Profanity20 titles41–91 · median 57 · moderateheavier than most films

Alcohol & Drugs16 titles33–61 · median 41 · moderatenear the median of all films

Frightening / Intense15 titles10–62 · median 33 · mildnear the median of all films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.