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David A. Rosemont

David A. Rosemont

Producer

Primetime Emmy winner · 1 other major award body

David A. Rosemont is an American film and television producer. He is the son of producer Norman Rosemont.

Biography from TMDB.

Works as
Producer
Titles
34 on MovieCove · 45 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 17% in 30 days

What are David A. Rosemont's films like?

Across their 29 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama16 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies
Biography4 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Biography movies
Comedy3 titlesTypical Midcredits score: 50th percentile
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 7th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
32%
Morality
25%
Self
17%
Survival
10%
Society
7%
Ideas
5%
Power
4%
Family bonds11 titles, browse their movies with this themeRomantic love7 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeCommunity5 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeDeception3 titles, browse their movies with this theme

What they feel like to watch

their average across 28 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 9 · Dark 10

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 25 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 19 · Intense 4

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 11 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 22 · Some laughs 5 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 13 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 15 · Engaged 13 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 7 · Affecting 13 · Heavy 8

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 24 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Hopeful
16
Warm
8
Melancholic
10
Romantic
7
Other
24

How their films linger

Hopeful21 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy13
  • Bittersweet12
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David A. Rosemont's films?

As of October 24, 2026, 16 of their 34 MovieCove titles stream on a subscription or free service, most on Hallmark+ (8).

Also on these channels

Subscription and free streaming for David A. Rosemont's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 34 with a MovieCove page.

  • NCIS: Tony & Ziva(2025)

    Show Producer

    Midcredits score: 53rd percentile of all shows

  • Alaska Daily(2022)

    Show 11 episodes · Producer

    Midcredits score: 76th percentile of all shows

  • Karen Kingsbury's Maggie's Christmas Miracle(2017)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Manhunt(2017)

    Show 8 episodes · Producer

    Midcredits score: 94th percentile of all shows

  • The Bridge Part 2(2016)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • A Time to Dance(2016)

    Producer

    Midcredits score: 55th percentile of all films

  • The Bridge(2015)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • In My Dreams(2014)

    Producer

    Midcredits score: 50th percentile of all films

  • Cleveland Abduction(2015)

    Producer

    Midcredits score: 70th percentile of all films

  • One Christmas Eve(2014)

    Producer

    Midcredits score: 50th percentile of all films

  • The Gabby Douglas Story(2014)

    Producer

    Midcredits score: 80th percentile of all films

  • Bonnie & Clyde(2013)

    Show 2 episodes · Producer

    Midcredits score: 31st percentile of all shows

  • Firelight(2012)

    Producer

    Midcredits score: 64th percentile of all films

  • Steel Magnolias(2012)

    Producer

    Midcredits score: 48th percentile of all films

  • November Christmas(2010)

    Producer

    Midcredits score: 91st percentile of all films

  • Taken from Me: The Tiffany Rubin Story(2011)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • The Pillars of the Earth(2010)

    Show 8 episodes · Executive Producer

    Midcredits score: 90th percentile of all shows

  • Sex and Lies in Sin City(2008)

    Producer

    Midcredits score: 13th percentile of all films

  • Gifted Hands: The Ben Carson Story(2009)

    Producer

    Midcredits score: 93rd percentile of all films

  • America(2009)

    Producer

    Midcredits score: 52nd percentile of all films

  • SIS(2008)

    Producer

    Midcredits score: 12th percentile of all films

  • The Company (not in the MovieCove catalog yet)(2007)

    Show 3 episodes · Co-Executive Producer

  • Into the West (not in the MovieCove catalog yet)(2005)

    Show 6 episodes · Producer

  • The Wool Cap (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • The Winning Season (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • Door to Door(2002)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • The Seventh Stream(2001)

    Producer

    Midcredits score: 71st percentile of all films

  • High Noon (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Race Against Time (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • For All Time(2000)

    Producer

    Midcredits score: 78th percentile of all films

  • Purgatory(1999)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • Passing Glory(1999)

    Producer

    Midcredits score: 57th percentile of all films

  • Carriers(1998)

    Executive Producer

    Midcredits score: 23rd percentile of all films

  • Host(1998)

    Executive Producer

    Midcredits score: 12th percentile of all films

  • What Love Sees (not in the MovieCove catalog yet)(1996)

    Producer

  • Riders of the Purple Sage(1996)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • The West Side Waltz(1995)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • From the Mixed-Up Files of Mrs. Basil E. Frankweiler (not in the MovieCove catalog yet)(1995)

    Producer

  • Trick of the Eye (not in the MovieCove catalog yet)(1994)

    Producer

  • The Birds II: Land's End(1994)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • Fergie & Andrew: Behind the Palace Doors (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • Shadow of a Doubt(1991)

    Producer

    Midcredits score: 31st percentile of all films

  • Ironclads(1991)

    Producer

    Midcredits score: 48th percentile of all films

  • The Tenth Man(1988)

    Producer

    Midcredits score: 73rd percentile of all films

  • The Corsican Brothers (not in the MovieCove catalog yet)(1985)

    Producer

Career shape

A full career of 35 titles from 1985 to 2022.

Highest rated

Door to Door (2002)

Midcredits 94th

Most popular right now

NCIS: Tony & Ziva (2025)

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score66th

By decade

1980s2 · crew1990s11 · crew2000s10 · crew2010s11 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy from 7 major nominations, 2003–2014.

WinNomination
  1. 2014
    • Primetime Emmy, nominated · Outstanding Miniseries
  2. 2011
    • Primetime Emmy, nominated · Outstanding Miniseries or Movie
    • +1 other major body · 1 nomination
      • Producers Guild Award, nominated · Outstanding Producer of Long-Form Television
  3. 2006
    • Primetime Emmy, nominated · Outstanding Miniseries
    • +1 other major body · 1 nomination
      • Producers Guild Award, nominated · Outstanding Producer of Long-Form Television
  4. 2005
    • Primetime Emmy, nominated · Outstanding Made for Television Movie
  5. 2003
    • Primetime Emmy, won · Outstanding Made for Television Movie

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do David A. Rosemont's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 29; across their 28 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 28

Approval · how many liked their films

59thpercentile
Typical film, the median of 28

Reach · how many have seen their films

59thpercentile
Typical film, the median of 28

Midcredits score across 34 titles, by percentile

  • 75th and up9
  • 50th to 74th15
  • 25th to 49th5
  • Below 25th5

Shape of the crowd

16 of their 34 titles are Crowd Pleasers.

  • Universally Loved4
  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser16
  • Broadly Agreed1
  • Mixed10

Most divisive · producer

Steel Magnolias (2012)

89th percentile spread · 35% rated it 4 or lower

Most loved · producer

Door to Door (2002)

Midcredits 94th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David A. Rosemont's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 59 · moderateMedian of all films: 44

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does David A. Rosemont work with?

People who share at least 2 of David A. Rosemont's MovieCove titles, grouped by what they did on them; Dan Angel shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers