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Aaron Rosenberg

Producer · Died September 1, 1979, aged 67

Born
August 26, 1912
Died
September 1, 1979 (aged 67)
Works as
Producer
Titles
50 on MovieCove · 66 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 41% in 30 days

What are Aaron Rosenberg's films like?

Across their 44 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama12 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Action8 titlesTypical Midcredits score: 80th percentile, at or above their average across these genres
: browse their Action movies
Comedy8 titlesTypical Midcredits score: 47th percentile
: browse their Comedy movies
Crime6 titlesTypical Midcredits score: 61st percentile
: browse their Crime movies
Adventure4 titlesTypical Midcredits score: 55th percentile
: browse their Adventure movies
Biography3 titlesTypical Midcredits score: 72nd percentile, at or above their average across these genres
: browse their Biography movies
Western2 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Western movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Morality
27%
Self
14%
Power
13%
Society
8%
Survival
5%
Ideas
4%
Justice11 titles, browse their movies with this themeRomantic love9 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themeFamily bonds7 titles, browse their movies with this themeLoyalty8 titles, browse their movies with this themeAmbition7 titles, browse their movies with this themeCommunity7 titles, browse their movies with this themeIdentity8 titles, browse their movies with this theme

What they feel like to watch

their average across 44 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 22 · Serious 15 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 26 · Stylized 17 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 12 · Charged 25 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 20 · Shifting 20 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 26 · Some laughs 11 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 29 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 31 · Engaged 11 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 39 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
25
Romantic
14
Warm
11
Melancholic
11
Hopeful
11
Other
42

How their films linger

Feel-good20 titles, browse their movies with this aftertasteBittersweet15 titles, browse their movies with this aftertasteHopeful14 titles, browse their movies with this aftertasteFun11 titles, browse their movies with this aftertasteRousing11 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy22
  • Bittersweet16
  • Tragic5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aaron Rosenberg's films?

As of October 24, 2026, 6 of their 50 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Also on these channels

Subscription and free streaming for Aaron Rosenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

66 credits, 50 with a MovieCove page.

  • The Rehearsal(2022)

    Show 2 episodes · Construction Coordinator

    Midcredits score: 96th percentile of all shows

  • Reflections of Murder (not in the MovieCove catalog yet)(1974)

    Producer

  • The Boy Who Cried Werewolf(1973)

    Producer

    Midcredits score: 20th percentile of all films

  • The Desperate Mission(1969)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Lady in Cement(1968)

    Producer

    Midcredits score: 34th percentile of all films

  • The Detective(1968)

    Producer

    Midcredits score: 59th percentile of all films

  • Nick Quarry (not in the MovieCove catalog yet)(1968)

    Producer

  • Tony Rome(1967)

    Producer

    Midcredits score: 62nd percentile of all films

  • Daniel Boone: Frontier Trail Rider(1966)

    Producer

    Midcredits score: 51st percentile of all films (provisional, few ratings)

  • Smoky(1966)

    Producer

    Midcredits score: 56th percentile of all films

  • Do Not Disturb(1965)

    Producer

    Midcredits score: 39th percentile of all films

  • The Reward (not in the MovieCove catalog yet)(1965)

    Producer

  • Morituri(1965)

    Producer

    Midcredits score: 81st percentile of all films

  • Fate Is the Hunter(1964)

    Producer

    Midcredits score: 74th percentile of all films

  • Daniel Boone (not in the MovieCove catalog yet)(1964)

    Show 165 episodes · Executive Producer

  • Shock Treatment (not in the MovieCove catalog yet)(1964)

    Producer

  • Move Over, Darling(1963)

    Producer

    Midcredits score: 78th percentile of all films

  • Mutiny on the Bounty(1962)

    Producer

    Midcredits score: 84th percentile of all films

  • Go Naked in the World(1961)

    Producer

    Midcredits score: 25th percentile of all films

  • It Started with a Kiss(1959)

    Producer

    Midcredits score: 42nd percentile of all films

  • Never Steal Anything Small(1959)

    Producer

    Midcredits score: 43rd percentile of all films

  • The Badlanders(1958)

    Producer

    Midcredits score: 58th percentile of all films

  • Night Passage(1957)

    Producer

    Midcredits score: 66th percentile of all films

  • Joe Butterfly (not in the MovieCove catalog yet)(1957)

    Producer

  • Four Girls in Town(1957)

    Producer

    Midcredits score: 24th percentile of all films

  • The Great Man (not in the MovieCove catalog yet)(1956)

    Producer

  • Walk the Proud Land(1956)

    Producer

    Midcredits score: 64th percentile of all films

  • Backlash(1956)

    Producer

    Midcredits score: 68th percentile of all films

  • World in My Corner(1956)

    Producer

    Midcredits score: 55th percentile of all films

  • The Benny Goodman Story(1956)

    Producer

    Midcredits score: 72nd percentile of all films

  • To Hell and Back(1955)

    Producer

    Midcredits score: 86th percentile of all films

  • Foxfire (not in the MovieCove catalog yet)(1955)

    Producer

  • The Shrike (not in the MovieCove catalog yet)(1955)

    Producer

  • Man Without a Star(1955)

    Producer

    Midcredits score: 75th percentile of all films

  • Six Bridges to Cross(1955)

    Producer

    Midcredits score: 71st percentile of all films

  • Saskatchewan(1954)

    Producer

    Midcredits score: 53rd percentile of all films

  • The Far Country(1954)

    Producer

    Midcredits score: 86th percentile of all films

  • The Glenn Miller Story(1954)

    Producer

    Midcredits score: 88th percentile of all films

  • The All American (not in the MovieCove catalog yet)(1953)

    Producer

  • Wings of the Hawk(1953)

    Producer

    Midcredits score: 38th percentile of all films

  • The Man from the Alamo(1953)

    Producer

    Midcredits score: 61st percentile of all films

  • Thunder Bay(1953)

    Producer

    Midcredits score: 57th percentile of all films

  • Gunsmoke(1953)

    Producer

    Midcredits score: 68th percentile of all films

  • The World in His Arms(1952)

    Producer

    Midcredits score: 79th percentile of all films

  • Red Ball Express(1952)

    Producer

    Midcredits score: 56th percentile of all films

  • Here Come the Nelsons(1952)

    Producer

    Midcredits score: 51st percentile of all films

  • Bend of the River(1952)

    Producer

    Midcredits score: 89th percentile of all films

  • The Raging Tide(1951)

    Producer

    Midcredits score: 47th percentile of all films

  • Iron Man(1951)

    Producer

    Midcredits score: 44th percentile of all films

  • Cattle Drive(1951)

    Producer

    Midcredits score: 70th percentile of all films

  • Air Cadet (not in the MovieCove catalog yet)(1951)

    Producer

  • Winchester '73(1950)

    Producer

    Midcredits score: 95th percentile of all films

  • Outside the Wall (not in the MovieCove catalog yet)(1950)

    Producer

  • The Story of Molly X (not in the MovieCove catalog yet)(1949)

    Producer

  • Calamity Jane and Sam Bass(1949)

    Associate Producer

    Midcredits score: 35th percentile of all films

  • Red Canyon(1949)

    Associate Producer

    Midcredits score: 54th percentile of all films

  • Johnny Stool Pigeon(1949)

    Producer

    Midcredits score: 67th percentile of all films

  • Ma and Pa Kettle(1949)

    Producer

    Midcredits score: 74th percentile of all films

  • Larceny(1948)

    Associate Producer

    Midcredits score: 71st percentile of all films

  • Coroner Creek (not in the MovieCove catalog yet)(1948)

    Assistant Director

  • Feudin', Fussin' and A-Fightin'(1948)

    Producer

    Midcredits score: 53rd percentile of all films

  • The Long Night(1947)

    Assistant Director

    Midcredits score: 58th percentile of all films

  • This Above All(1942)

    Assistant Director

    Midcredits score: 68th percentile of all films

  • The Return of Frank James(1940)

    Assistant Director

    Midcredits score: 67th percentile of all films

  • Angel's Holiday (not in the MovieCove catalog yet)(1937)

    Assistant Director

  • The Country Beyond (not in the MovieCove catalog yet)(1936)

    Assistant Director

Career shape

A full career of 61 titles from 1936 to 2022.

Biggest box office

Do Not Disturb (1965)

$316K worldwide

Highest rated

Winchester '73 (1950)

Midcredits 95th

Most popular right now

Bend of the River (1952)

By role

only this rolewith another role
Producing54 of 61: 54 only producing, 0 with another role · typical Midcredits score62ndOther crew7 of 61: 7 only other crew, 0 with another role

By decade

1930s2 · crew1940s9 · crew1950s33 · crew1960s14 · crew1970s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aaron Rosenberg's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 49; across their 44 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 44

Approval · how many liked their films

58thpercentile
Typical film, the median of 44

Reach · how many have seen their films

47thpercentile
Typical film, the median of 44

Midcredits score across 50 titles, by percentile

  • 75th and up11
  • 50th to 74th27
  • 25th to 49th10
  • Below 25th2

Shape of the crowd

36 of their 50 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser36
  • Broadly Agreed5
  • Mixed6

Most divisive · producer

Feudin', Fussin' and A-Fightin' (1948)

55th percentile spread · 16% rated it 4 or lower

Most loved · producer

Winchester '73 (1950)

Midcredits 95th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Aaron Rosenberg's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 39 · moderateMedian of all films: 32
Alcohol & Drugs3 titlesmedian 31 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Aaron Rosenberg work with?

People who share at least 2 of Aaron Rosenberg's MovieCove titles, grouped by what they did on them; Russell F. Schoengarth shares the most, 10.

Directors

Writers

Actors

Cinematographers and editors

Producers